Summary of your 'study carrel' ============================== This is a summary of your Distant Reader 'study carrel'. The Distant Reader harvested & cached your content into a collection/corpus. It then applied sets of natural language processing and text mining against the collection. The results of this process was reduced to a database file -- a 'study carrel'. The study carrel can then be queried, thus bringing light specific characteristics for your collection. These characteristics can help you summarize the collection as well as enumerate things you might want to investigate more closely. Eric Lease Morgan May 27, 2019 Number of items in the collection; 'How big is my corpus?' ---------------------------------------------------------- 84 Average length of all items measured in words; "More or less, how big is each item?" ------------------------------------------------------------------------------------ 32128 Average readability score of all items (0 = difficult; 100 = easy) ------------------------------------------------------------------ 69 Top 50 statistically significant keywords; "What is my collection about?" ------------------------------------------------------------------------- 22 University 20 York 19 Press 16 Stevens 13 New 11 american 6 Music 6 London 5 thing 5 John 5 James 5 Education 5 CPP 4 student 4 school 4 page 4 object 4 Wallace 4 Vancouver 4 Eds 4 Canada 3 world 3 work 3 poem 3 music 3 like 3 experience 3 canadian 3 Poetry 3 Johnson 3 Ibid 3 Henry 3 God 3 Fiction 3 England 3 Albert 2 woman 2 western 2 way 2 uma 2 text 2 story 2 star 2 spirituality 2 soviet 2 religion 2 que 2 play 2 performance 2 para Top 50 lemmatized nouns; "What is discussed?" --------------------------------------------- 33373 i 22472 t 20892 l 19202 r 15593 o 10100 c 7146 e 6805 p 4756 h 4171 a 4144 n 4103 s 4094 d 3805 experience 3630 work 3574 v 3507 way 3123 world 3121 art 3094 g 3072 time 2749 life 2595 music 2591 story 2428 student 2415 p. 2373 thing 2106 object 2084 word 2043 concept 2016 research 1951 part 1931 idea 1904 sense 1898 term 1876 poem 1850 people 1828 place 1815 man 1767 space 1736 form 1661 study 1635 example 1604 woman 1579 image 1544 y 1530 mathematic 1492 something 1461 process 1459 year Top 50 proper nouns; "What are the names of persons or places?" -------------------------------------------------------------- 39175 e 28711 s 24865 t 16772 i 15725 r 10967 u 10546 f 9716 n 9062 l 8635 c 8406 o 8055 h 7833 d 5863 y 4935 g 4498 _ 3913 a 3116 Stevens 2969 b 2914 p 2616 w 2553 m 2531 New 2142 v 1947 York 1563 University 1481 Press 1447 C 1233 UNIFIL 1141 x 1063 J. 994 pp 986 Vancouver 972 S 858 k 793 London 773 M. 729 j 727 Frege 716 John 709 R. 700 de 664 D 644 Lebanon 615 Iran 586 Nietzsche 585 Beat 583 A 578 Mandeville 576 al Top 50 personal pronouns nouns; "To whom are things referred?" ------------------------------------------------------------- 29090 i 15022 it 7621 we 7220 they 6575 he 4494 you 3215 she 3044 me 3013 them 1862 us 1445 him 1195 itself 890 themselves 818 her 789 one 609 himself 417 myself 354 ourselves 271 herself 265 em 111 s 105 yourself 86 oneself 69 ’s 29 mine 21 ya 21 ''s 17 thee 16 ‗x 14 y’ 13 theirs 12 ours 11 yours 9 elias 8 his 8 andrews 6 hers 5 net´s 5 há 5 f 4 ―on 4 ourself 3 ’em 3 p 2 ―what 2 vo 2 pp 2 na 2 music.9 2 ii Top 50 lemmatized verbs; "What do things do?" --------------------------------------------- 71662 be 15221 have 8294 do 4417 make 3993 s 3558 see 3005 use 2875 know 2618 take 2596 say 2407 think 2265 become 2183 come 2116 go 2063 find 1981 write 1928 give 1772 t 1691 seem 1427 create 1418 work 1391 feel 1352 get 1311 mean 1310 understand 1309 suggest 1303 describe 1273 look 1253 include 1239 follow 1209 begin 1208 read 1208 call 1204 want 1155 play 1125 provide 1106 tell 1062 show 1060 live 1014 ’ 984 consider 982 argue 980 learn 956 need 927 speak 905 develop 876 base 867 allow 856 bring 851 ask Top 50 lemmatized adjectives and adverbs; "How are things described?" --------------------------------------------------------------------- 12999 not 4242 more 3676 other 3162 also 3138 so 2752 only 2743 such 2255 first 2248 then 2224 own 2079 well 2071 most 2023 new 2001 up 1907 here 1843 very 1829 as 1821 many 1775 even 1762 out 1698 - 1649 however 1608 rather 1582 different 1472 much 1398 same 1393 just 1364 social 1352 aesthetic 1336 early 1302 good 1249 now 1232 human 1210 particular 1189 important 1171 thus 1091 local 1076 always 1023 long 1000 never 990 personal 954 often 949 too 922 perhaps 912 there 880 back 852 still 843 common 835 possible 833 political Top 50 lemmatized superlative adjectives; "How are things described to the extreme?" ------------------------------------------------------------------------- 689 most 474 least 346 good 105 Most 91 great 83 high 74 early 43 bad 38 large 35 late 31 deep 29 big 27 close 22 strong 20 small 20 low 16 simple 15 manif 11 clear 11 broad 10 old 10 near 10 full 10 fine 9 young 9 wide 9 long 7 short 7 lonely 7 hard 7 dark 6 pure 6 poor 6 happy 6 extreme 6 easy 5 smart 5 new 5 mere 5 e 5 bare 4 slight 4 safe 4 innermost 4 furth 4 few 4 dear 3 true 3 slow 3 sharp Top 50 lemmatized superlative adverbs; "How do things do to the extreme?" ------------------------------------------------------------------------ 1382 most 102 well 77 least 4 worst 3 hard 2 highest 1 warmest 1 triangle.1 1 soon 1 r∈g 1 pinterest 1 ohara_final4print.indb 1 newest 1 greatest 1 fast 1 farthest Top 50 Internet domains; "What Webbed places are alluded to in this corpus?" ---------------------------------------------------------------------------- 324 doi.org 302 www.cambridge.org 60 aerj.aera.net 56 www.youtube.com 53 aerj.aera.netdownloaded 41 refhub.elsevier.com 33 henryflynt.org 25 rekeja.files.wordpress.com 24 www.tandfonline.com 21 journals.cambridge.org:8080 21 journals.cambridge.org 18 muse.jhu.edu 18 doi 17 dx.doi.org 16 creativecommons.org 13 about.jstor.org 10 www.metal-archives.com 10 www.facebook.com 10 freemuse.org 9 www.reverbnation.com 9 www.britannica.com 8 ccrma.stanford.edu 8 blogs.discovermagazine.com 7 www.henryflynt.org 7 webarchive.nationalarchives.gov.uk 7 en.wikipedia.org 7 crossmark.crossref.org 7 chronicle.augusta.com 6 www.vanartgallery.bc.ca 6 www.un.org 6 www.myspace.com 6 www.mdpi.com 6 www.headheritage.co.uk 6 www.cigarboxnation.com 6 www.2shared.com 6 www 6 orcid.org 6 freethoughtreport.com 6 bit.ly 5 www.speculations-journal.org 5 www.gov.uk 5 www.culture.gov.uk 5 www.bbc.co.uk 5 www.aera.net 5 wrldsrv.blogspot.co.uk 5 stevenconnor.com 5 shura.shu.ac.uk 5 imi.aau.dk 5 en.oxforddictionaries.com 4 www.theirm.org Top 50 URLs; "What is hyperlinked from this corpus?" ---------------------------------------------------- 151 http://www.cambridge.org/core/terms 151 http://www.cambridge.org/core 62 http://doi.org/10.1017/S0025727300043970 56 http://aerj.aera.net 53 http://aerj.aera.netDownloaded 51 http://doi.org/10.1017/S0003055400196327 38 http://doi.org/10.1017/S0149767716000218 21 http://journals.cambridge.org:8080 21 http://journals.cambridge.org 18 http://doi 13 http://about.jstor.org/terms 9 http://creativecommons.org/licenses/by/4.0/ 8 http://doi.org/10.5334/snr.94 6 http://www 6 http://freethoughtreport.com/wp-content/uploads/2013/07/FOTReport2013.pdf 6 http://blogs.discovermagazine.com/intersection/2010/09/20/richard-dawkins-the-spiritual-atheist/ 4 http://www.open.ac.uk/Arts/jasanas/ 4 http://www.barnesandnoble.com/s/?store=book&keyword=Time+and+Chance 4 http://eprints.kingston.ac.uk/41775/ 4 http://dx.doi.org/10.1080/13669877.2014.910679 4 http://doi.org/10.1558/imre.v14i3.257 4 http://doi.org/10.14220/9783737000994.101 4 http://doi.org/10.1163/9789004319301_013 4 http://doi.org/10.1163/9789004319301_011 4 http://doi.org/10.1163/9789004319301_008 4 http://doi.org/10.1163/157361211X564611 4 http://doi.org/10.1163/15736121-12341293 4 http://doi.org/10.1163/15700682-12341422 4 http://doi.org/10.1111/spc3.12035 4 http://doi.org/10.1111/russ.10726 4 http://doi.org/10.1111/jasp.12259 4 http://doi.org/10.1111/j.1468-5906.2004.00216.x 4 http://doi.org/10.1093/socrel/srr003 4 http://doi.org/10.1093/oxfordhb/9780199644650.001.0001 4 http://doi.org/10.1093/acprof:oso/9780199640911.003.0007 4 http://doi.org/10.1093/acprof:oso/9780198736844.001.0001 4 http://doi.org/10.1080/13674676.2010.509847 4 http://doi.org/10.1080/13537903.2015.1081354 4 http://doi.org/10.1080/13537903.2014.864803 4 http://doi.org/10.1080/0305764940240309 4 http://doi.org/10.1037/rel0000013 4 http://doi.org/10.1017/CBO9780511791017 4 http://doi.org/10.1017/CBO9780511598838 4 http://doi.org/10.1017/ 4 http://doi.org/10.1016/j.tics.2012.11.006 4 http://doi.org/10.1007/978-3-319-48476-1_7 3 http://www.youtube.com/watch?v=PKat2m58DJs 3 http://www.youtube.com/watch?v=4-lq7GK-nl0 3 http://www.sd6.bc.ca/Departments/Curriculum%20and%20Learning/Enhancing%20Learning%20Framework/Documents/Superintendent%27s%20Report%20on%20Student%20Success%202017%202018.pdf 3 http://www.newmusicbox.org/assets/54/interview_young.pdf Top 50 email addresses; "Who are you gonna call?" ------------------------------------------------- 4 atko.remmel@ut.ee 3 g.allen@griffith.edu.au 2 usir@salford.ac.uk 2 tarltonjb@ozemail.com.au 2 susan.graham@ucalgary.ca 2 smith_christina@hotmail.co.uk 2 s.billett@griffith.edu.au 2 r.harrison@ed.ac.uk 2 pat.oseaghdha@lehigh.edu 2 jvallejos@unsam.edu.ar 2 g.nalder@griffith.edu.au 2 c.a.taylor@shu.ac.uk 1 vbn@aub.aau.dk 1 tedgioia@hotmail.com 1 support@jstor.org 1 research-ethics@griffith.edu.au 1 pure-support@ou.nl 1 patrik.juslin@psyk.uu.se 1 p.atkinson@shu.ac.uk 1 openaccess@qub.ac.uk 1 openaccess@ed.ac.uk 1 ld@soas.ac.uk 1 kwerner@ccrma.stanford.edu 1 khaleelniu@gmail.com 1 jatila@physics.ucsb.edu 1 james.mitchell@students.mq.edu.au 1 jaap.hage@maastrichtuniversity.nl 1 franz.riegler@meduniwien.ac.at 1 fernando@american.edu 1 elyse@siu.edu 1 bst@create.aau.dk 1 brennanjean1@gmail.com 1 amalmohanacr@gmail.com 1 alan.bleakley@plymouth.ac.uk 1 abel@ccrma.stanford.edu 1 rsil@ors.ubc.ca 1 r.till@hud.ac.uk 1 joanne.mancini@nuim.ie Top 50 positive assertions; "What sentences are in the shape of noun-verb-noun?" ------------------------------------------------------------------------------- 3231 a t i 1846 i s t 1846 i t y 1557 c t i 1392 i t i 1189 s t i 1186 e s s 1133 a t e 1004 i t e 980 e s t 953 i t h 930 i t s 883 n t e 882 s t r 824 n t i 819 s s i 758 a t o 659 s t u 640 i s i 597 r t i 568 s t o 563 s t a 529 n s t 510 s t e 508 n t s 486 i s c 471 n s c 471 n t h 464 n s i 462 s t h 435 i s h 432 s s e 428 n t r 413 t t e 387 n t o 384 a t t 380 a s t 377 e s e 373 i s s 360 a s s 356 e s i 347 a t h 346 i s m 340 i t u 340 r s t 332 e t i 325 o t h 322 o s s 318 t s e 313 i s not Top 50 negative assertions; "What sentences are in the shape of noun-verb-no|not-noun?" --------------------------------------------------------------------------------------- 12 i s no longer 8 i s no l 6 i s no s 6 i s not d 6 i s not f 6 i s not s 6 i s not t 5 i s not as 5 i s not r 5 i s not simply 5 i s not something 4 a t no one 4 i s no p 4 i s not e 4 i s not enough 4 i s not known 4 i s not p 4 i s not so 4 work has not previously 3 i s no i 3 i s no more 3 i s no one 3 i s no wonder 3 i s not l 3 i s not n 3 i s not necessarily 3 i s not there 3 i t not o 2 art is not simply 2 d does not r 2 g does not c 2 i s no a 2 i s no easy 2 i s no o 2 i s no r 2 i s no reason 2 i s no sense 2 i s not a 2 i s not c 2 i s not even 2 i s not h 2 i s not o 2 i s not surprising 2 i s not too 2 i s not u 2 i s not unaware 2 i s not worth 2 i t not e 2 s are no longer 2 stevens did not just Sizes of items; "Measures in words, how big is each item?" ---------------------------------------------------------- 173960 work_ojwhhx4m4jdb3hxf4xfjllecxy 167730 work_k5bw4r2hwnhcrieuqvtm4cyxui 152679 work_sbzmsxzvxjfllgndwbkg4mbxcu 129153 work_a3q3uy2ibjaaniqbnaq2rhwc3e 107009 work_epvsrtmnfzadbdob3jqjc7ix7a 106168 work_kn4fgkn445ffhhfosf6vgxny44 104188 work_yppx6jysffe23gqdmnc3ct625i 101767 work_nytswgbk3rg23dvozgfrwbvrae 99155 