id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_qg6lbnycwbdtvo264p66lnsxn4	Sunggu Yang	Picasso for Preaching: The Demand and Possibility of a Cubist Homiletic	2020	13	.pdf	application/pdf	9944	781	59	Picasso for Preaching: The Demand and Possibility of a Cubist Homiletic Keywords: cubism; Picasso; preaching; homiletic; deconstruction; multiperspectival; ubi-ductive current preaching practice (see footnote 1 for many different literary patterns of the sermon), this article ways of entering the world of the text on its own terms, from which cubist preaching arises, a preaching form that allows Another general commonality is the artistic or aesthetic dimension of cubism and preaching. an aesthetic matrix of ultimate spiritual meanings via the dual, open-ended sermonic process of transcendental then, cubist painting is the product of the dual, open-ended aesthetic process of optimal deconstruction take a different meaning from the same cubist art because (1) there is plenty of room for interpretation In general, preaching begins with textual interpretation and a resulting key message. It is not only meaning-making that is participatory in cubist preaching: so too is communication While cubism and a cubist approach to preaching still sounds	./cache/work_qg6lbnycwbdtvo264p66lnsxn4.pdf	./txt/work_qg6lbnycwbdtvo264p66lnsxn4.txt