id	sid	tid	token	lemma	pos
work_p4wugnti7rfqlmujcqpww4zusq	1	1	UvA	UvA	NNP
work_p4wugnti7rfqlmujcqpww4zusq	1	2	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	1	3	DARE	DARE	NNP
work_p4wugnti7rfqlmujcqpww4zusq	1	4	is	be	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	1	5	a	a	DT
work_p4wugnti7rfqlmujcqpww4zusq	1	6	service	service	NN
work_p4wugnti7rfqlmujcqpww4zusq	1	7	provided	provide	VBN
work_p4wugnti7rfqlmujcqpww4zusq	1	8	by	by	IN
work_p4wugnti7rfqlmujcqpww4zusq	1	9	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	1	10	library	library	NN
work_p4wugnti7rfqlmujcqpww4zusq	1	11	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	1	12	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	1	13	University	University	NNP
work_p4wugnti7rfqlmujcqpww4zusq	1	14	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	1	15	Amsterdam	Amsterdam	NNP
work_p4wugnti7rfqlmujcqpww4zusq	1	16	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	1	17	https://dare.uva.nl	https://dare.uva.nl	NNP
work_p4wugnti7rfqlmujcqpww4zusq	1	18	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	1	19	UvA	UvA	NNP
work_p4wugnti7rfqlmujcqpww4zusq	1	20	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	1	21	DARE	DARE	NNP
work_p4wugnti7rfqlmujcqpww4zusq	1	22	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	1	23	Digital	Digital	NNP
work_p4wugnti7rfqlmujcqpww4zusq	1	24	Academic	Academic	NNP
work_p4wugnti7rfqlmujcqpww4zusq	1	25	Repository	Repository	NNP
work_p4wugnti7rfqlmujcqpww4zusq	1	26	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	1	27	New	new	JJ
work_p4wugnti7rfqlmujcqpww4zusq	1	28	ways	way	NNS
work_p4wugnti7rfqlmujcqpww4zusq	1	29	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	1	30	seeing	seeing	NN
work_p4wugnti7rfqlmujcqpww4zusq	1	31	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	1	32	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	1	33	hearing	hearing	NN
work_p4wugnti7rfqlmujcqpww4zusq	1	34	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	1	35	:	:	:
work_p4wugnti7rfqlmujcqpww4zusq	1	36	The	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	1	37	audiovisual	audiovisual	JJ
work_p4wugnti7rfqlmujcqpww4zusq	1	38	essay	essay	NN
work_p4wugnti7rfqlmujcqpww4zusq	1	39	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	1	40	television	television	NN
work_p4wugnti7rfqlmujcqpww4zusq	1	41	Grant	Grant	NNP
work_p4wugnti7rfqlmujcqpww4zusq	1	42	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	1	43	C.	C.	NNP
work_p4wugnti7rfqlmujcqpww4zusq	1	44	;	;	:
work_p4wugnti7rfqlmujcqpww4zusq	1	45	Kooijman	Kooijman	NNP
work_p4wugnti7rfqlmujcqpww4zusq	1	46	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	1	47	J.	J.	NNP
work_p4wugnti7rfqlmujcqpww4zusq	2	1	Publication	publication	NN
work_p4wugnti7rfqlmujcqpww4zusq	2	2	date	date	NN
work_p4wugnti7rfqlmujcqpww4zusq	2	3	2019	2019	CD
work_p4wugnti7rfqlmujcqpww4zusq	2	4	Document	Document	NNP
work_p4wugnti7rfqlmujcqpww4zusq	2	5	Version	Version	NNP
work_p4wugnti7rfqlmujcqpww4zusq	2	6	Final	Final	NNP
work_p4wugnti7rfqlmujcqpww4zusq	2	7	published	publish	VBN
work_p4wugnti7rfqlmujcqpww4zusq	2	8	version	version	NN
work_p4wugnti7rfqlmujcqpww4zusq	2	9	Published	publish	VBN
work_p4wugnti7rfqlmujcqpww4zusq	2	10	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	2	11	NECSUS	NECSUS	NNP
work_p4wugnti7rfqlmujcqpww4zusq	2	12	License	License	NNP
work_p4wugnti7rfqlmujcqpww4zusq	2	13	CC	CC	NNP
work_p4wugnti7rfqlmujcqpww4zusq	2	14	BY	BY	NNP
work_p4wugnti7rfqlmujcqpww4zusq	2	15	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	2	16	NC	NC	NNP
work_p4wugnti7rfqlmujcqpww4zusq	2	17	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	2	18	ND	ND	NNP
work_p4wugnti7rfqlmujcqpww4zusq	2	19	Link	Link	NNP
work_p4wugnti7rfqlmujcqpww4zusq	2	20	to	to	TO
work_p4wugnti7rfqlmujcqpww4zusq	2	21	publication	publication	VB
work_p4wugnti7rfqlmujcqpww4zusq	2	22	Citation	Citation	NNP
work_p4wugnti7rfqlmujcqpww4zusq	2	23	for	for	IN
