id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_jsgoqpfwozbxrbmfv5akzkyobm	John E. Bowlt	K Istorii Russkogo Avangarda (The Russian Avant-Garde). By Nikolai Khardshiev, Kasimir Malevich, and Mikhail Matiushin. Edited by Nikolai Khardshiev. Postscript by Roman Jakobson. Stockholm: Hylaea Prints, 1976. 189 pp. + 40 pp. plates. Sw.kr. 165. Distributed by Almqvist & Wiksell International, Stockholm	1978	3	.pdf	application/pdf	1966	96	57	experiments, dramatic works, prose fiction, and visions and theories ("pieces of wayward character," as Markov once referred to t h e m ) . By Nikolai Khardshiev, Kasimir Malevich, and Mikhail Matiushin. Khardzhiev frequently emphasizes that recent studies of the Russian avant-garde by to the Russian avant-garde; had he made these accessible even ten years ago, he would But it is highly questionable whether Khardzhiev, a friend of Mayakovsky, Malevich, and Matiushin, can rescue the "truth" from the dense mythology that with the Malevich and Matiushin texts gives it a new, comparative value. Khardzhiev's careful delineation of Mayakovsky's work as a painter and lubok fact, if it were not for Khardzhiev's preface and notes, the Malevich autobiography Moreover, Matiushin the artist is less familiar to us than Malevich, although, as his texts demonstrate, Why does Khardzhiev regard Matiushin as a drew parallels between the work of Malevich, Matiushin, and himself, why dismiss 	./cache/work_jsgoqpfwozbxrbmfv5akzkyobm.pdf	./txt/work_jsgoqpfwozbxrbmfv5akzkyobm.txt