work_naabgn6aujg3dd2lsn63lwchji 95594 work_diayjqyh2reffpwaap2xg7lj2a 92199 work_3ad4zhnt55bl5cf6q7iyypspva 83606 work_xdoebvg2xjdothtumetvtrbxyi 81919 work_7hath36sl5g5jjurucr5vlajsq 70784 work_ptrqatik2rb7lbpzhlct52ldwe 70010 work_uedjmuarsrftnpqwyswlnmp2su 65430 work_ofrtlgpgozfjfjxs3ajrmvpmme 62390 work_2wqlzl6g6vc5vexa5kqijnc32q 56608 work_ey3akxayzjgadk4cym2yumlv44 51430 work_rlncehiymneivk2tz4osco76x4 51250 work_5exozb2y6bgklpbgnoprj2ptxa 50763 work_qwarbhwkc5dhvcbxj2sq4nb26m 48706 work_yqi3blf4crgyrdmhtnskashyju 48047 work_hmnduvushzffzhtto7saw4xzy4 44200 work_fos67nw6zjb6lblxc72ggtzakq 39902 work_qei55uivxrdull7bcrfq4en2sy 32698 work_fjzrgm4tgrhalbcrqogypk3ovi 28677 work_drzpwrrzdnfb5egdsdtx7ws5ci 27248 work_ovznndcq5bddlm7fmvin4ggyzq 25628 work_x52lebkxwngbrcg5pdt3wrbwpm 23115 work_rxcpvf7emngwniwtgincssigzu 21041 work_j365i7y6czfvfd2xgtshh7e7ei 19966 work_qz6lfui3mvaq7ky2qsuuphmzya 17954 work_6gyfuq7rgjfetmbgkdjywbyz3e 14193 work_iabdrxfur5dhhcsebcq3wiyl24 12141 work_r2yh2xsgkrao5aee6dkffwxypy 11927 work_jci7pb77gvhddbqzszsiipfdpa 11888 work_y2ghdzlmrzbbdnpatg35kv4kre 11630 work_7jagcly6b5dzdjjdpzoel2kol4 11230 work_nl5aw5egpzecvggsns4alonneq 11164 work_wiovv3okjzetthjn4z5upaiyda 11037 work_a3zuymezwjasjlu6wd4t7fayeu 10734 work_a7tjf63yv5bqhc5ti7dye7o7wa 10677 work_cxoqb4uja5ctrhdxq764cqjxuq 10567 work_hx534dx2hzcc7jbq4yljmyezpi 10556 work_x3bdyqd7bnavdp2i22xjrlapwm 10436 work_h5rtzlockrfndgvafpuunpziaq 10436 work_uzpby4gncfb2bjqnhdqrpxo4h4 10395 work_pzymdnlrsrg3hmejylvji2qwui 9989 work_5y7yakaz4bcjrped6syzasvwvu 9321 work_g6c46d7c55cfreyrg2xvzf6xe4 8778 work_ncq27ifllnbcno6fkkpogxd5u4 8624 work_n6e2b2a7hfek5mijm7rziwgm64 8455 work_6ujzcidklbfgvb5iyz5lmhqgre 8358 work_3asa5qxlenh3tm63bffpvzd46i 8123 work_leofnl3hijcq3iaumr7qgdkgqe 8029 work_nar7abtvm5b2rjlx4fblx2ryqe 7644 work_aavw7x2gcrcjvefazdtu3vfxpm 7642 work_pp4aupyndzamzl2l3qyhem32xy 7487 work_hej7xirnsnfgfooktxrcq6ge7q 7465 work_2tudfn6p7vbovpiu2j5biw4d4m 7061 work_ddzfd5nw7nbirclsz4geq25kji 7017 work_oi4iiyfejjaphdavtw26kh64ki 6618 work_sbauwiquvfcdrexkl4zlqyc5ta 6515 work_5wgmcxajqzfhxp4gvy3vai6z44 5993 work_5tieywzcmjfnreck37fx64knlu 5916 work_alvr5uqqyneupgk6owflegmm2a 5365 work_qu4mhv6knfctfa3xqf774kpdwe 5070 work_jedxx6m335dufn7qlhs7xcuecm 5009 work_pad4vsuqz5hxhphrssqjrk3s5e 4037 work_jmovsopbjfhwzbx5h5objmaeiy 3926 work_i5phrzznw5c4hfobj4addy632m 3199 work_fekrsh7okfadfm6kkdqporjxve 2652 work_aopevinn2rczvmki5sp3kv6du4 2060 work_a7ef57sw2jbkvkxhdpxfasm24q 2009 work_gcgn73nxpffpzmnd4jadogsbuu 1791 work_vnxhtinvfrg7rgigyrex4ijsmy 1749 work_lwrjm2qsujfuphgdwfl7v43thq 748 work_eobo4ufgabgldlsfaujzygkvse 748 work_moejrmbnj5hoff6j7vuwx4ryza 747 work_vpxxzkt23jbbvle4fwzw3wuzpi 278 work_azepeftgqzgbpfxxtiy7eadhw4 144 work_pkhdyt6m4zgz5oulbmidhtkwfm 144 work_3ahu3wcizfh2be3s7s5tt7blb4 83 work_tnvibjj3pbdjvghgbv367bf3pu Readability of items; 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"In a narrative form, how can each item be abstracted?" ----------------------------------------------------------------------- work_2tudfn6p7vbovpiu2j5biw4d4m "Dead Opposites" or "Reconciled among the Stars"?: Stevens and Eliot Stevens thought of Eliot again, but was dismissive: "It is possible that a In fact, the nature of Stevens''s objection to Eliot''s unquestioned reputation, and his perception of its negative consequences, This comes from Eliot''s "The Hollow Men" (III), and this, from Stevens''s Stevens''s poem was written considerably later than Eliot''s, but I am not of Stevens''s that we can be certain Eliot knew was "The Emperor of IceCream," since he alluded to it in the title of the final lecture on the course because the association between Eliot and music Stevens enunciated in I suggest that this shows Stevens as a more penetrating reader of Eliot than is provided by the unconvincing example of "The five four-line stanzas; but, thinking like Eliot''s poem about "landscape" which Stevens embarked (CPP 428), and that Eliot to some extent derided: work_2wqlzl6g6vc5vexa5kqijnc32q reading Stevens'' poetry, bearing in mind the claims he makes for art and poetry Reality, in Stevens'' use of the word, may be the world supposed to be antecedent in itself or the 17 Doggett is striking at a similar point when he argues that ''Stevens'' poetry envisions a world burgeoning in remain the never-resting mind,'' (179), writes Stevens in ''The Poems of Our Climate'', lacerating than Miller, when discussing Imre Salusinszky''s strategy of asking ''participants to provide an on-thespot interpretation of Stevens'' poem "Not Ideas about the Thing but the Thing Itself"'' (Sampson, 2000, 186Here we see Stevens extending the self-world integration to include non-human humanist''s lack of God. With this in mind, I think we can and should read Stevens as an 88 David Perkins argues that Stevens'' ''poem does not describe but merely invokes "The Snow Man" by In Stevens'' poetry, early through late, the world, the earth, the cosmos, nature, work_3ad4zhnt55bl5cf6q7iyypspva readings of Nietzschean intertexts in a number of Stevens'' early poems, the second and third will to creative power in Stevens by marking the ways in which these poems extend Nietzsche''s Nietzsche, I begin with a reading of "Description Without Place"—a poem which Stevens "Nietzsche in Basel" was a hero of Stevens'' imagination.3 In my reading of the poem, I interpret Like Leonard and Wharton, and Bates as well, I too read Stevens'' poems as suggesting neo-Nietzschean reading of Stevens'' late poem, he diagnoses the insightful critic blind to the fact reading of Nietzsche in Stevens suggests that he, like many other celebrants of the For Leggett, Stevens'' early poems follow Nietzsche on this point, poem of the series, "Common Soldier." It is possible to read Stevens'' opening sketch of his Stevens'' early receptive reading of Thus Spake Zarathustra, is suggested in the poem''s linkage of work_3ahu3wcizfh2be3s7s5tt7blb4 sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218307388 (wp-p1m-39.ebi.ac.uk) Time: 2021/04/06 02:11:35 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ work_3asa5qxlenh3tm63bffpvzd46i In this paper, I attempt to give a reading of some poems by the great Portuguese poet, Fernando Pessoa, focusing in particular on the relation between thought and things or mind and world as it is figured in poetry. I would simply like to read a few poems by Pessoa, or rather by the heteronym Alberto Caeiro, who is always referred to as "the master." Caeiro was "Things have no meaning" ("As cousas não têm significação") in the sense Caeiro asks: why would we delude ourselves into thinking that another thing beyond them to their hidden or occult meaning; once again, the word Caeiro As Caeiro says, "To think is not to understand" (Fernando Pessoa & Co 58). I''d like to turn to the final two sections of the poem, where these seemings are called "description without place." What does Stevens mean by description? work_5exozb2y6bgklpbgnoprj2ptxa "Map the story," we tell students when they learn to read. A s educators, we live in nations, we work in school districts, we study in departments. lived space then, I wonder what these directives might feel like to immigrant student Studies 11 curriculum''s Social Issues unit encourages students and teachers to "LIST Do we want the students we teach to study the past, or to remember and respond to it? 13), and bring our students into the experience of memory and history as a lived, how to raise awareness of skin privilege among white educators and students), I feel it is In this class I needed to find ways to create spaces for the white students social identity development, because in many ways the students in this class were working school memory; the second time, ask students to see themselves as a character, or an work_5tieywzcmjfnreck37fx64knlu (Re)authoring the 27 club: Bewildered voices, acousmatic audiophilia and 2004), and suggest that in listening-in to the ethereal and imagined thoughts of a longdeceased rock star, they themselves perform the very (re)authoring the mimetic voice itself short musical work developed with my undergraduate performing arts students, to be That''s Left opened the way for a consideration of the limits and layers of vocal performance; voice tries to imitate another, emulation will always be limited by ''the materiality of the body cultural signifiers were the expressed limits of mimetic character in their vocal performance. In this iteration, the voice acts as a site which negotiates the limits of vocal mimesis as it mimesis, the bewildered vocality also performed the distancing of voice from character. sense, the celebrity may be authored by a ''bewildered voice''. facilitated by the limits, layers and potential of vocal mimesis in musical theatre performance. work_5wgmcxajqzfhxp4gvy3vai6z44 Pop stars and idolatry: an investigation of the worship of popular music icons, and the himself as an icon of consumer culture, as a deified ''rock god'' worshipped by his fans, and as a preacher leading his Prince''s work and the role of the pop star as an icon within contemporary culture, an icon that contains a physicality Keywords: Prince; popular; iconography; icon; star Consumer culture uses popular icons as examples of idealised consumers, the music industry in worshipper creating the popular icon, as without an audience a star is merely another person. 3 Some popular music stars have renewed and reinvigorated their work by creating new versions of their onstage character, notable Prince is one such star who has managed to progress to the status of popular icon, using an overt culture, Prince and his peers in the world of music are fulfilling roles traditionally played by religious figures work_5y7yakaz4bcjrped6syzasvwvu Material Feminism and Object-Oriented Ontology ''alien phenomenology'', and then from Bogost to Graham Harman''s (2011) theory of objectoriented ontology, which is either an offshoot of speculative realism, its overarching field, or the case of object-oriented ontology and explicitly in the case of material feminism) offered critical theory, speculative realism and object oriented philosophy is overdue'' to pursue these Below, as I diffractively muse on speculative realism and material feminism, I want to Thus, a diffractive reading in/between object-oriented ontology and material feminism object-oriented ontology''s claim to the invention of a new philosophical universalism, a I now musingly diffract object-oriented ontology via new material feminism and, which constitute the material world, nature and matter as separate ''objects of thought'' set Harman offers a ''weird realism'' of objects ''that shows the human-world circle to be Object) and new material feminism (Barad''s Meeting the Universe Halfway) I have engaged work_6gyfuq7rgjfetmbgkdjywbyz3e Drawing attention recently in his ''Health, disease and medical care'' to advances F. Bynum, ''Health, disease and medical care'', in G.S. Rousseau and Roy Porter (editors), The Jewson, ''Medical knowledge and the patronage system in eighteenth century England'', Sociology, in their Health care andpopular medicine in nineteenth-century England, London, Croom Helm, 1977, pp. medicine dispensed traditional lay medical lore mixed with elite Edinburgh Smith, ''Prescribing the rules of health: self-help and advice in the late eighteenth century'', in Porter F. Bynum and Roy Porter (editors), William Hunter and the eighteenth-century medical Though those lines were penned by a physician, the Gentleman''s Magazine''s medical of medical topics provided by the Gentleman''s Magazine, or even those contributions changing place of medical matters in the Gentleman''s Magazine in the nineteenth Lay medical knowledge in the eighteenth century Lay medical knowledge in the eighteenth century Lay medical knowledge in the eighteenth century work_6ujzcidklbfgvb5iyz5lmhqgre world has a way of recording not just the discrete tones of music but all it.8 Like the gramophone, this offered a real-time transcription of a sonic musical storage suggested by his barrel-organ story; that is of memory something else in this dead storage: recorded music saves the past, returning recorded music; and to open himself to this sound, the sound of human In his earlier work in particular, Stevens often describes music in unconscious, in ''Notes'' music is ''like a sense, / A passion that we feel, not In this poem, and indeed throughout Stevens''s mature poetry, music serves poem, Stevens expands on that vision in terms which refer us both to music to the world of human music-making and Helmholtz''s depicting sonic of music as the transcript of the temporal struggle of the will in mind, I recorded music – the story whose first stop is the player piano, the work_7hath36sl5g5jjurucr5vlajsq blues music — inspired by African Americans'' historic struggle to live with Arts-based inquiry, like blues music, is naturally performative. 