work_p4wugnti7rfqlmujcqpww4zusq	2	24	published	publish	VBN
work_p4wugnti7rfqlmujcqpww4zusq	2	25	version	version	NN
work_p4wugnti7rfqlmujcqpww4zusq	2	26	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	2	27	APA	apa	NN
work_p4wugnti7rfqlmujcqpww4zusq	2	28	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	2	29	:	:	:
work_p4wugnti7rfqlmujcqpww4zusq	2	30	Grant	Grant	NNP
work_p4wugnti7rfqlmujcqpww4zusq	2	31	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	2	32	C.	C.	NNP
work_p4wugnti7rfqlmujcqpww4zusq	2	33	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	2	34	&	&	CC
work_p4wugnti7rfqlmujcqpww4zusq	2	35	Kooijman	Kooijman	NNP
work_p4wugnti7rfqlmujcqpww4zusq	2	36	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	2	37	J.	J.	NNP
work_p4wugnti7rfqlmujcqpww4zusq	3	1	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	3	2	2019	2019	CD
work_p4wugnti7rfqlmujcqpww4zusq	3	3	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	3	4	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	4	1	New	new	JJ
work_p4wugnti7rfqlmujcqpww4zusq	4	2	ways	way	NNS
work_p4wugnti7rfqlmujcqpww4zusq	4	3	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	4	4	seeing	seeing	NN
work_p4wugnti7rfqlmujcqpww4zusq	4	5	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	4	6	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	4	7	hearing	hearing	NN
work_p4wugnti7rfqlmujcqpww4zusq	4	8	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	4	9	:	:	:
work_p4wugnti7rfqlmujcqpww4zusq	4	10	The	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	4	11	audiovisual	audiovisual	JJ
work_p4wugnti7rfqlmujcqpww4zusq	4	12	essay	essay	NN
work_p4wugnti7rfqlmujcqpww4zusq	4	13	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	4	14	television	television	NN
work_p4wugnti7rfqlmujcqpww4zusq	4	15	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	5	1	NECSUS	NECSUS	NNP
work_p4wugnti7rfqlmujcqpww4zusq	5	2	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	5	3	8(1	8(1	NNP
work_p4wugnti7rfqlmujcqpww4zusq	5	4	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	5	5	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	5	6	293	293	CD
work_p4wugnti7rfqlmujcqpww4zusq	5	7	-	-	SYM
work_p4wugnti7rfqlmujcqpww4zusq	5	8	297	297	CD
work_p4wugnti7rfqlmujcqpww4zusq	5	9	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	5	10	https://necsus-ejms.org/new-ways-of-seeing-and-	https://necsus-ejms.org/new-ways-of-seeing-and-	NNP
work_p4wugnti7rfqlmujcqpww4zusq	5	11	hearing	hear	VBG
work_p4wugnti7rfqlmujcqpww4zusq	5	12	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	5	13	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	5	14	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	5	15	audiovisual	audiovisual	JJ
work_p4wugnti7rfqlmujcqpww4zusq	5	16	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	5	17	essay	essay	NN
work_p4wugnti7rfqlmujcqpww4zusq	5	18	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	5	19	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	5	20	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	5	21	television/	television/	NNP
work_p4wugnti7rfqlmujcqpww4zusq	5	22	General	general	JJ
work_p4wugnti7rfqlmujcqpww4zusq	5	23	rights	right	NNS
work_p4wugnti7rfqlmujcqpww4zusq	5	24	It	-PRON-	PRP
work_p4wugnti7rfqlmujcqpww4zusq	5	25	is	be	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	5	26	not	not	RB
work_p4wugnti7rfqlmujcqpww4zusq	5	27	permitted	permit	VBN
work_p4wugnti7rfqlmujcqpww4zusq	5	28	to	to	TO
work_p4wugnti7rfqlmujcqpww4zusq	5	29	download	download	VB
work_p4wugnti7rfqlmujcqpww4zusq	5	30	or	or	CC
work_p4wugnti7rfqlmujcqpww4zusq	5	31	to	to	IN
work_p4wugnti7rfqlmujcqpww4zusq	5	32	forward	forward	RB
work_p4wugnti7rfqlmujcqpww4zusq	5	33	/	/	SYM
work_p4wugnti7rfqlmujcqpww4zusq	5	34	distribute	distribute	VB
work_p4wugnti7rfqlmujcqpww4zusq	5	35	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	5	36	text	text	NN
work_p4wugnti7rfqlmujcqpww4zusq	5	37	or	or	CC
work_p4wugnti7rfqlmujcqpww4zusq	5	38	part	part	NN
