id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_dfmbuusxdfakbf5ummfl42rwiq	Carla Rahn Phillips	Visualizing Imperium:The Virgin of the Seafarersand Spain's Self-Image in the Early Sixteenth Century	2005	42	.pdf	application/pdf	17081	1282	73	The Virgin of the Seafarers (1531–36) by Alejo Fernández was designed as the central panel resembled images of the Virgin by several artists who worked in Seville, but and admired in Spain), but Alejo's magnificent portraits of the king kneeling in the foreground and St. Joseph in the background give the painting the Old World context in which Alejo Fernández would paint his altarpiece Yet Alejo's rendition also suggests another image with particular resonance in Seville: the sculpted image of the Virgin of the Kings, patroness including a painting of the Virgin by Alejo for an altarpiece in Villasana de version of the gold-robed figure in Alejo's Virgin of the Seafarers, and the the gold-robed figure in The Virgin of the Seafarers depicted Columbus, The Adoration of the Magi-Kings that Alejo Fernández painted for his sovereignty, and by the time Alejo painted the altarpiece the New	./cache/work_dfmbuusxdfakbf5ummfl42rwiq.pdf	./txt/work_dfmbuusxdfakbf5ummfl42rwiq.txt