id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_ltbt4iekkzhvngtnqez57ylgfq	Jessamine Batario	'What could have been and never was: the intellectual context of Clement Greenberg's "Byzantine Parallels"	2018	21	.pdf	application/pdf	9746	599	59	Greenberg in his essay, 'Byzantine Parallels,' written in 1958.3 Prior to Judd's dismissal of the Byzantine-modern connection, Greenberg reached the same 3 Clement Greenberg, 'Byzantine Parallels', (1958) in Art and Culture: Critical Essays, Boston: what Greenberg would consider modern art, out of over 300 texts. Greenberg read Talbot Rice's Byzantine Art as he prepared his first draft of 14 Greenberg, 'Byzantine Parallels', 168 and Talbot Rice, Byzantine Art, plate 54. modern art, Greenberg refers to Talbot Rice, albeit in passing: 'The parallels As far as exposure to the idea of a connection between Byzantine and modern art, modern painting.35 As a remedy, Greenberg proposed to present 'what in art of the review of Venturi's Four Steps Toward Modern Art, Greenberg writes, 'It is possible 76 Clement Greenberg, 'Review of Four Steps Toward Modern Art by Lionello Venturi' (1956) in 77 Greenberg 'Review of Four Steps Toward Modern Art', 263.	./cache/work_ltbt4iekkzhvngtnqez57ylgfq.pdf	./txt/work_ltbt4iekkzhvngtnqez57ylgfq.txt