work_p4wugnti7rfqlmujcqpww4zusq	5	39	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	5	40	it	-PRON-	PRP
work_p4wugnti7rfqlmujcqpww4zusq	5	41	without	without	IN
work_p4wugnti7rfqlmujcqpww4zusq	5	42	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	5	43	consent	consent	NN
work_p4wugnti7rfqlmujcqpww4zusq	5	44	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	5	45	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	5	46	author(s	author(s	NN
work_p4wugnti7rfqlmujcqpww4zusq	5	47	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	5	48	and/or	and/or	CC
work_p4wugnti7rfqlmujcqpww4zusq	5	49	copyright	copyright	VBD
work_p4wugnti7rfqlmujcqpww4zusq	5	50	holder(s	holder(s	NNP
work_p4wugnti7rfqlmujcqpww4zusq	5	51	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	5	52	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	5	53	other	other	JJ
work_p4wugnti7rfqlmujcqpww4zusq	5	54	than	than	IN
work_p4wugnti7rfqlmujcqpww4zusq	5	55	for	for	IN
work_p4wugnti7rfqlmujcqpww4zusq	5	56	strictly	strictly	RB
work_p4wugnti7rfqlmujcqpww4zusq	5	57	personal	personal	JJ
work_p4wugnti7rfqlmujcqpww4zusq	5	58	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	5	59	individual	individual	JJ
work_p4wugnti7rfqlmujcqpww4zusq	5	60	use	use	NN
work_p4wugnti7rfqlmujcqpww4zusq	5	61	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	5	62	unless	unless	IN
work_p4wugnti7rfqlmujcqpww4zusq	5	63	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	5	64	work	work	NN
work_p4wugnti7rfqlmujcqpww4zusq	5	65	is	be	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	5	66	under	under	IN
work_p4wugnti7rfqlmujcqpww4zusq	5	67	an	an	DT
work_p4wugnti7rfqlmujcqpww4zusq	5	68	open	open	JJ
work_p4wugnti7rfqlmujcqpww4zusq	5	69	content	content	NN
work_p4wugnti7rfqlmujcqpww4zusq	5	70	license	license	NN
work_p4wugnti7rfqlmujcqpww4zusq	5	71	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	5	72	like	like	IN
work_p4wugnti7rfqlmujcqpww4zusq	5	73	Creative	Creative	NNP
work_p4wugnti7rfqlmujcqpww4zusq	5	74	Commons	Commons	NNPS
work_p4wugnti7rfqlmujcqpww4zusq	5	75	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	5	76	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	6	1	Disclaimer	disclaimer	NN
work_p4wugnti7rfqlmujcqpww4zusq	6	2	/	/	SYM
work_p4wugnti7rfqlmujcqpww4zusq	6	3	Complaints	Complaints	NNPS
work_p4wugnti7rfqlmujcqpww4zusq	6	4	regulations	regulation	NNS
work_p4wugnti7rfqlmujcqpww4zusq	6	5	If	if	IN
work_p4wugnti7rfqlmujcqpww4zusq	6	6	you	-PRON-	PRP
work_p4wugnti7rfqlmujcqpww4zusq	6	7	believe	believe	VBP
work_p4wugnti7rfqlmujcqpww4zusq	6	8	that	that	IN
work_p4wugnti7rfqlmujcqpww4zusq	6	9	digital	digital	JJ
work_p4wugnti7rfqlmujcqpww4zusq	6	10	publication	publication	NN
work_p4wugnti7rfqlmujcqpww4zusq	6	11	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	6	12	certain	certain	JJ
work_p4wugnti7rfqlmujcqpww4zusq	6	13	material	material	NN
work_p4wugnti7rfqlmujcqpww4zusq	6	14	infringes	infringe	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	6	15	any	any	DT
work_p4wugnti7rfqlmujcqpww4zusq	6	16	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	6	17	your	-PRON-	PRP$
work_p4wugnti7rfqlmujcqpww4zusq	6	18	rights	right	NNS
work_p4wugnti7rfqlmujcqpww4zusq	6	19	or	or	CC
work_p4wugnti7rfqlmujcqpww4zusq	6	20	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	6	21	privacy	privacy	NN
work_p4wugnti7rfqlmujcqpww4zusq	6	22	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	6	23	interests	interest	NNS
work_p4wugnti7rfqlmujcqpww4zusq	6	24	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	6	25	please	please	UH
work_p4wugnti7rfqlmujcqpww4zusq	6	26	let	let	VB
work_p4wugnti7rfqlmujcqpww4zusq	6	27	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	6	28	Library	Library	NNP
work_p4wugnti7rfqlmujcqpww4zusq	6	29	know	know	VB
work_p4wugnti7rfqlmujcqpww4zusq	6	30	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	6	31	stating	state	VBG
work_p4wugnti7rfqlmujcqpww4zusq	6	32	your	-PRON-	PRP$
