id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_6m6rbfyfj5ar3cxdi4zgt2fvq4	Marianne Hirsch	Editor's Column: Collateral Damage	2004	7	.pdf	application/pdf	4147	286	66	Before the power of visual images, the subject has an uncontrollable emotional response: "you cannot help but be outraged." they are images of coffins, of wounded soldiers, of scenes of torture perpetrated by or against Americans—has been so explosive. Rudolph Giuliani of New York banned cameras from the area around ground zero; photographs of persons falling or jumping from the to say about words and images and their expressivity in specific cultural and historical contexts. terms the "excessive expressivity" of visual images. in the context of the war in Iraq, visual images evoked by Phelan, faced with "the impossibility of seeing and the impossibility of not looking." We have previously seen images of atrocity back and forth between images and words, comics reveal the visuality and thus the materiality As Siebers writes, "The image may teach nothing, but it does open wounds." Those who witnessed the collapse of the towers and those who 	./cache/work_6m6rbfyfj5ar3cxdi4zgt2fvq4.pdf	./txt/work_6m6rbfyfj5ar3cxdi4zgt2fvq4.txt