id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_nclh5nxxxjfndman2um5qu4qka	John Beck	High Formalism: The aerial view and the colour field	2016	29	.pdf	application/pdf	8006	362	51	Formalism Abstraction Surveillance Camouflage Satellite images bureaucratic gaze of the surveillance image.1 Laura Kurgan's work is similarly technologies, the data delivered by satellite imaging systems can erroneously be taken The images that comprise Monochrome Landscapes were designed, Kurgan explains, Panels is a belated addition to Kelly's signature red, blue and green paintings of the colour fields, Kurgan has plugged her digital prints into the mainframe of American images that work like abstract paintings is to invite the assessment of the single Kurgan's use of the colour field as a mode of display but in formalist aesthetics itself. Kurgan borrows the devices of colour field painting to exhibit digital images that of 'content', to challenge the notion of the self-evident (painting, photograph, or data formalist abstraction, the point of camouflage is to work hard to produce the effect work, must camouflage the operations necessary for the production of the image.	./cache/work_nclh5nxxxjfndman2um5qu4qka.pdf	./txt/work_nclh5nxxxjfndman2um5qu4qka.txt