work_p4wugnti7rfqlmujcqpww4zusq	6	33	reasons	reason	NNS
work_p4wugnti7rfqlmujcqpww4zusq	6	34	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	7	1	In	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	7	2	case	case	NN
work_p4wugnti7rfqlmujcqpww4zusq	7	3	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	7	4	a	a	DT
work_p4wugnti7rfqlmujcqpww4zusq	7	5	legitimate	legitimate	JJ
work_p4wugnti7rfqlmujcqpww4zusq	7	6	complaint	complaint	NN
work_p4wugnti7rfqlmujcqpww4zusq	7	7	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	7	8	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	7	9	Library	Library	NNP
work_p4wugnti7rfqlmujcqpww4zusq	7	10	will	will	MD
work_p4wugnti7rfqlmujcqpww4zusq	7	11	make	make	VB
work_p4wugnti7rfqlmujcqpww4zusq	7	12	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	7	13	material	material	NN
work_p4wugnti7rfqlmujcqpww4zusq	7	14	inaccessible	inaccessible	JJ
work_p4wugnti7rfqlmujcqpww4zusq	7	15	and/or	and/or	CC
work_p4wugnti7rfqlmujcqpww4zusq	7	16	remove	remove	VB
work_p4wugnti7rfqlmujcqpww4zusq	7	17	it	-PRON-	PRP
work_p4wugnti7rfqlmujcqpww4zusq	7	18	from	from	IN
work_p4wugnti7rfqlmujcqpww4zusq	7	19	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	7	20	website	website	NN
work_p4wugnti7rfqlmujcqpww4zusq	7	21	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	8	1	Please	please	UH
work_p4wugnti7rfqlmujcqpww4zusq	8	2	Ask	ask	VB
work_p4wugnti7rfqlmujcqpww4zusq	8	3	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	8	4	Library	library	NN
work_p4wugnti7rfqlmujcqpww4zusq	8	5	:	:	:
work_p4wugnti7rfqlmujcqpww4zusq	8	6	https://uba.uva.nl/en/contact	https://uba.uva.nl/en/contact	NNP
work_p4wugnti7rfqlmujcqpww4zusq	8	7	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	8	8	or	or	CC
work_p4wugnti7rfqlmujcqpww4zusq	8	9	a	a	DT
work_p4wugnti7rfqlmujcqpww4zusq	8	10	letter	letter	NN
work_p4wugnti7rfqlmujcqpww4zusq	8	11	to	to	IN
work_p4wugnti7rfqlmujcqpww4zusq	8	12	:	:	:
work_p4wugnti7rfqlmujcqpww4zusq	8	13	Library	Library	NNP
work_p4wugnti7rfqlmujcqpww4zusq	8	14	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	8	15	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	8	16	University	University	NNP
work_p4wugnti7rfqlmujcqpww4zusq	8	17	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	8	18	Amsterdam	Amsterdam	NNP
work_p4wugnti7rfqlmujcqpww4zusq	8	19	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	8	20	Secretariat	Secretariat	NNP
work_p4wugnti7rfqlmujcqpww4zusq	8	21	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	8	22	Singel	Singel	NNP
work_p4wugnti7rfqlmujcqpww4zusq	8	23	425	425	CD
work_p4wugnti7rfqlmujcqpww4zusq	8	24	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	8	25	1012	1012	CD
work_p4wugnti7rfqlmujcqpww4zusq	8	26	WP	WP	NNP
work_p4wugnti7rfqlmujcqpww4zusq	8	27	Amsterdam	Amsterdam	NNP
work_p4wugnti7rfqlmujcqpww4zusq	8	28	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	8	29	The	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	8	30	Netherlands	Netherlands	NNP
work_p4wugnti7rfqlmujcqpww4zusq	8	31	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	9	1	You	-PRON-	PRP
work_p4wugnti7rfqlmujcqpww4zusq	9	2	will	will	MD
work_p4wugnti7rfqlmujcqpww4zusq	9	3	be	be	VB
work_p4wugnti7rfqlmujcqpww4zusq	9	4	contacted	contact	VBN
work_p4wugnti7rfqlmujcqpww4zusq	9	5	as	as	RB
work_p4wugnti7rfqlmujcqpww4zusq	9	6	soon	soon	RB
work_p4wugnti7rfqlmujcqpww4zusq	9	7	as	as	IN
work_p4wugnti7rfqlmujcqpww4zusq	9	8	possible	possible	JJ
work_p4wugnti7rfqlmujcqpww4zusq	9	9	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	10	1	Download	download	NN
work_p4wugnti7rfqlmujcqpww4zusq	10	2	date:06	date:06	``
work_p4wugnti7rfqlmujcqpww4zusq	10	3	Apr	Apr	NNP
work_p4wugnti7rfqlmujcqpww4zusq	10	4	2021	2021	CD
work_p4wugnti7rfqlmujcqpww4zusq	10	5	https://dare.uva.nl/personal/pure/en/publications/new-ways-of-seeing-and-hearing-the-audiovisual-essay-and-television(882d7c8a-b5c6-496d-a868-dcd07eb65032).html	https://dare.uva.nl/personal/pure/en/publications/new-ways-of-seeing-and-hearing-the-audiovisual-essay-and-television(882d7c8a-b5c6-496d-a868-dcd07eb65032).html	NNP