1 1 4 Formed by singer/guitarist Randy Sparks in 1961, the group had several folk music hits, on Columbia Records, 1 4 2 The original studio recording featured New York studio musician Al Kooper on Hammond organ. to play back-up for big-time touring rock acts like Ten Years After, Fleetwood Though blues music continued to thrive in poor, working-class black For years, in addition to learning how to play the blues, been white cracker-head music to some, but it sure felt like the blues to me. 2 3 2 Excerpted lyric, from "Working Man Blues," written and released on Capitol Records in 1969 by Merle Haggard. 2 8 6 New York-born rock musician and record producer Robert "Waddy" Wachtel (b.1947) form of spontaneous interaction typical of African American blues-based music work_7jagcly6b5dzdjjdpzoel2kol4 most of the historical studies of modern and contemporary dance in Argentina have focussed on describing the process of modernizing artistic practices.1 Accordingly, certain and 1970 by two contemporary dance works presented by the San Martín Theater Ballet, Oscar theater authorities with their links to the dictatorship that tries to censor them as well as the journalism that vindicates them are cultural actors who give political content to the work above and him to organize a series of dance performances and the choreographer suggested to him that a company should be set up that would work in the theater permanently and be associated with the language of contemporary choreography (Isse Moyano 2006, 112). That same year of 1970, the San Martín Theater Ballet put on The Rite of Spring again—the work Dance, Sexuality, and Utopian Subversion Under the Argentine Dictatorship of the 1960s: The Case of Oscar Aráiz''s The Rite of Spring and Ana Itelman''s Phaedra work_a3q3uy2ibjaaniqbnaq2rhwc3e fixing the references of mathematical terms in his unique ontology of functions and objects. Frege''s somewhat more traditional view of mathematical truth, that ―If the arbitrarily postulated axioms [of With Hilbert''s work on the foundations of geometry, a new conception of mathematics as the views of geometry and axiomatics, then turn to an analysis of Frege''s criticisms of Hilbert. axiomatic system, on Hilbert''s view, we cannot speak of the truth of mathematical axioms Hilbert''s interest here is in the structure determined by the axioms of Euclidean geometry, Frege himself viewed axioms as unprovable truths, and definitions as a kind of logical entities of the appropriate type(s); Frege viewed (first-level) concepts as functions which take objects as that thoughts do not possess non-logical structure; simply that, in his work, Frege is only There are several ways to define the natural numbers in terms of many general algebraic structures, not just set mathematical objects like Frege''s Caesar problem. work_a3zuymezwjasjlu6wd4t7fayeu Sunfl ower as public school teachers with Teach For America, thinking about � ere''s a sign outside the door that says all students are to wait for of face time with students, whether in class, at lunch, on hall duty, tutoring during prep period or whatever else. We tell her, and she slowly turns her old head to us and says, "Well, y''all I drive over the old train tracks and turn down Church Street, my student''s � ere are moments in your life as a teacher, especially if you work with students who suff er every day the brutal, life-stunting blows of poverty, racism and He stares at us, shakes his head, says, We ain''t got nothin'' for y''all to eat I slowly turn away and close my classroom door; as my students get started on I been teaching high school math for thirty-fi ve years, Mr. Wilkins. work_a7ef57sw2jbkvkxhdpxfasm24q Roger Troutman is most known for expanding the range and melodic possibilities of the talk box or voice box—a device that allows an artist to fuse vocal Roger Troutman was in his early twenties when inspired by Stevie Wonder, who frequently used the talk box during live performances in the The area was ripe with independent record labels and disc jockeys at stations like WDAO (Dayton) who frequently aired singles by local bands. The overlapping sound research and social activism of Roger and the Troutman would, nevertheless, keep Roger''s brand of funk—and funk music at large— The Blues/Funk Futurism of Roger Troutman 123 The Blues/Funk Futurism of Roger Troutman 123 The Blues/Funk Futurism of Roger Troutman 123 6. Zapp (Roger Troutman), Karen Shearer Papers, Archives of African American Music and 6. Zapp (Roger Troutman), Karen Shearer Papers, Archives of African American Music and 6. Zapp (Roger Troutman), Karen Shearer Papers, Archives of African American Music and work_a7tjf63yv5bqhc5ti7dye7o7wa Brown''s participation in the black gospel music community of Augusta, Georgia, from the On 26 May 1992, "Godfather of Soul" and former gospel quartet singer James Brown gave an interview and sang on the Parade of Quartets, a black gospel music television gospel music performances and interviews with black political, religious, and cultural figures. music events, performed on and regularly viewed Parade of Quartets, and maintained vibrant personal relationships with Augusta gospel musicians. relationship with black sacred music include Brackett''s "James Brown''s ''Superbad'' and the DoubleVoiced Utterance," Popular Music 11/3 (1992): 309–24; Alexander Stewart''s "''Funky Drummer'': New Brown''s late-life involvement with Augusta''s gospel music tradition and religious to attend.26 In the early 1990s, Brown once performed gospel music on Parade of 27 Virginia Norton, "Percy Griffin, through the Years: Singer Looks Back on His Career in Music with Swanee Quintet," Augusta Chronicle, 30 September 2006, http://old.chronicle.augusta.com/ recordings and often performs gospel music in Augusta''s black and white churches work_aavw7x2gcrcjvefazdtu3vfxpm Blues historians have described Hooker''s boogie as a ''rhythmic drone, twisting once it dips below 130 bpm, the tempo of Hooker''s slowest unaccompanied boogie, between the blues and boogie tempos relates to the ''free'' speech-like rhythms. force in Hooker''s blues and boogies is the triple subdivision of the beat, sometimes the isoriff is inherently a triplet, Hooker''s boogie often converts it into a duple triplet-quaver (") trails off, providing a link across the blues/boogie tempo gap ''Boogie Chillen 2 ( I Gotta Be Comin'' Baby )'', the metric relationship between footstomp and isoriff is so tenuous – likely a result of Hooker changing his mind as to the The underlying rhythmic engine of Hooker''s boogie is the perpetual cycle of alternating long beats and short upbeats. Such is usually the case in Hooker''s boogie, whose beat/upbeat cycle a slow blues to a fast boogie: the temporal interval between the upbeat ( short note ) Tempo acceleration appears to be an inherent feature of much blues music. work_alvr5uqqyneupgk6owflegmm2a Gracyk; Disruptive Divas: Feminism, Identity and Popular Music by Lori Burns and Anyone who has taught this kind of class can almost certainly supply a similar anecdote; students'' emotional investments in popular music are so profound that any slight to their preferred artist is bound to be felt as a personal Mass art is often despised for its commodifying ways; critics assert that "authentic" musical experiences ought to connect listeners to performers and Gracyk reprimands critics like these for allowing a repugnance for the commodification of music through the mechanisms of mass art to color their responses to a case of hybridization, the kind of process that is crucial to the women is a mainstay of many genres of popular music, and one that can certainly be understood to symbolize the unacknowledged female drudgery behind male success that is critiqued by Marxist feminists.6 In these chapters, work_aopevinn2rczvmki5sp3kv6du4 The Songs We Know Best: John Ashbery''s Early Life by Karin Roffman (review) The Songs We Know Best: John Ashbery''s Early Life by Karin The Songs We Know Best: John Ashbery''s Early Life. "The Thief of Poetry," "My Erotic Double," "Self-Portrait in a Convex Mirror"—these Ashbery titles inevitably came to mind as I was writing the previous paragraph, still more evidence that this poet is always steps ahead of his the Ashbery who follows Wallace Stevens in conceiving poetry as "a violence reminds me, in turn, of Ashbery''s self-revealing remark apropos the poems of Yet the pattern of social tensions that Roffman traces in the fluctuating facts of Ashbery''s life also bespeaks a double existence, one that, in the crucible of the poetic sensibility, would transform into an imaginative dialectic. Crane, a poet whose influence on Ashbery, unlike Stevens''s, has gone largely work_azepeftgqzgbpfxxtiy7eadhw4 [PDF] No one is an island. Skip to search formSkip to main content> Semantic Scholar''s Logo Search DOI:10.1126/science.360.6384.122 Corpus ID: 206625617No one is an island. title={No one is an island.}, author={Luke S O''Loughlin}, journal={Science}, Luke S O''Loughlin Science I had just started my Ph.D. studying invasive species on a remote oceanic island, where I would be spending most of the next 3 years bashing through rainforest to count invertebrates. My supervisor had done his own Ph.D. here on Christmas Island in the Indian Ocean 2 decades earlier. Topics from this paper Related Papers Stay Connected With Semantic Scholar About Semantic Scholar About Semantic Scholar Semantic Scholar is a free, AI-powered research tool for scientific literature, based at the Allen Institute for AI. By clicking accept or continuing to use the site, you agree to the terms outlined in our Privacy Policy, Terms of Service, and Dataset License ACCEPT & CONTINUE work_cxoqb4uja5ctrhdxq764cqjxuq will be that most musicological analyses of these styles are still based on an oversimplified idea of harmony: the applied Western major/minor theory concept with blues, rock, and some jazz styles, in emic terms and performance practice, in fact The blues structure, like ragtime, was an admixture of African influence (the call-andresponse pattern) and European harmonically derived functional form. The aesthetics behind this practice – being crucial to the ''meaning'' of blues performance – is that of ''putting things to the notes'' as described by B.B. King in his book, experience of playing blues music, however, some simple conclusions might nevertheless be drawn as far as ''harmony'' is concerned. of the minor third over the major chord!7 Seeing the idea of the ''blue note'' in such Often the performer will play two or three notes simultaneously – also in solo guitar playing – and the effect of ''blue harmony'' seems to work_ddzfd5nw7nbirclsz4geq25kji As a result, when in early November 2014 the officers of the Wallace Stevens Society received an invitation to attend a "special event" on kind of reality did Stevens'' barefoot ghost step into on the evening of November 17, 2014, during his long-awaited visit to London? Wallace Stevens Event was programmed at Kings Place, a mere five-minute (red, yellow, blue), so that I am reminded of at least one way in which Stevens'' artistic appeal continues unabated: his favorite genre of variations Stevens'' poems are read out by the American actor David Calvitto, who Stevens was arguably more of a romantic than a modernist, which Mackinnon illustrates by going on to recite "Of Modern Poetry" in its entirety. The image on the screen switches to an abstract painting by Motherwell, which allows Le Brun to pursue Stevens'' relation to American abstraction. work_diayjqyh2reffpwaap2xg7lj2a my own personal story as a teacher of mathematics and researcher, and the 2) Would the student stories about learning mathematics contain rich data that students to share their stories about learning mathematics provides knowledge that mathematics lesson time to allow students to create their stories. work and at the time of their story telling workshop I was their mathematics teacher. of the place this story has in the student world of learning mathematics, provided researching how school students feel about their experiences with mathematics. 