id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_dnvtcbcjjbbbplarhep3eg6wye	Caterina Albano	The Exhibition as an Experiment: An Analogy and Its Implications	2018	21	.pdf	application/pdf	9290	670	54	art • exhibition • experiment • knowledge production • science exhibition 'Iconoclash: Beyond the Image War in Science, Religion, and Art' York's Museum of Modern Art, Alfred J Barr, to legitimate its endeavor. the exhibitions of the Museum of Modern Art in the 1940s and, in today's Barr's designation of the New York Museum of Modern Art's exhibitions as Characteristically, the exhibitions at the Museum of Modern Art paired a century' (Museum of Modern Art, press release, 1948).3 As the title suggests, the exhibition aimed to establish the defining features of modern art as an New York, Museum of Modern Art the Museum of Modern Art with which science was endowed at the turn of In comparing the New York Museum of Modern Art to a laboratory and its exhibitions to experiments, Barr invoked a defining form of modernity and New York: The Museum of Modern Art Archives.	./cache/work_dnvtcbcjjbbbplarhep3eg6wye.pdf	./txt/work_dnvtcbcjjbbbplarhep3eg6wye.txt