id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_dhgy45sganeclajnmjbluxv6ka	Branislav Jakovljevic	Unframe Malevich!: Ineffability and Sublimity in Suprematism	2004	15	.pdf	application/pdf	7600	614	69	Malevich painted Black Square in 19I5. following twenty years, he repeated the Black Square three times in the same technique (oil on canvas), and then whenever and wherever he could: in his lithographed books, on the buttons his Vitebsk students carried on their lapels and Black Square and Female Figure mark the beginning and the end of the exhibition lenged in the series of monochrome-black Suprematist paintings that ensued the potential to alter significantly the understanding of Suprematist Painting (White Planes In his catalogue essay "Malevich, Painting, Jean-Claude Marcad6, "Malevich, Painting, It is precisely this limit that Dora Vallier finds in Malevich's White Square, this painting, see Malevich at the Russian Museum, of the best examples of Malevich's white painting and an attempt to bring together the Suprematist concept of white into figurative painting. example devised by Kharms strongly resembles Malevich's Suprematist forms: "a works feature often elaborate frames, the Suprematist paintings, presumably 	./cache/work_dhgy45sganeclajnmjbluxv6ka.pdf	./txt/work_dhgy45sganeclajnmjbluxv6ka.txt