work_p4wugnti7rfqlmujcqpww4zusq	10	6	https://necsus-ejms.org/new-ways-of-seeing-and-hearing-the-audiovisual-essay-and-television/	https://necsus-ejms.org/new-ways-of-seeing-and-hearing-the-audiovisual-essay-and-television/	UH
work_p4wugnti7rfqlmujcqpww4zusq	10	7	https://necsus-ejms.org/new-ways-of-seeing-and-hearing-the-audiovisual-essay-and-television/	https://necsus-ejms.org/new-ways-of-seeing-and-hearing-the-audiovisual-essay-and-television/	UH
work_p4wugnti7rfqlmujcqpww4zusq	10	8	EUROPEAN	EUROPEAN	NNP
work_p4wugnti7rfqlmujcqpww4zusq	10	9	JOURNAL	JOURNAL	NNP
work_p4wugnti7rfqlmujcqpww4zusq	10	10	OF	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	10	11	MEDIA	medium	NNS
work_p4wugnti7rfqlmujcqpww4zusq	10	12	STUDIES	study	NNS
work_p4wugnti7rfqlmujcqpww4zusq	10	13	www.necsus-ejms.org	www.necsus-ejms.org	,
work_p4wugnti7rfqlmujcqpww4zusq	10	14	New	new	JJ
work_p4wugnti7rfqlmujcqpww4zusq	10	15	ways	way	NNS
work_p4wugnti7rfqlmujcqpww4zusq	10	16	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	10	17	seeing	seeing	NN
work_p4wugnti7rfqlmujcqpww4zusq	10	18	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	10	19	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	10	20	hearing	hearing	NN
work_p4wugnti7rfqlmujcqpww4zusq	10	21	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	10	22	:	:	:
work_p4wugnti7rfqlmujcqpww4zusq	10	23	The	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	10	24	audiovisual	audiovisual	JJ
work_p4wugnti7rfqlmujcqpww4zusq	10	25	essay	essay	NN
work_p4wugnti7rfqlmujcqpww4zusq	10	26	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	10	27	television	television	NN
work_p4wugnti7rfqlmujcqpww4zusq	10	28	Catherine	Catherine	NNP
work_p4wugnti7rfqlmujcqpww4zusq	10	29	Grant	Grant	NNP
work_p4wugnti7rfqlmujcqpww4zusq	10	30	&	&	CC
work_p4wugnti7rfqlmujcqpww4zusq	10	31	Jaap	Jaap	NNP
work_p4wugnti7rfqlmujcqpww4zusq	10	32	Kooijman	Kooijman	NNP
work_p4wugnti7rfqlmujcqpww4zusq	10	33	NECSUS	NECSUS	NNP
work_p4wugnti7rfqlmujcqpww4zusq	10	34	8	8	CD
work_p4wugnti7rfqlmujcqpww4zusq	10	35	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	10	36	1	1	CD
work_p4wugnti7rfqlmujcqpww4zusq	10	37	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	10	38	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	10	39	Spring	Spring	NNP
work_p4wugnti7rfqlmujcqpww4zusq	10	40	2019	2019	CD
work_p4wugnti7rfqlmujcqpww4zusq	10	41	:	:	:
work_p4wugnti7rfqlmujcqpww4zusq	10	42	293–297	293–297	CD
work_p4wugnti7rfqlmujcqpww4zusq	10	43	URL	url	NN
work_p4wugnti7rfqlmujcqpww4zusq	10	44	:	:	:
work_p4wugnti7rfqlmujcqpww4zusq	10	45	https://necsus-ejms.org/new-ways-of-seeing-and-hearing-the-	https://necsus-ejms.org/new-ways-of-seeing-and-hearing-the-	JJ
work_p4wugnti7rfqlmujcqpww4zusq	10	46	audiovisual	audiovisual	JJ
work_p4wugnti7rfqlmujcqpww4zusq	10	47	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	10	48	essay	essay	NN
work_p4wugnti7rfqlmujcqpww4zusq	10	49	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	10	50	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	10	51	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	10	52	television/	television/	NN
work_p4wugnti7rfqlmujcqpww4zusq	10	53	Keywords	keyword	NNS
work_p4wugnti7rfqlmujcqpww4zusq	10	54	:	:	:
work_p4wugnti7rfqlmujcqpww4zusq	10	55	audiovisual	audiovisual	JJ
work_p4wugnti7rfqlmujcqpww4zusq	10	56	essay	essay	NN
work_p4wugnti7rfqlmujcqpww4zusq	10	57	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	10	58	television	television	NN
work_p4wugnti7rfqlmujcqpww4zusq	10	59	In	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	10	60	recent	recent	JJ
work_p4wugnti7rfqlmujcqpww4zusq	10	61	years	year	NNS
work_p4wugnti7rfqlmujcqpww4zusq	10	62	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	10	63	videographic	videographic	JJ
work_p4wugnti7rfqlmujcqpww4zusq	10	64	criticism	criticism	NN
