id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_4vu2pkxg4zdhdicvfirfy6tzzi	Sjoerd van Tuinen	Michelangelo, Leibniz and the Serpentine Figure	2011	13	.pdf	application/pdf	4191	272	60	In his lectures from 1987, Deleuze draws an analogy between Michelangelo‟s figures and possible worlds within a single body without organs. Keywords: Michelangelo, serpentine figure, possible worlds, composition, sensation, Similarly, in The Fold: Leibniz and the Baroque, Deleuze argues that monads are not which Deleuze refers to Michelangelo is Francis Bacon: The Logic of Sensation. Deleuze and Guattari argue that, whereas philosophy puts distributing the world, between the soul taken as a monad in itself and the body taken as a perspective or union of body and soul – that Leibniz allows, either within the organic mannered postures of Michelangelo‟s deformed bodies are not fixed individual forms of figures are distributed in the form of multiplicities (Deleuze and Guattari 1987: 30). into another, „folds over folds‟ (Deleuze 1993: 93), within a single body without organs. Deleuze, Gilles (1993) The Fold: Leibniz and the Baroque, trans. Deleuze, Gilles and Guattari, Félix (1994) What is Philosophy?, trans.	./cache/work_4vu2pkxg4zdhdicvfirfy6tzzi.pdf	./txt/work_4vu2pkxg4zdhdicvfirfy6tzzi.txt