7.9 The Transformational Draw of Student Stories about School Mathematics 7.9 The Transformational Draw of Student Stories about School Mathematics In my role as a mathematics teacher, the power of the student story is the fact that it develop between mathematics teacher (me) and story author (the student). Allowing the time for mathematics teachers to develop their student stories can have work_drzpwrrzdnfb5egdsdtx7ws5ci Filewod''s Performing Canada: The Nation Enacted in the Imagined Theatre sets out to characters'' social units, particularly by re-imagining the roles of family members or enacting I would suggest that this equality provides the ideal conditions for selfexploration, allowing characters to try out different personas, as needed. Canadian and American sense of self offers an insightful perspective on national identities. notions of national identity, confirming for the audience the imagined ideal: Canadians may national identity to "People in Real Life Canada;" in this, I think we see a clear example of alternative family unit which allows the characters opportunities to enact different roles. In both families, characters play multiple roles Each family has characters playing the roles of parents and children. Clearly, the familial role changes enable each of the characters to work towards fulfilling malleable social groups, characters are able to enact different familial roles to fulfill their work_eobo4ufgabgldlsfaujzygkvse [PDF] Generating guitar solos by integer programming | Semantic Scholar Corpus ID: 51888815Generating guitar solos by integer programming title={Generating guitar solos by integer programming}, In this paper, we present a framework for computer-aided composition (CAC) that uses exact combinatorial optimisation methods to generate guitar solos from a newly proposed data-set of licks over an accompaniment based on the 12-bar blues chord progression. An integer programming formulation, which can be solved to optimality by a branch-and-cut algorithm, was developed for this problem whose objective is to determine an optimal sequence of a set of licks given a matrix of transition costs… Expand Sort by Most Influenced Papers View 1 excerpt, cites methods View 3 excerpts, references background and methods Integer Programming Formulation of the Problem of Generating Milton Babbitt''s All-Partition Arrays View 1 excerpt, references methods View 1 excerpt, references methods View 1 excerpt, references methods work_epvsrtmnfzadbdob3jqjc7ix7a theory couched almost wholly i n terms both i d i o s y n c r a t i c and ambiguous, Stevens must inevitably evoke the kind of response expressed Stevens wants his poems to undergo the same kind of obscurations existence Stevens demanded for the theory of "central poetry.", to make one think of the dominant images i n Stevens'' poems. Stevens'' poetry produces poems....out of c e n t r a l image and " f i n a l c h a r a c t e r " of Stevens'' poems. c e n t r a l image and " f i n a l c h a r a c t e r " of Stevens'' poems. Hartsock, "Image and Idea i n the Poetry of Stevens," "Image and Idea i n the Poetry of Stevens," "Wallace Stevens and the Image of Man," work_ey3akxayzjgadk4cym2yumlv44 textbook, G.R. Elton''s England Under the Tudors, shaped the historical narrative taught to the material experience of teaching history in a certain setting using the textbook as an object of by describing the material qualities of the textbook, as well as the history classroom and school Despite a wealth of research looking at history textbooks and historical narratives, Lisa relationship with a specific history textbook, G.R. Elton''s England Under the Tudors, and the Tudors will view the book as a written text, a material object, and a cultural transaction but it This class of textbook research therefore covers how teachers and students receive books in the (and the teacher) had a copy of another textbook, AQA A-level History: The Tudors: England object and human, between book and teacher, means the tool-like qualities of England Under the the historical interpretations and the material objects of the history classroom space (human and work_fekrsh7okfadfm6kkdqporjxve In a 2002 essay in the Journal of American History, Kathryn Kish Sklar made a powerful case, based upon the experience of her own undergraduate seminar in U.S. women''s thereby assist teachers of history in transforming students into "producers of new historical knowledge."'' In her own case, Sklar turned her seminar into a laboratory for creating '' Kathryn Kish Sklar, "Teaching Students to Become Producers of New Historical Knowledge on the Web," Such redefinitions of the content of cultural history are important; students in courses My experience of living and teaching American cultural history outside of the United States has had a direct bearing on my adoption of this perspective. me—both students and nonstudents—have with American history and culture. (a final-year elective in American cultural history in which students write a research essay course: an assignment in which students create digital audio recordings of sources relevant to the study of American cultural history and present a contextual analysis of those work_fjzrgm4tgrhalbcrqogypk3ovi James Schuyler, art critic and coterie poet of the New York School, is Schuyler is not the only poet of the New York School who participated in the art scene of Like Schuyler''s, Porter''s work is inarguably different painting." What makes the criticism of Porter and Schuyler so compelling to read is the many of Porter''s paintings, as it is of Schuyler''s poems. Like much of Schuyler''s poetry, the source of these lines is the view from a window. mean that Schuyler is concealing anything in his poetry, or Porter in his paintings. abstraction in Schuyler''s poetry and Porter''s painting, which operate, too, along the lines of white wall of Schuyler''s poems tumble, that thing against which his poetry stands. emphatically a thing in Schuyler''s poetry and diaries, an object that is without rather than poem''s opening section, though, Schuyler is less interested in the things themselves than work_fos67nw6zjb6lblxc72ggtzakq Communication of Emotions in Vocal Expression and Music Performance: First, the existence of acoustic similarities between vocal expression of emotions and music could help to forms of nonverbal communication; (d) vocal expressions of discrete emotions usually occur in similar types of life situations in categories related to life problems such as danger (fear), competition (anger), loss (sadness), cooperation (happiness) and caregiving (love).2 By perceiving expressed emotions in terms of such Emotion in vocal expression and music performance is a multidisciplinary field of research. The present results indicate that communication of emotions in vocal expression and music performance was relatively accurate. decode basic emotions from vocal expression and music performance develops in early childhood at least, perhaps even in infancy. Patterns of Acoustic Cues Used to Express Emotions Specifically in Music Performance Studies This review has revealed similarities in the acoustic cues used to communicate emotions in vocal expression and music performance. Emotion Acoustic cues (vocal expression/music performance) work_g6c46d7c55cfreyrg2xvzf6xe4 over twenty-five thousand words of criticism on Brooke-Rose''s work. same time Brooke-Rose was working on her late novels and her last book of criticism, she called the arc-lamps, Brooke-Rose was unhappy with McHale''s interpretation of It is possible to see these opinions in her contribution to Interpretation and OverInterpretation (1979), and in various places in Invisible Author.23 Brooke-Rose is criticism ''the how and the what'' comes first.43 In Invisible Author Brooke-Rose In short, Brooke-Rose argues for more creative criticism engaged with the text. 38 Christine Brooke-Rose, letter to the author, dated 28/02/98, p.1. 38 Christine Brooke-Rose, letter to the author, dated 28/02/98, p.1. 38 Christine Brooke-Rose, letter to the author, dated 28/02/98, p.1. 38 Christine Brooke-Rose, letter to the author, dated 28/02/98, p.1. 38 Christine Brooke-Rose, letter to the author, dated 28/02/98, p.1. 38 Christine Brooke-Rose, letter to the author, dated 28/02/98, p.1. 38 Christine Brooke-Rose, letter to the author, dated 28/02/98, p.1. work_gcgn73nxpffpzmnd4jadogsbuu Bir Karakuşa Bakmanın On Üç Yolu by Wallace Stevens (review) Bir Karakuşa Bakmanın On Üç Yolu by Wallace Stevens Turkish translation of Wallace Stevens to date. It also presents first-ever translations of major poems such as "An Ordinary Evening in New Haven" and English, adds to the already substantial challenge of translating a poet as difficult as Stevens. A poet himself, Çelebioğlu joins a line of Turkish poet-translators who the major figures of the avant-garde "Garip" and "Ikinci Yeni" poetry movements, Melih Cevdet Anday, translated several poems, including "Gubbinal" translations of Stevens''s poems, among them "Variations on a Summer Day" book fills a substantial gap in existing Turkish translations of Stevens, though can see how successfully Çelebioğlu handles the difficulties of translating Stevens. As such, the book is not only a welcome addition to the expanding body of translated poetry into Turkish, but work_h5rtzlockrfndgvafpuunpziaq Crossbreeding Atheism with Spirituality: Notes on Soviet and Western Attempts Crossbreeding Atheism with Spirituality: Notes on Soviet spirituality in the period of late Soviet atheism; the second comes from contemporary Western "atheist attitude toward religion, as well as the propaganda of atheism, often in a form of secular rituals. Soviet society, atheism had to readjust, a process SmolkinRothrock (2014) has called "the spiritual crisis of late of atheism were threefold: differentiating religious spirituality and morality from atheist spirituality and morality; detaching religion from spirituality and morality; and religious, the connection between atheism and spirituality offers a possibility to show that atheists are "normal", universal; "life''s questions" were the same for both religion and atheism, and self-development was of utmost "Spiritual atheism" can be seen as a reaction to the decline of "traditional" ways of meaning-making, where religion had considerable authority. Soviet Atheism and the Appeal to the Spiritual work_hej7xirnsnfgfooktxrcq6ge7q Zeffirelli''s and Almereyda''s films, the text of Ophelia''s report of Hamlet''s Within the text, Ophelia''s role is an important one, advancing the investigation into Hamlet''s apparent madness and later offering the audience crucial information as to the true state of corruption within the court. Ophelia''s songs have not been found, they "clearly belong to the popular ballad tradition." 