id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_cs4pqyw4ibgolc5vq7x33qg2mu	Nicole Barco	Can the Fetus Speak?: Revolutionary Wombs, Body Politics, and Feminist Philosophy	2018	26	.pdf	application/pdf	20123	1241	64	Carlos Fuentes's Cristóbal Nonato (Christopher Unborn) explore conception, gestation, and birth as subject; fetus; fetal subject; fetal person; personhood; metaphor; Ariel Dorfman; Carlos Fuentes; Chile; Ariel Dorfman's La última canción de Manuel Sendero and Carlos Fuentes's Cristóbal Nonato1 explore to life/lives that cannot speak for itself/themselves (Dorfman 1982; Fuentes 1994). 1 I have chosen to use the official translations of these novels, since both Dorfman and Fuentes have authorized and Fuentes," for a reading of Cristóbal in terms of the historical figure of Christopher Columbus (Rivero-Potter 1996). In this article, I analyze Fuentes and Dorfman's maternal-fetal metaphors for their metaphysical Although Dorfman and Fuentes participate in the (re)production of "new, national fetal subjects," their aesthetic and political projects.16 A striking commonality in both Dorfman's and Fuentes's novels Dorfman and Fuentes within the larger literary context of the postmodernism and the neobaroque: "The fetal narrators in Ariel Dorfman's La última canción de Manuel Sendero and Carlos Fuentes' Cristóbal Nonato.	./cache/work_cs4pqyw4ibgolc5vq7x33qg2mu.pdf	./txt/work_cs4pqyw4ibgolc5vq7x33qg2mu.txt