work_p4wugnti7rfqlmujcqpww4zusq	10	65	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	10	66	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	10	67	form	form	NN
work_p4wugnti7rfqlmujcqpww4zusq	10	68	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	10	69	remix	remix	NN
work_p4wugnti7rfqlmujcqpww4zusq	10	70	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	10	71	based	base	VBN
work_p4wugnti7rfqlmujcqpww4zusq	10	72	audiovis-	audiovis-	NN
work_p4wugnti7rfqlmujcqpww4zusq	10	73	ual	ual	NNP
work_p4wugnti7rfqlmujcqpww4zusq	10	74	essays	essay	NNS
work_p4wugnti7rfqlmujcqpww4zusq	10	75	has	have	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	10	76	gained	gain	VBN
work_p4wugnti7rfqlmujcqpww4zusq	10	77	momentum	momentum	NN
work_p4wugnti7rfqlmujcqpww4zusq	10	78	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	10	79	Media	Media	NNP
work_p4wugnti7rfqlmujcqpww4zusq	10	80	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	10	81	Screen	Screen	NNP
work_p4wugnti7rfqlmujcqpww4zusq	10	82	Studies	Studies	NNPS
work_p4wugnti7rfqlmujcqpww4zusq	10	83	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	10	84	with	with	IN
work_p4wugnti7rfqlmujcqpww4zusq	10	85	courses	course	NNS
work_p4wugnti7rfqlmujcqpww4zusq	10	86	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	10	87	workshops	workshop	NNS
work_p4wugnti7rfqlmujcqpww4zusq	10	88	at	at	IN
work_p4wugnti7rfqlmujcqpww4zusq	10	89	universities	university	NNS
work_p4wugnti7rfqlmujcqpww4zusq	10	90	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	10	91	presentations	presentation	NNS
work_p4wugnti7rfqlmujcqpww4zusq	10	92	at	at	IN
work_p4wugnti7rfqlmujcqpww4zusq	10	93	international	international	JJ
work_p4wugnti7rfqlmujcqpww4zusq	10	94	conferences	conference	NNS
work_p4wugnti7rfqlmujcqpww4zusq	10	95	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	10	96	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	10	97	publication	publication	NN
work_p4wugnti7rfqlmujcqpww4zusq	10	98	opportunities	opportunity	NNS
work_p4wugnti7rfqlmujcqpww4zusq	10	99	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	10	100	academic	academic	JJ
work_p4wugnti7rfqlmujcqpww4zusq	10	101	journals	journal	NNS
work_p4wugnti7rfqlmujcqpww4zusq	10	102	such	such	JJ
work_p4wugnti7rfqlmujcqpww4zusq	10	103	as	as	IN
work_p4wugnti7rfqlmujcqpww4zusq	10	104	[	[	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	10	105	in]Transition	in]Transition	NNP
work_p4wugnti7rfqlmujcqpww4zusq	10	106	:	:	:
work_p4wugnti7rfqlmujcqpww4zusq	10	107	Journal	Journal	NNP
work_p4wugnti7rfqlmujcqpww4zusq	10	108	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	10	109	Videographic	Videographic	NNP
work_p4wugnti7rfqlmujcqpww4zusq	10	110	Film	Film	NNP
work_p4wugnti7rfqlmujcqpww4zusq	10	111	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	10	112	Moving	Moving	NNP
work_p4wugnti7rfqlmujcqpww4zusq	10	113	Image	Image	NNP
work_p4wugnti7rfqlmujcqpww4zusq	10	114	Studies	Studies	NNPS
work_p4wugnti7rfqlmujcqpww4zusq	10	115	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	10	116	The	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	10	117	Cine	Cine	NNP
work_p4wugnti7rfqlmujcqpww4zusq	10	118	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	10	119	Files	Files	NNP
work_p4wugnti7rfqlmujcqpww4zusq	10	120	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	10	121	16:9	16:9	CD
work_p4wugnti7rfqlmujcqpww4zusq	10	122	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	10	123	Movie	movie	NN
work_p4wugnti7rfqlmujcqpww4zusq	10	124	:	:	:
work_p4wugnti7rfqlmujcqpww4zusq	10	125	A	a	DT
work_p4wugnti7rfqlmujcqpww4zusq	10	126	Journal	Journal	NNP
work_p4wugnti7rfqlmujcqpww4zusq	10	127	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	10	128	Film	Film	NNP
work_p4wugnti7rfqlmujcqpww4zusq	10	129	Criticism	Criticism	NNP
work_p4wugnti7rfqlmujcqpww4zusq	10	130	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	10	131	Tecmerin	Tecmerin	NNP
