id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_dh42o6tjqjgn3ngmihchmv4era	Marta Edling	From Margin to Margin? The Stockholm Paris Axis 1944–1953	2019	17	.pdf	application/pdf	10734	880	65	"canonical logic" of the centre–periphery narrative. The history of modern and avant-garde art is no exception; it is in fact, as the French art historian Béatrice Joyeux-Prunel has pointed out, in line with Joyeux-Prunel's critical and geopolitical argument that research on international artistic relationships tends to turn a Swedish abstract art between  and . art on show at the exhibition was muchdesired outside Paris. early Swedish avant-garde and the art produced by his mother, Siri Derkert. Rolf Söderberg wrote art criticism and in  published a new exhibition of Swedish cubism and concrete art from  to  that was planned that the Swedish artists exhibited at the gallery local positions of the art historians in Stockholm, where they had dual careers. exhibition of Swedish art in Paris as well as galleries before the  Paris exhibition. exhibition in Paris of Swedish abstract art from	./cache/work_dh42o6tjqjgn3ngmihchmv4era.pdf	./txt/work_dh42o6tjqjgn3ngmihchmv4era.txt