id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_ytqea63bhvchzcayfpprrow76a	Lisa Siraganian	Out of Air: Theorizing the Art Object in Gertrude Stein and Wyndham Lewis	2003	21	.pdf	application/pdf	12438	914	67	is different from the space of the art object, is completely contraindicated in the critical consensus on Stein (a consensus that begins with Lewis himself). In the third section, I show how The Childermass is an articulate dramatization of time-philosophy in painting, and thus an excellent example of Lewis's aesthetic theory put into novelistic practice.5 the "Affective Fallacy," that situation where the "poem itself, as an object of specifically critical judgment, tends to disappear" in the surge of the reader's emotional response.26 It might appear, therefore, that Stein's theory of poetic meaning resembles by Salvador Dalí or the painting Pullman and Satters walk through—is a social phenomenon as opposed to an aesthetic one.37 As Lewis puts it, time-art "no longer stands In fact, Lewis's condemnation of The Childermass painting as a "time-hallucination" takes Stein's theory and expands on it.	./cache/work_ytqea63bhvchzcayfpprrow76a.pdf	./txt/work_ytqea63bhvchzcayfpprrow76a.txt