work_p4wugnti7rfqlmujcqpww4zusq	10	132	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	10	133	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	10	134	NECSUS	NECSUS	NNP
work_p4wugnti7rfqlmujcqpww4zusq	10	135	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	11	1	While	while	IN
work_p4wugnti7rfqlmujcqpww4zusq	11	2	excited	excite	VBN
work_p4wugnti7rfqlmujcqpww4zusq	11	3	by	by	IN
work_p4wugnti7rfqlmujcqpww4zusq	11	4	this	this	DT
work_p4wugnti7rfqlmujcqpww4zusq	11	5	development	development	NN
work_p4wugnti7rfqlmujcqpww4zusq	11	6	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	11	7	we	-PRON-	PRP
work_p4wugnti7rfqlmujcqpww4zusq	11	8	can	can	MD
work_p4wugnti7rfqlmujcqpww4zusq	11	9	not	not	RB
work_p4wugnti7rfqlmujcqpww4zusq	11	10	help	help	VB
work_p4wugnti7rfqlmujcqpww4zusq	11	11	but	but	CC
work_p4wugnti7rfqlmujcqpww4zusq	11	12	notice	notice	VB
work_p4wugnti7rfqlmujcqpww4zusq	11	13	that	that	IN
work_p4wugnti7rfqlmujcqpww4zusq	11	14	relatively	relatively	RB
work_p4wugnti7rfqlmujcqpww4zusq	11	15	few	few	JJ
work_p4wugnti7rfqlmujcqpww4zusq	11	16	audiovisual	audiovisual	JJ
work_p4wugnti7rfqlmujcqpww4zusq	11	17	essays	essay	NNS
work_p4wugnti7rfqlmujcqpww4zusq	11	18	deal	deal	VBP
work_p4wugnti7rfqlmujcqpww4zusq	11	19	with	with	IN
work_p4wugnti7rfqlmujcqpww4zusq	11	20	television	television	NN
work_p4wugnti7rfqlmujcqpww4zusq	11	21	or	or	CC
work_p4wugnti7rfqlmujcqpww4zusq	11	22	use	use	VB
work_p4wugnti7rfqlmujcqpww4zusq	11	23	televisual	televisual	JJ
work_p4wugnti7rfqlmujcqpww4zusq	11	24	images	image	NNS
work_p4wugnti7rfqlmujcqpww4zusq	11	25	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	11	26	sounds	sound	NNS
work_p4wugnti7rfqlmujcqpww4zusq	11	27	as	as	IN
work_p4wugnti7rfqlmujcqpww4zusq	11	28	source	source	NN
work_p4wugnti7rfqlmujcqpww4zusq	11	29	ma-	ma-	JJ
work_p4wugnti7rfqlmujcqpww4zusq	11	30	terial	terial	NN
work_p4wugnti7rfqlmujcqpww4zusq	11	31	for	for	IN
work_p4wugnti7rfqlmujcqpww4zusq	11	32	study	study	NN
work_p4wugnti7rfqlmujcqpww4zusq	11	33	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	12	1	In	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	12	2	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	12	3	2017	2017	CD
work_p4wugnti7rfqlmujcqpww4zusq	12	4	retrospective	retrospective	JJ
work_p4wugnti7rfqlmujcqpww4zusq	12	5	issue	issue	NN
work_p4wugnti7rfqlmujcqpww4zusq	12	6	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	12	7	[	[	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	12	8	in]Transition	in]Transition	NNP
work_p4wugnti7rfqlmujcqpww4zusq	12	9	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	12	10	looking	look	VBG
work_p4wugnti7rfqlmujcqpww4zusq	12	11	back	back	RB
work_p4wugnti7rfqlmujcqpww4zusq	12	12	at	at	IN
work_p4wugnti7rfqlmujcqpww4zusq	12	13	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	12	14	first	first	JJ
work_p4wugnti7rfqlmujcqpww4zusq	12	15	twelve	twelve	CD
work_p4wugnti7rfqlmujcqpww4zusq	12	16	issues	issue	NNS
work_p4wugnti7rfqlmujcqpww4zusq	12	17	published	publish	VBN
work_p4wugnti7rfqlmujcqpww4zusq	12	18	since	since	IN
work_p4wugnti7rfqlmujcqpww4zusq	12	19	2014	2014	CD
work_p4wugnti7rfqlmujcqpww4zusq	12	20	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	12	21	Jason	Jason	NNP
work_p4wugnti7rfqlmujcqpww4zusq	12	22	Mittell	Mittell	NNP
work_p4wugnti7rfqlmujcqpww4zusq	12	23	points	point	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	12	24	out	out	RP
work_p4wugnti7rfqlmujcqpww4zusq	12	25	that	that	IN
work_p4wugnti7rfqlmujcqpww4zusq	12	26	only	only	RB
work_p4wugnti7rfqlmujcqpww4zusq	12	27	two	two	CD
work_p4wugnti7rfqlmujcqpww4zusq	12	28	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	12	29	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	12	30	58	58	CD
work_p4wugnti7rfqlmujcqpww4zusq	12	31	featured	feature	VBN
work_p4wugnti7rfqlmujcqpww4zusq	12	32	audiovisual	audiovisual	JJ
work_p4wugnti7rfqlmujcqpww4zusq	12	33	essays	essay	NNS
work_p4wugnti7rfqlmujcqpww4zusq	12	34	focus	focus	VBP
work_p4wugnti7rfqlmujcqpww4zusq	12	35	on	on	IN
