id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
19354	Goetschius, Percy	Lessons in Music Form A Manual of Analysis of All the Structural Factors and Designs Employed in Musical Composition			.txt	text/plain	36575	2603	69	TONE-RELATIONS, THE HOMOPHONIC FORMS OF MUSICAL COMPOSITION, MODELS OF In the second place, the tones and groups in a good melody are measured the 4th measure (preliminary tones of the following phrase) are following complete phrase appears at the beginning of a song: 16th-notes in the cadence-measure (of the preceding phrase) is "cadence-measure of the old phrase," as it is marked and as it appeals "cadence-measure of the old phrase" is unquestionably _at the same time At the end of this four-measure phrase there is a perfect cadence, continuation of rhythmic movement to the end of the cadence-measure). members) that these measures form part and parcel of the original phrase, a six-measure phrase, with perfect cadence, and is repeated, with fairly large Three-Part form; the subordinate theme (measure 47-69) is Principal theme; measures 26-30, final phrase. _Principal Theme_, Two-Part form (measures 1-24). four-measure phrases, each with a definite perfect cadence, and	./cache/19354.txt	./txt/19354.txt