6 English stage history records that, in Shakespeare''s time, the music: a score that was highly continuous over the course of the film, including the use of leitmotifs to help audiences identify characters and their emotions and actions. show, this gendering through vocality and music by Olivier is but the beginning of a larger trend among directors of cinematic Hamlet s and film more Almereyda''s Ophelia is given the fewest lines of any film Hamlet discussed up to this point. Leslie Dunn, "Ophelia''s Songs in Hamlet : Music, Madness, and the Feminine," work_hmnduvushzffzhtto7saw4xzy4 Art educators talking about visual images and objects principles in traditional art images and computer graphics formalist theory treats art images as self-contained designs the following design elements: space, line, shape, color, traditional art image might refer to a line which has gaps, graphics term such as "region" as a type of art education art were: line, shape, space, form, pattern, texture, color Information on "texture", "pattern", and "color" in art art; that is, identifiable areas or parts of twodimensional images such as "line" or "texture". "shape", "pattern", "texture", "form", "space", "color" and concepts of sensory elements, including line, shape, space, an image or area with an art historical term or reference. elements of art: line, point, pattern, texture, and shape. traditional art images and computer graphics. traditional art images and computer graphics. traditional art images and computer graphics. visual structure of art images, and to compare them to terms work_hx534dx2hzcc7jbq4yljmyezpi notes: from competence to creativity in executive development", in RE Purser and A Montuori (eds) Social leadership and the highly instrumental and performative nature of the competence an improvisational art form to develop a view of leadership based on fluidity and improvisational dynamic between an individual performer''s skill and the community created leaders and leadership remains firmly rooted in a relentlessly performative approach to The often highly instrumental nature of leader/leadership development, archetypically leadership capability, through that to identify and develop effective leader behavior, and current procedures to measure and develop leadership skills, competence and capabilities The focus of performative leadership development, the emphasis on procedures and rules, is which represents the framework for understanding life-in-organization and leadership-aspractice in a turbulent changing world. This emphasis on creativity is fundamental to an understanding of leadership, future However, the key development of this musical metaphor for leadership as a community of work_i5phrzznw5c4hfobj4addy632m mind that the type of modernism in American Literature was not originally a whole new On the other hand, the position held by both theories and literature of Wallace Stevens is noteworthy in perceiving the ways how he informs an understanding of literary Stevens is a leading figure in modernism as he is one of the representatives of the neo-Romantic poetry of the twentieth century American Literature. There may not be a real clearly defined historical moment when modernism began or a certain definition of modernist aesthetic, but it already took its place in the history of literature and established itself under works of the modernist writers help the reader to find an answer to the question of modernism. The American writers of the modernist movement were somehow the representatives of modernism. American Modernism And Wallace Stevens''s Poetry 349 American Modernism And Wallace Stevens''s Poetry 349 work_iabdrxfur5dhhcsebcq3wiyl24 article examines the use of music by the yellow and red shirts, and contextualizes the PAD and UDD within the history of two similarly named but very different genres of Thai song: phleng chiwit commercial genre of lukthung [Thai country song]. satirical songs and lukthung during Thailand''s most recent political struggle, from 2005 to the present. A central focus of this article is phleng lukthung or Thai country music. economic crisis, lukthung was hailed as the most authentic Thai popular music genre (see Amporn, 2006). Isan cultural revival and political maturation was under way, and continued attempts to appropriate lukthung as an example of Central Thai song ''Long Live the King of Thailand'' on the protest stage at Government House to rapturous applause.13 With such emphasis on royal and a song genre clearly influenced by the protest music of performers such absorbed into the Thai popular music industry, and the use of lukthung work_j365i7y6czfvfd2xgtshh7e7ei information retrieval (MIR): the problem of music genre recognition (MGR). We perform a case study of all published research using the mostused benchmark dataset in MGR during the past decade: GTZAN. Of the 100 works using GTZAN, 96 employ the evaluation design Classify (an excerpt is Table 1: For each category of GTZAN: number of excerpts we identify by fingerprint (ENMFP); then searching manually (by self); number of songs tagged in last.fm (and number We now identify the excerpts in GTZAN, determine how music by specific artists Figure 4 shows how each GTZAN category is composed of music by particular artists. of an excerpt of music to one GTZAN category, we are interested here in a different question: GTZAN appears more than any other dataset in the evaluations of nearly 100 MGR publications (Sturm, 2012b). An analysis of the GTZAN music genre dataset. work_jci7pb77gvhddbqzszsiipfdpa ''Only as good as your last gig?'': an exploratory case study of reputational risk management amongst self-employed musicians gig?'': an exploratory case study of reputational risk management amongst self-employed musicians, reputational risk management amongst self-employed musicians There has been a significant increase in literature on reputation risk and its management in recent times, risk (RR) and reputational risk management (RRM) practice in the music industry. Further SME-related literature frequently discusses the importance of maintaining trust in reputation management (Bowey and Easton 2007; Cambra-Fierro and competition, Cravens and Oliver (2006) note that a good reputation leads to competitive advantage, thus making RRM an important issue for self-employed musicians. strategies to identify risks and manage their reputations. This study has explored the perceptions of reputation risk and its management It seems then in the self-employed music business, reputation risk management is an Managing Reputational Risk. work_jedxx6m335dufn7qlhs7xcuecm This article honours the memory of blues musician B.B. King, who died on 14 May 2015, through focusing on his work and historical performances in prisons. article situates his concerts inside Cook County jail and Sing Sing within the wider African American music, blues, Paul Gilroy, B.B. King, planetary humanism, prisons blues guitar gave his most sublime 25-year period, B.B. King performed in 47 different jails across At Cook County, the prison while the prison guards and wardens in control of them remained black prison warden in the English brought street entertainers into the prison too, for the prison band finished playing, B.B. King''s prison performances was perform in prison. was perform in prison. Conclusion: Prison Blues prison in society in a time where remembering B.B. King''s prison prison, the sound of B.B. King''s English CR (2007) Cook County Jail King BB with Ritz D (2011) Blues All work_jmovsopbjfhwzbx5h5objmaeiy Time and Chance, 2009, 192 pages, David Z. DOWNLOAD http://bit.ly/1OVVAnk http://goo.gl/RJy37 http://www.barnesandnoble.com/s/?store=book&keyword=Time+and+Chance Time and Chance , Gwen Davenport, 1993, Fiction, 327 pages. The Quantum Mechanics of Minds and Worlds , Jeffrey Alan Barrett, 1999, Philosophy, 267 pages. Time and Chance , James Callaghan, Jan 1, 1987, Great Britain, 584 pages. http://www.2shared.com/document/OWksNSKX/Time-and-Chance.html Time and Chance , Sharon Kay Penman, Mar 4, 2002, Fiction, 512 pages. Time and Chance , Alan Brennert, Jul 5, 2011, Fiction, 416 pages. Time and chance a novel, Anna Wibberley, Feb 1, 1974, Fiction, 315 pages. https://openlibrary.org/works/OL7092008M/Time-and-Chance http://rekeja.files.wordpress.com/2014/07/darwin-high-school-year-book-2002.pdf http://rekeja.files.wordpress.com/2014/07/darwin-high-school-year-book-2002.pdf https://itunes.apple.com/us/book/Time-and-Chance/id440809742 https://itunes.apple.com/us/book/Time-and-Chance/id440809742 http://rekeja.files.wordpress.com/2014/07/reflections-on-learning-and-teaching-in-fashion-education-annual-conference-2004.pdf http://rekeja.files.wordpress.com/2014/07/reflections-on-learning-and-teaching-in-fashion-education-annual-conference-2004.pdf http://www.2shared.com/document/C3fLCyPA/Time-and-Chance.html http://www.2shared.com/document/C3fLCyPA/Time-and-Chance.html 1982, Business & Economics, 113 pages Time and Chance States), 1981, Strip mining, 558 pages Time and Chance 2009 Harvard University Press, 2009 My May 1, 2002, Education, 128 pages Time and Chance 2009 0674020138, 9780674020139 book has set download Time and Chance David Z. http://www.barnesandnoble.com/s/?store=book&keyword=Time+and+Chance http://www.barnesandnoble.com/s/?store=book&keyword=Time+and+Chance http://www.barnesandnoble.com/s/?store=book&keyword=Time+and+Chance http://rekeja.files.wordpress.com/2014/07/time-and-chance.pdf work_k5bw4r2hwnhcrieuqvtm4cyxui THE CREATIVE WRITING COURSE IN THE BRITISH COLUMBIA SENIOR SECONDARY words, they a l s o c r e a t e works o f a r t t h a t are i n h e r e n t l y w i l l always need new language to communicate t o y o u r I f he d e c i d e s h i s work needs a t r a I f he d e c i d e s h i s work needs a t r a The words o f the p u b l i s h e d l i t e r a r y work aim a t u n i t i n g p a r t i c u l a r work_kn4fgkn445ffhhfosf6vgxny44 first characteristic) of positive aesthetic experience in painting are identified through aesthetic experience as observed through encounters with paintings, as an artistic characteristics as they relate to individuals'' aesthetic experiences with paintings. pleasurable response as aesthetic experience is only one way of interacting with an art for possible common and distinct bases of positive aesthetic experience characteristics participants'' experiential reflections relating to their aesthetic experience should characteristics of positive aesthetic experience, despite art object classification. their selection is seen as advantageous in that their responses encompass both the nondiscursive aspects of art experience (as respected creators/appreciators themselves) as positive aesthetic experience in painting explicated in this study are presented in the contributing positions are outlined through an examination of such concepts as bioevolutionary theory, aesthetic experience as a hybrid conceptualisation, post-formal experience of an aesthetically commanding work of art can be experienced by all. findings regarding the positive characteristics of aesthetic experience in painting. work_leofnl3hijcq3iaumr7qgdkgqe Modal Processor Effects Inspired by Hammond Tonewheel Organs. Modal Processor Effects Inspired by Hammond Tonewheel Organs. Modal Processor Effects Inspired by Hammond Tonewheel Organs. https://pure.qub.ac.uk/en/publications/modal-processor-effects-inspired-by-hammond-tonewheel-organs(43d198a5-9117-4be4-9984-cc6fd8b63ada).html additive-synthesis-based electromechanical musical instrument, the Hammond tonewheel organ. pitch effects inspired by the Hammond organ''s equal tempered "tonewheels", "drawbar" tone The Hammond tonewheel organ is a classic electromechanical musical instrument, patented musical tones by adding together sinusoidal signals of different frequencies, amplitudes, and phases [4]. scale [15]—In scientific pitch notation, the lowest-frequency tonewheel on a Hammond organ is to the drawbar settings, and distortion processed according to the tonewheel and pickup The unique sound of the Hammond organ is largely due to the tonewheels being tuned to the Figure 10 shows spectrograms of a sinusoidal input signal and its Hammondized response. the sonics of the Hammond tonewheel organ on any audio signal. "Modal Processor Effects Inspired by Hammond Tonewheel Organs"—Audio work_lwrjm2qsujfuphgdwfl7v43thq De la simple existencia: Antología poética by Wallace Stevens, and: La roca by Wallace Stevens, and: Poemas tardíos by Wallace Stevens, and: Ideas de orden by Wallace Stevens, and: Las auroras de otoño y otros poemas by Wallace Stevens (review) Not only can the Spanish reader now find translations of a sizable number of canonized poems, from "The Idea of order at Key versions of stevens'' major prose writings, whether they be the essays collected in The Necessary Angel or epigraphs from "adagia." That a poet''s personal In 1980, Sánchez Robayna published his first gathering of stevens in translation, Poemas (Barcelona: Plaza y Janés), and he wrote Finally, Jenaro Talens, yet another poet (besides a professor of literary theory at the university of valencia), has compiled a brief but representative number of poems in an anthology entitled Las auroras de otoño y otros poemas [The work_moejrmbnj5hoff6j7vuwx4ryza Published on Poetry In Voice (https://www.poetryinvoice.com) — "The Blue Guitar" by Wallace Stevens are playing on the blue guitar. 