id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_xrud3tueirdvbltvpdv73aua5i	Carl Einstein	Notes on Cubism	2004	11	.pdf	application/pdf	3845	223	57	In the first phase of Cubist painting, Braque and Picasso attempted to reconcile this conflict by adapting objects to the painting surface through extreme distortions of form. scheme of forms, these images construct the finished object in the mind." In the of objects, but a pictorial figuration of visual (and mental) process. Einstein the conflict between memory images and Cubist form, so troubling to these periods important sculptural motifs were invented: the columnar male figure, volume: the planar and simultaneous figuration of optical movements. Now the motif is no longer an objective thing separate The Cubist painters separated the image from the object, eliminated memory and turned the motif into a simultaneous and planar figuration of representations While the Impressionist dissociated forms by means of color, the Cubist does so Artists no longer work from an image of the gods but from their own 	./cache/work_xrud3tueirdvbltvpdv73aua5i.pdf	./txt/work_xrud3tueirdvbltvpdv73aua5i.txt