id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_5idtrfxf2rf4tez2ghofu6fcxe	Belén Atencia Conde-Pumpido	0250 Synthetic Cubism at War: New Necessities, New Challenges	2020	20	.pdf	application/pdf	9747	628	66	and in particular the works of Juan Gris, María Blanchard, Jacques Lipchitz and of Cubist art by a group of artists in Paris during the war years, whose coming Léonce Rosenberg, Cubisme et empirisme, Paris 1921, or Elie Faure, Histoire de l'art, 3, art at the Museum of Modern Art in New York, Cubism & Abstract Art, exh. cat., Museum of Modern Art, New York 1949, 10; Juan Gris, cat., Museum of Modern Art, New York 1958, 17 and 22, would to a large extent lay the much disrespected Cubism; see Juan Gris to Léonce Rosenberg, Paris, 24 May 1916, creative work of these artists is evident in Georges Braque to Léonce Rosenberg, 16 Blanchard, Jean Metzinger and Jacques Lipchitz explored similar possibilities Modern, London, https://www.tate.org.uk/art/artworks/lipchitz-sculpture-t03397 when Gris, Blanchard, Metzinger and Lipchitz met in Beaulieu-près-Loches, For more on this relationship, see Christopher Green, "Lipchitz and Gris: The Cubisms of 	./cache/work_5idtrfxf2rf4tez2ghofu6fcxe.pdf	./txt/work_5idtrfxf2rf4tez2ghofu6fcxe.txt