1. "The Blue Guitar" is filled with vivid sensory images. 3. In the poem, the man who plays his blue guitar has a fairly philosophical discussion with his The audience states that they "want the truth and not what you / are playing on the blue guitar." What do you think this poem is saying about the different ways that people 4. As a glosa poem (see link below for more details), "The Blue Guitar" directly engages with an older poem by Wallace Stevens titled "The Man with the Blue Guitar" (1937); in turn, Wallace Stevens''s poem was at least partly influenced by Pablo Picasso''s painting "The written blog post: http://www.johnwheway.com/?p=4 Read an except from the Wallace Stevens poem that inspired P.K. Page''s "The Blue Guitar" here: https://www.artic.edu/artworks/28067/the-old-guitarist https://www.artic.edu/artworks/28067/the-old-guitarist https://www.poetryinvoice.com/poems/poets/david-barrick work_n6e2b2a7hfek5mijm7rziwgm64 An eye-tracking methodology was used to examine whether children flexibly engage two voice-based cues, talker identity and disfluency, during language processing. was to examine whether children use recently presented preference information even when utterances are purely ostensive in nature such as simply directing listeners to ''''look" at an object in the display. In the current study, we explored the simultaneous use of disfluency and talker identity information to more fully understand the nature of children''s situation-specific reasoning during language The first experiment was designed to provide a test of children''s ability to combine the two paralinguistic cues of interest (talker identity and disfluency) and to evaluate their ability to adapt their use of Average proportion of looks to talker-preferred object during the determiner interval for both fluent and disfluent trial At the point when the fluent or disfluent determiner was encountered, children initially demonstrated an ability to use talker identity cues to guide their interpretation of a hesitation disfluency. work_naabgn6aujg3dd2lsn63lwchji The Girl Gang: Women Writers of the New York City Beat Community seeks to engaging the lives and work of five women Beat writers: Diane di Prima, Joyce Johnson, Writers of the New York City Beat Community addresses this limited attention to and the bohemians within the New York City Beat community, but within this same social space, of the women writers of the New York City Beat community as well. how each writer''s particular experience within the New York City Beat community as a Integrating a study of the women writers from the New York City Beat community into writer in the New York City Beat community and her larger body of work. cohesive narrative of women writers of the New York City Beat literary community. male homosocial New York City Beat community shaped their work in important ways. The Girl Gang: Women Writers of the New York City Beat Community ultimately work_nar7abtvm5b2rjlx4fblx2ryqe ''Élan Vital … and How to Fake it'': Morton Feldman and Merle Marsicano''s Vernacular Metaphysics Merle Marsicano, is Feldman''s only other open form piece (along with Intermission 6). Keywords: Morton Feldman; élan vital; vitalism; Bergson; Intermission 6; Figure of In the wake of Joseph''s Bergsonist reading of Cage, there has been a broader reconsideration of vitalism''s importance to the intellectual history of New York School modernism.4 Art historians including Ellen Landau (2007), Jonathan Katz (2007), and notations for the graph score Marginal Intersection, bits of Extensions 1, 3, and 4, incidental music for a production of Aristophanes'' The Frogs, and the first version of Intermission 6.5 Skizzenbuch 3 is among the earliest sources of Feldman''s writing about his Feldman''s attempts at faking élan vital with Intermission 6 and his work with Marsicano By calling Feldman''s and Marsicano''s vitalism a vernacular metaphysics, I want to stress the avant-garde''s interpenetration with some aspects of popular culture and explore how the Bergson-craze of the work_ncq27ifllnbcno6fkkpogxd5u4 dynamic nature of Aristotle''s thinking as a Woodbridge emphasizes this deep correlation between language and nature in his lectures on Aristotle when he writes: heard as organically bound to a way of thinking rooted in the natural community of communication between the powers of the soul Aristotle''s phenomenological attunement to the ways things express Peripatetic legomenology is rooted in Aristotle''s naturalistic understanding of the relationship between the powers of the soul Aristotle here remains willing to use the common way of speaking about the nature of perceiving as a kind of being acted upon, but he that amplify the passive dimension of perceiving require Aristotle to speak in the perfect tense in order to give voice to the active correlation between perceiving and thinking central to his own reading of Aristotle''s to begin with the things encountered, he nevertheless parts ways with Aristotle insofar of things, Aristotle''s own imaginative thinking work_nl5aw5egpzecvggsns4alonneq sample of glam''s original working-class male fans; original interviews with musicians working-class sought to express its difference by identifying with the self-conscious explain how social mobility was negotiated by working-class male youth at this to contest the latter''s division between the art school end of glam (Bowie, Roxy this article regarding the relationship between glam and its working-class fans aesthetic positions taken up by art school glam artists and their fans on the the progressive rock end of glam, Roxy Music, in keeping with the aestheticist masculine identity valued in working-class cultures during this period. Audience reception: glam and its working-class male fans effects acquiring cultural capital has on working-class subjects. Just like you: glam''s working-class artists aligned themselves to this popular music formation were working-class artists In this sense, art school glam''s artists and fans Munt (ed.) Cultural Studies and the Working Class (London, work_nytswgbk3rg23dvozgfrwbvrae Taking novels, short stories, and plays set in metropolitan Vancouver as a case address audiences who share their knowledge of certain parts of the city. narratives address audiences who have a specific amount of knowledge of Vancouver but and Three, novels, short stories and plays set in Vancouver rarely assume a specifically about how literary texts and plays set in a specific place might allow their audiences to audience design come into effect if readers recognize the novel''s references to Canadian Place-sharing narratives set in Vancouver show us a variety of urban common The narrator and audience''s shared map of these dispersed Vancouver places is references to the narrator and her audience''s Vancouver common ground do serve to narrative address involving Vancouver common ground and an attendant Vancouverbased sympathy of location, a mutual sense of the personal relevance of local events to narrators of Wilson''s Vancouver fictions construct the city for their audience as, work_ofrtlgpgozfjfjxs3ajrmvpmme The musical analysis describes the performance practices of underground violinists brought the sound of New York''s avant-garde underground to the ears of rock music fans for practices of underground violinists and in particular those of Tony Conrad and Henry Flynt. Like these Detroit groups, black music is at the root of New York City''s underground as a practising musician who performs music openly inspired by the works of Flynt and Conrad Other New Country and Blues Music (Recorded, 2004) that captures Flynt playing violin ca. underground violin performance practices is arguably Henry Flynt. Henry Flynt, New American Ethnic Music Vol. 2: Spindizzy (United States: Recorded, 2003), Compact Henry Flynt, New American Ethnic Music Volume One (United States: Recorded, 2002), Compact Conrad and one that would solidify his new ideas on violin performance and on music as a Through their violin practice Flynt, Conrad, and the underground violinists laid the work_oi4iiyfejjaphdavtw26kh64ki Crazy Jane and Professor Eucalyptus: Self-Dissolution in the Later Poetry of Yeats and Stevens B. Yeats is a poet who might be typi-fied by the weighty line, the bardic voice, forms like the poised ottava consider are Yeats''s Words for Music Perhaps and Stevens''s "An Ordinary Considered together, Yeats''s Crazy Jane poems in particular (which with Stevens: first, that souls create reality, by means of images or thoughts, For both Yeats and Stevens, reality is created by the imagination but also SELF-DISSOLUTION IN THE LATER POETRY OF YEATS AND STEVENS 43 SELF-DISSOLUTION IN THE LATER POETRY OF YEATS AND STEVENS 43 SELF-DISSOLUTION IN THE LATER POETRY OF YEATS AND STEVENS 43 SELF-DISSOLUTION IN THE LATER POETRY OF YEATS AND STEVENS 43 SELF-DISSOLUTION IN THE LATER POETRY OF YEATS AND STEVENS 43 Yeats) a loosening at which Stevens''s poem itself hints but does not make work_ojwhhx4m4jdb3hxf4xfjllecxy i n the works of Donald Barthelme and V l a d i m i r Nabokov. n a r r a t o r i n a g i v e n work by Barthelme or Nabokov i s determined example, R u s s e l l assures us t h a t Nabokov''s novels are s e l f (1) Donald Barthelme, Snow White (New York: Atheneum, 1967), p. f u l when applied to works i n which the self-consciousness inherent i n narration i s emphasized, or brought to the reader''s (86) Vladimir Nabokov, Strong Opinions (New York: McGraw-Hill, 1973), with Vladimir Nabokov (New York: Putnam, 1963); Glory, trans. (24) D.J. Enright, "Nabokov''s Wag," The New York Review of Books, "Nabokov''s Way." The New York Review of Books, New York Times Book Review, 4 June 1972, p. New York Times Book Review, 4 June 1972, p. work_ovznndcq5bddlm7fmvin4ggyzq with negative imaging results for FDG-PET in carcinoid tumors (165, 166). Using 11C-harmine as tracer for imaging of NET''s, tumors in all patients Tumor lesions in all 4 patients with nonfunctioning EPT were clearly visualized by PET (Fig. 9). that the tracer uptake on the PET-scans represent true tumor tissue. PET-positive tumor lesions in 33 out of 36 patients (92 %), a total of 51 Tumors in all patients, but one, did take up this aminoprecursor and could therefore be imaged with PET. When 11C-5-HTP-PET was compared to SRS and CT, more tumor lesions A high 5-HTP uptake was found in the tumor lesions of all patients with a PET-positive tumor lesions in all patients additional value also in PET-imaging of neuroendocrine tumors using tracers variable tracer uptake in different tumor lesions of the same patient. WB-11C-5-HTP-PET has a high tumor detection rate in NET''s that work_pad4vsuqz5hxhphrssqjrk3s5e has been shaped historically by the combative metaphor of a ''war against disease'', turning medicine The two metaphors align medicine with the modern industrial–military complex that is masculine, Keywords: force; presence; medical metaphors I am, then, following Wallace Stevens'' poetic imagination in suggesting that Force and Presence framing metaphors flow down to shape one complex system in our lives—medicine: medical culture, historical conditions of possibility for the emergence of Force as a dominant discourse and metaphorical The ''body as machine'' and ''medicine as war'' metaphors were aligned to produce a powerful The use of an ecological and pacific metaphor complex may shift medicine''s primary concern with This shift—from the linear and brutal ''body as machine'' and ''medicine as war'' dominant metaphors metaphors, as the dominance of ''Force'' over ''Presence''. progressive medicine to gain traction, new shaping metaphors must emerge. Alternative Metaphors to Medicine as War Alternative Metaphors to Medicine as War work_pkhdyt6m4zgz5oulbmidhtkwfm sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218307408 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:11:35 If you need further help, please send an email to PMC. Include the information from the box above in your message. 