id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_fpqir4w72babtph6fexvvwnpfa	Hanna Järvinen	'They Never Dance': The Choreography of Le Sacre du Printemps, 1913	2013	41	.pdf	application/pdf	17755	1534	70	terms of movement style and composition, I contest many of the frequentlyheard claims made about this work, particularly its danced component, and argue that Nijinsky's choreographic ideas challenged both dancers and critics Keywords: Le Sacre du Printemps; Nijinsky; Stravinsky; choreography; dance. "Nijinsky's Sacre" they actually think of Millicent Hodson's choreography, and as joy; or how Johnson 1913: 186 and The Dancing Times August 1913 represent Nijinsky's L'Aprèsmidi d'Faune (1912) as unnecessarily restricting dancers to a seemingly two-dimensional stage Regardless of whether they liked Nijinsky's choreography, Russian critics 68 E.g. The Times 4.11.1911 said of Nijinsky that "His dancing, too, has new elements in it, new ballet choreographers tended to dislike virtuosity, Nijinsky ended Fokine's choreography in Nijinsky's New Dance: Rediscovery of Ritual Design in Sacre du Ritual Design in the New Dance: Nijinsky's Le Sacre du Printemps. Ritual Design in the New Dance: Nijinsky's Choreographic Method.	./cache/work_fpqir4w72babtph6fexvvwnpfa.pdf	./txt/work_fpqir4w72babtph6fexvvwnpfa.txt