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Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ work_pp4aupyndzamzl2l3qyhem32xy Both Yeats and Stevens turn to the circle as an ordering structure when Yeats''s and Stevens''s use of the circle image reveals a fascinating counterpointed relationship between their respective political beliefs. circular forms.2 The individual will is given up to the collective in the fascist state; the individual is absorbed into the universal circle structure in Stevens, like Yeats, invokes the circle as an ordering structure that acts in opposition to the confusion that he saw in the political Just as the circle in Yeats''s poetry and cosmology subsumes and orders all existence into one united, precisely regulated Stevens likewise invokes the circle as an ordering structure in the face of (CPP 135): we can no longer structure the entire world and all civilization in an all-encompassing circular form, as Yeats tried to do, but we can Stevens''s and Yeats''s circular forms. work_ptrqatik2rb7lbpzhlct52ldwe Educating Without Bannisters: Hannah Arendt on Thinking, Willing, and Judging even complete—point to powerful ways to think and judge in a world that lacks ethical routines become taken for granted ways of thinking about good or accepted practice in a school, "action." In The Human Condition Arendt tells the story of the loss of the political in the West what it means to accept our freedom to think and to judge in a plural and contingent world. Arendt''s descriptions of the public as a common world and a space of appearance point to Political life requires living alongside different other people and by "plurality" Arendt signals the means-ends thinking; it is about freedom, how we choose to live in the world together, what Mind Arendt turns to the mental faculties of thinking, willing, and judging as possible bulwarks does not appear in the world), Arendt ends up using thinking in multiple ways, generating some work_pzymdnlrsrg3hmejylvji2qwui situa aquele ensaio nas inovações teóricas e metodológicas contemporâneas em pedagogia da performance e utiliza uma nova poética da escrita performativa como método que meu curso de formação e educadores críticos dos Estados Unidos que, inspirados pelo trabalho de Paulo Freire, estavam abrindo caminho para uma análise da performance artística para a performatividade cultural, que estava transformando minha própria disciplina (Conquergood, 1986; 1989;1991; Langellier, de autoetnografia (Ellis, 2004); uma etnografia crítica de estudantes apresentando-se como testemunhas em uma sala de aula de performance (Warren, A predominância das metáforas do mundo do trabalho no projeto curricular e da formação de professores tem contribuído para uma experiência educacional que o ensino tem fundamentalmente uma função utilitária, e, por isso, é ''importante'' demais para ser entendido como uma arte" (1986, p.137). Performance passou por uma radical transformação, que abriu espaço para central a uma pedagogia da e por meio da performance que procura mover-se work_qei55uivxrdull7bcrfq4en2sy Goldsmith, Private Vices, Public Benefits: Bernard Mandeville''s Social and Political Machiavellian one because he sees no possibility of a social contract or a founderlegislator forming humans into a society.3 Mandeville''s theory requires a long M. Goldsmith, "Public Virtue and Private Vices: Bernard Mandeville and English Political argued that England needed a moral revival, Mandeville''s work constitutes one Goldsmith argues that Mandeville uses women as a literary tactic to Tatler.2 Like Anderson,3 Goldsmith argues that Mandeville''s theory of society 2 Mandeville argues that man pretends to act from "Principles of Social Virtue." The Fable II, 4 As Mandeville explains, men "naturally will not do, as [they] would be done by." The Fable II, of socialization, Mandeville argues that conversation not only teaches men to 2 Important to Mandeville''s thesis is his argument that modesty in women depends on social The importance of women in Mandeville''s social thinking derives from Women''s need for men''s approval, Mandeville claims, work_qu4mhv6knfctfa3xqf774kpdwe COMMONLY CONSIDERED among the most abstract of twentieth-century American poets, Wallace Stevens has rarely been read for his narrative qualities. narrative that informs both individual poems and the Stevens canon as a metaphoric and metonymic poles, Bates adds that Stevens'' long poems establish covert narrative sequences by replacing the metonymic figuration at the Clavier" to the tropical voyage of canto XXIX of "An Ordinary Evening in New Haven," Stevens also constructs a number of narratives that article, I will discuss several such narrative poems, considering the reasons behind Stevens'' decision periodically to utilize conventional plots Bates suggest, the narrative mode in Stevens is more forceful as an implicit Both the lyric and the narrative poem, Ursula''s Supreme Fiction" reads like a rewriting of "Cy Est Pourtraicte." Like Ursula, Nanzia, whom we find "On her trip around the world" (CPP 342), is Narrative and Representation in the Poetry of Wallace Stevens. work_qwarbhwkc5dhvcbxj2sq4nb26m artworks created through this research use personal narrative in ways that seek to unsettle the new understanding of the nature of the photograph and the role it plays in creating narrative time, told through text and photograph, that does not seek narrative conclusion and is part of Photography, Narrative, Time: Imaging our Forensic Imagination by Australian phototheorist Greg Battye will be used extensively in the discussion of frames and scripts to build This section defines how narratives create and converge time and space within a story-world research because when I first started combining photographs and text in my art practice in way that the narrative world inhabited by the photographic component of the studio research photographic image and narrative text. are created; the use of text and photography within a narrative framework; and the the narrative: Yang''s text responded to the photographs in the story, Kwiatkowski''s between text and photograph in creating a narrative world. work_qz6lfui3mvaq7ky2qsuuphmzya Bamana jeli music, Mali and the blues is a Bamana jeli (griot) song called ''Poyi'', which, according to oral tradition, may have studies of both blues and Mande music – that of the Bamana (''Bambara'') griots from Segu in On a late afternoon in February 2006 in Garana, a village deep in the countryside of Segou1 province (Mali), a local crowd was gathered in the courtyard of a family of Bamana jeliw (hereditary of Mande music, which focuses on Maninka and Mandinka traditions, though he does acknowledge that ''the reign of the Bamana of Segu in the seventeenth and eighteenth centuries is an African music scholars (Charters, Oliver, Evans, Kubik, Coolen AQ69), as well as to American musicians of all sorts from blues and jazz to banjo players (too numerous to mention here), and du Mali, entitled Dah Monzon ou l''épopée bambara, played frequently on Malian radio.33 It features a large ensemble with various Mande jeli instruments, a male speaker, a female chorus and a work_r2yh2xsgkrao5aee6dkffwxypy causal laws and legal rules in structuring the World, and by studying how the outside world are transformed by counts as rules into facts inside the world of law world of law, legal rule, dynamic rule, static rule, rule-based fact, counts-as of facts, by comparing the roles of causal laws and legal rules in structuring the The world of law consists of rule-based facts. The facts in the world of law are interconnected by rules, while the existence of 23 It is not necessary that the existence of the rules that connect facts in the world of law is itself a rule-based fact in the world of law, although this will hold true for by far most legal The rule-based facts in the world of law are immaterial, because otherwise they some legal status to an event or a fact in the world of law. work_rlncehiymneivk2tz4osco76x4 the inner life as one storied aspect of living current post-secondary leadership. Second, this inquiry makes transparent a conversation about the inner life of leaders education leaders lent itself to the telling of stories that reflected on the inner life, and hoped that as leaders read the notions of the inner life represented in this inquiry they conversation about the inner life and post-secondary education leadership in the way The stories or narratives of the inner life of leaders are at the heart of this research. this study to create a place from which the stories of the inner life of leaders were Stage One, I asked four leaders to write an inner life story that reflected upon their story to talk about the research and the idea of the inner life and leadership. education leaders and the inner life''s influence on their leadership. work_rxcpvf7emngwniwtgincssigzu Education in 1976, physicist Victor Weisskopf wrote, ''''Why is physics as a science considered ''inhuman'' by so many people, including some of the students we teach?'''' (Weisskopf, 1976, p. from an interview with a female sculpture major at a California university indicates that students'' perceptions of physics may have not changed much Thus, the languages of the arts can provide a means of helping students visualize the relationships in the physical of drawing learners into the study of physics because it interrogates ''''prescientific'''' concepts of space and time that have historically been at the center of cultural debates, and thus of general human interest. Each year that I have taught this course, I use the first homework assignment to introduce the idea that one can use drawing as a means of understanding in a physics class. Einstein describes, and to establish the validity of using drawing and visualization in understanding concepts in physics. Students'' Drawings of Einstein''s Article ''''Physics work_sbauwiquvfcdrexkl4zlqyc5ta But America''s most celebrated twentiethcentury poet Wallace Stevens did not just rain down his ideas in his writings but took them as his motto In other words, Supreme Fiction is Stevens'' replacement for the idea of God. Deeply influenced by the Nietzschean idea of the ''Death of God'', Stevens wants to create a replacement fiction, reality, the imagination, Nietzsche, death of god, world, disorder, Troubles with Reality and Order through the Imagination in a World of Disbelief and Disorder: Wallace Troubles with Reality and Order through the Imagination in a World of Disbelief and Disorder: Wallace Troubles with Reality and Order through the Imagination in a World of Disbelief and Disorder: Wallace Troubles with Reality and Order through the Imagination in a World of Disbelief and Disorder: Wallace Stevens and Supreme Fiction Troubles with Reality and Order through the Imagination in a World of Disbelief and Disorder: Wallace Stevens and Supreme Fiction work_sbzmsxzvxjfllgndwbkg4mbxcu i n which the n o t i o n of logos or presence has dominated Western meaning, God, s e l f , concept and so on. other words, whatever p a r t i c u l a r aspect of the concept of God means u s i n g the customary metaphors — i n moral terms: assumptions of Western metaphysics, M a r t i n Heidegger (1889 1976) In other words, the e p i s t e m o l o g i c a l concept of presence metaphysical concept of presence prevents a w r i t e r from H u s s e r l and the hermeneutlcs of Heidegger, Gadamer and Ricoeur words, Geertz i s concerned with the t r a n s m i s s i o n of meaning concepts, a thought meaning t h a t the work_tnvibjj3pbdjvghgbv367bf3pu DSpace DSpace niet meer beschikbaar Wegens de overgang naar het nieuwe onderzoeksinformatiesysteem PURE is DSpace niet meer beschikbaar. Er wordt op dit moment hard gewerkt aan het valideren van de onderzoeksoutput in PURE. Na validatie wordt de researchoutput getoond via https://research.ou.nl Let op, niet alle onderzoeksoutput zal worden getoond in PURE, dit is mede afhankelijk van het beleid binnen de verschillende faculteiten. Heeft u vragen, dan kunt u een e-mail sturen naar het PURE support team pure-support@ou.nl t.a.v. Katrine Bengtsson, Pure-coördinator. work_uedjmuarsrftnpqwyswlnmp2su Chapter 1 On the experience of encountering art: An inquiry with Gilles Deleuze Thoughts on art experience following a Deleuze-Dewey conceptual encounter............86 Thoughts on art experience following a Deleuze-Greene conceptual encounter..........161 concepts of encounter, desire and assemblage help me to think and inquire about my art of experience, encounter, assemblage, desire and, as closing thoughts, the concept of thinking with Deleuzian concepts produces an art encounter as desiring-assemblage; that is, the affective, embodied, relational experience of encountering art as a productive assemblage Thoughts on art experience following a Deleuze-Dewey encounter: Thoughts on art experience following a Deleuze-Gadamer conceptual encounter Thoughts on art experience following a Deleuze-Gadamer conceptual encounter about thinking the art experience following a Deleuze and Greene encounter. Thoughts on the art experience following a Deleuze-Greene encounter from Deleuze, the experience of encountering art is not simply a method to allow new experience of encountering art as a desiring-assemblage. work_uzpby4gncfb2bjqnhdqrpxo4h4 Crossbreeding Atheism with Spirituality: Notes on Soviet and Western Attempts Crossbreeding Atheism with Spirituality: Notes on Soviet spirituality in the period of late Soviet atheism; the second comes from contemporary Western "atheist attitude toward religion, as well as the propaganda of atheism, often in a form of secular rituals. Soviet society, atheism had to readjust, a process SmolkinRothrock (2014) has called "the spiritual crisis of late of atheism were threefold: differentiating religious spirituality and morality from atheist spirituality and morality; detaching religion from spirituality and morality; and religious, the connection between atheism and spirituality offers a possibility to show that atheists are "normal", universal; "life''s questions" were the same for both religion and atheism, and self-development was of utmost "Spiritual atheism" can be seen as a reaction to the decline of "traditional" ways of meaning-making, where religion had considerable authority. Soviet Atheism and the Appeal to the Spiritual work_vnxhtinvfrg7rgigyrex4ijsmy Slowness opens the eye and gives birth to a new tree like a shadow follows the matter within the radiation Get yourself together and find some time to examine your world, while snow covers most of the northern Listen to the rainbow: "I am one of the very last opener sounds, colors, and tastes, rivers, mountains, skies, and Physis takes it all; like the flower, it opens to hide and opens the blue of the sky to the hidden cosmic harmony. any sound and find the fresh waters of the well, the nourishing waves of the air, live a life again and SMILE AGAIN. perception of the tune beyond the mask. time, there was a tear, clear and wide, deep and open, Rainbow country surgery reggae seeds smile Rainbow country surgery reggae seeds smile Rainbow country surgery reggae seeds smile Rainbow country surgery reggae seeds smile Rainbow country surgery reggae seeds smile work_vpxxzkt23jbbvle4fwzw3wuzpi and Chinese languages in the type of the initial units of phonological encoding for speaking. or "proximate units" (1, 2) are segmental in Indo-European languages but whole syllables in Chinese. of consistent initial consonants in several word production tasks. In combination, these findings can be interpreted as particularly compelling evidence for the subordinate role of phonemes not clear is how the ERP signature of the resulting phonological concord relates to production. functional engagement of segments in preparation for production. account (1) with the view that phonemes are vestigial in production of Chinese. future more complete accounts of word production across units (e.g., syllables and segments among others) in Chinese, 1. O''Seaghdha PG, Chen J-Y, Chen T-M (2010) Proximate units in word production: Phonological encoding begins with syllables in Mandarin Chinese but with segments in 2. O''Seaghdha PG, Chen J-Y (2009) Toward a language-general account of word production: work_wiovv3okjzetthjn4z5upaiyda Hairy Guys in Sheds: The Rough and Ready World of DIY Cigar Box Guitar Makers Hairy Guys in Sheds: The Rough and Ready World of DIY Cigar Box Guitar Makers Hairy Guys in Sheds: The Rough and Ready World of DIY Cigar Box Guitar Makers Hairy Guys in Sheds: The Rough and Ready World of DIY Cigar Box Guitar Makers Hairy Guys in Sheds: The Rough and Ready World of DIY Cigar Box Guitar Makers Hairy Guys in Sheds: The Rough and Ready World of DIY Cigar Box Guitar Makers Hairy Guys in Sheds: The Rough and Ready World of DIY Cigar Box Guitar Makers Hairy Guys in Sheds: The Rough and Ready World of DIY Cigar Box Guitar Makers Hairy Guys in Sheds: The Rough and Ready World of DIY Cigar Box Guitar Makers Hairy Guys in Sheds: The Rough and Ready World of DIY Cigar Box Guitar Makers work_x3bdyqd7bnavdp2i22xjrlapwm Mas naturalmente o sol 0, por sua vez, apenas uma imagem do terra "literal" do poema, nomeado no primeiro verso: "o poema essencial no formas de ilustrar ou de trazer para a luz, ainda que esta luz seja false ou artificial, uma lampada e nao o sol verdadeiro. em que cada uma substitui a anterior e e substituida pela seguinte que, por sua vez, recolhe os restos da aniquilagao da frase anterior; o trecho como um todo, por outro lado, tem como seu centro "Chocorua to Its Neighbor", juntamente com "Um primitivo como um Orbe" e "The Owl in the Sarcophagus", apresentam uma das grandes prosopopeias de Stevens em poemas sobre a construgeo da prosopopeia. Em Wallace Stevens, o que caracteriza a descrig5o desse retorno progressivo é a forma pela qual se mostra o retorno da prosopopeia n5o primariamente atravas das outras catacreses personificantes da linguagem comum ("o olho do sol"), mas atraves do movimento cinetico em palavras abstratas como "composition","ompact", work_x52lebkxwngbrcg5pdt3wrbwpm Third, the single-case study led to the development of a four-condition, multiparticipant facilitation study that aimed to improve access to and repetition of LI words by Prediction of Paired T-Test Result and Effect Sizes Condition Pre-/Post Facilitation production and using repetition to improve verbal STM and word processing. from deep dysphasia; reports of semantic errors in repetition of word strings (Trojano et deep dysphasia, namely semantic errors in repetition of single words. deep dysphasia, lexicality and imageability effects and semantic errors in single-word repetition (Martin & Saffran, 1992); his auditory-verbal STM word span was less than of semantic errors in single-word repetition that distinguishes deep dysphasia from • Severity of auditory-verbal STM impairment in deep-phonological dysphasia Additionally, measures of auditory-verbal STM span included performance on word, Further classifying auditory-verbal short-term memory span in single word repetition The treatment involved repetition of abstract word pairs (modifier-noun phrases) work_xdoebvg2xjdothtumetvtrbxyi Metal music in Iran is illegal and metalheads live with the constant fear that they could time I learned a lot about Iran, Iranian culture, and the metal scene there. Second, to investigate metal bands in Iran and learn more about their music, lifestyle, understood by people in Iran that were listening to metal music at that time. The metal music scene in Iran is very diverse, there are bands in so many different metal scene in Iran began with people listening to bands like Metallica and Slayer and for many people know about metal music.334 Bands like Master of Persia, Mordab, and No one really knows how many people are interested in metal music in Iran because Women in Iran also like metal music and are becoming more It has been established how metal music arrived in Iran, but why do Iranians like No one knows that Iran has metal music. work_y2ghdzlmrzbbdnpatg35kv4kre work, a process of witnessing which names the subject into objective being. the nature of time, the days of the diaries or day books of Schuyler''s life of selfwitnessing, also become things. of place, but in the Schuyler poem surely place, time, language, and self are all taxonomic autobiography works ; naming the subject into the agency of '''' Let''s Make a List '''' : James Schuyler''s Taxonomic Autobiography  '''' Let''s Make a List '''' : James Schuyler''s Taxonomic Autobiography  '''' Let''s Make a List '''' : James Schuyler''s Taxonomic Autobiography  '''' Let''s Make a List '''' : James Schuyler''s Taxonomic Autobiography  '''' Let''s Make a List '''' : James Schuyler''s Taxonomic Autobiography  '''' Let''s Make a List '''' : James Schuyler''s Taxonomic Autobiography  '''' Let''s Make a List '''' : James Schuyler''s Taxonomic Autobiography  '''' Let''s Make a List '''' : James Schuyler''s Taxonomic Autobiography  work_yppx6jysffe23gqdmnc3ct625i This thesis also revealed that the main constraints faced by UNIFIL currently are the localinternational legitimacy gap in the mandate, local agency and a lack of national and international praxis of the UNIFIL peace operation into three levels of engagement: the international, national capacity building two national institutions: the Lebanese Armed Forces (LAF) and local observe UNIFIL in the area of operations, interacting with the local population: on border officers less effective on the ground.37 In the UNIFIL mission at both the local and international Chapter Three describes how UNIFIL works at the local level to reduce international tensions Lebanon in two main ways: capacity building the Lebanese Armed Forces (LAF) and local information sessions to educate local people on the Blue Line, interview with Respondent K, UNIFIL, Naqoura, This chapter will describe how UNIFIL works at the local level to reduce international tensions peacekeeping mission, UNIFIL engage in peacebuilding activities at the national level. work_yqi3blf4crgyrdmhtnskashyju In the act of making, perspectives shift or change in ways one could hardly know hope to engage this process of growth through painting, writing, looking, learning, listening, and suggest that learning is a way of living in the world, remaining continually curious, and this come to a better understanding of the meaning of the creative act, ways of knowing with With this process, I hope to suggest that learning is a way of living in the world, remaining extremely helpful at times to come into knowing new ways of thinking about the fixed mother, as offering the space to think differently about things in a generative way whilst living Reading is an integral process, as it pushes along ways of thinking about writing and painting, As an educator, Ingold''s book Making informs the way the students learn. This writing and working process is one in which I hold ideas and concepts of making, learning,