work_p4wugnti7rfqlmujcqpww4zusq	12	36	television	television	NN
work_p4wugnti7rfqlmujcqpww4zusq	12	37	:	:	:
work_p4wugnti7rfqlmujcqpww4zusq	12	38	Nick	Nick	NNP
work_p4wugnti7rfqlmujcqpww4zusq	12	39	Warr	Warr	NNP
work_p4wugnti7rfqlmujcqpww4zusq	12	40	’s	’s	POS
work_p4wugnti7rfqlmujcqpww4zusq	12	41	‘	'	``
work_p4wugnti7rfqlmujcqpww4zusq	12	42	Honolulu	Honolulu	NNP
work_p4wugnti7rfqlmujcqpww4zusq	12	43	Mon	Mon	NNP
work_p4wugnti7rfqlmujcqpww4zusq	12	44	Amour	Amour	NNP
work_p4wugnti7rfqlmujcqpww4zusq	12	45	”	"	''
work_p4wugnti7rfqlmujcqpww4zusq	12	46	’	'	''
work_p4wugnti7rfqlmujcqpww4zusq	12	47	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	12	48	Lori	Lori	NNP
work_p4wugnti7rfqlmujcqpww4zusq	12	49	Morimoto	Morimoto	NNP
work_p4wugnti7rfqlmujcqpww4zusq	12	50	’s	’s	POS
work_p4wugnti7rfqlmujcqpww4zusq	12	51	‘	'	``
work_p4wugnti7rfqlmujcqpww4zusq	12	52	Hannibal	Hannibal	NNP
work_p4wugnti7rfqlmujcqpww4zusq	12	53	:	:	:
work_p4wugnti7rfqlmujcqpww4zusq	12	54	A	a	DT
work_p4wugnti7rfqlmujcqpww4zusq	12	55	fanvid	fanvid	JJ
work_p4wugnti7rfqlmujcqpww4zusq	12	56	’	'	''
work_p4wugnti7rfqlmujcqpww4zusq	12	57	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	12	58	both	both	DT
work_p4wugnti7rfqlmujcqpww4zusq	12	59	published	publish	VBN
work_p4wugnti7rfqlmujcqpww4zusq	12	60	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	12	61	2016	2016	CD
work_p4wugnti7rfqlmujcqpww4zusq	12	62	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	13	1	Also	also	RB
work_p4wugnti7rfqlmujcqpww4zusq	13	2	NECSUS	NECSUS	NNP
work_p4wugnti7rfqlmujcqpww4zusq	13	3	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	13	4	which	which	WDT
work_p4wugnti7rfqlmujcqpww4zusq	13	5	has	have	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	13	6	incorporated	incorporate	VBN
work_p4wugnti7rfqlmujcqpww4zusq	13	7	an	an	DT
work_p4wugnti7rfqlmujcqpww4zusq	13	8	audiovisual	audiovisual	JJ
work_p4wugnti7rfqlmujcqpww4zusq	13	9	essay	essay	NN
work_p4wugnti7rfqlmujcqpww4zusq	13	10	section	section	NN
work_p4wugnti7rfqlmujcqpww4zusq	13	11	since	since	IN
work_p4wugnti7rfqlmujcqpww4zusq	13	12	its	-PRON-	PRP$
work_p4wugnti7rfqlmujcqpww4zusq	13	13	Autumn	Autumn	NNP
work_p4wugnti7rfqlmujcqpww4zusq	13	14	2014	2014	CD
work_p4wugnti7rfqlmujcqpww4zusq	13	15	issue	issue	NN
work_p4wugnti7rfqlmujcqpww4zusq	13	16	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	13	17	has	have	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	13	18	featured	feature	VBN
work_p4wugnti7rfqlmujcqpww4zusq	13	19	only	only	RB
work_p4wugnti7rfqlmujcqpww4zusq	13	20	one	one	CD
work_p4wugnti7rfqlmujcqpww4zusq	13	21	contempo-	contempo-	NN
work_p4wugnti7rfqlmujcqpww4zusq	13	22	rary	rary	JJ
work_p4wugnti7rfqlmujcqpww4zusq	13	23	audiovisual	audiovisual	JJ
work_p4wugnti7rfqlmujcqpww4zusq	13	24	essay	essay	NN
work_p4wugnti7rfqlmujcqpww4zusq	13	25	that	that	WDT
work_p4wugnti7rfqlmujcqpww4zusq	13	26	can	can	MD
work_p4wugnti7rfqlmujcqpww4zusq	13	27	be	be	VB
work_p4wugnti7rfqlmujcqpww4zusq	13	28	considered	consider	VBN
work_p4wugnti7rfqlmujcqpww4zusq	13	29	televisual	televisual	JJ
work_p4wugnti7rfqlmujcqpww4zusq	13	30	:	:	:
work_p4wugnti7rfqlmujcqpww4zusq	13	31	Juan	Juan	NNP
work_p4wugnti7rfqlmujcqpww4zusq	13	32	Daniel	Daniel	NNP
work_p4wugnti7rfqlmujcqpww4zusq	13	33	F.	F.	NNP
work_p4wugnti7rfqlmujcqpww4zusq	13	34	Molero	Molero	NNP
work_p4wugnti7rfqlmujcqpww4zusq	13	35	’s	’s	POS
work_p4wugnti7rfqlmujcqpww4zusq	13	36	‘	'	``
work_p4wugnti7rfqlmujcqpww4zusq	13	37	re	re	NN
work_p4wugnti7rfqlmujcqpww4zusq	13	38	-	-	NN
work_p4wugnti7rfqlmujcqpww4zusq	13	39	making	making	NN
work_p4wugnti7rfqlmujcqpww4zusq	13	40	’	'	''
work_p4wugnti7rfqlmujcqpww4zusq	13	41	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	13	42	aptly	aptly	RB
work_p4wugnti7rfqlmujcqpww4zusq	13	43	referring	refer	VBG
work_p4wugnti7rfqlmujcqpww4zusq	13	44	to	to	IN
work_p4wugnti7rfqlmujcqpww4zusq	13	45	John	John	NNP
work_p4wugnti7rfqlmujcqpww4zusq	13	46	Berger	Berger	NNP
work_p4wugnti7rfqlmujcqpww4zusq	13	47	’s	’s	POS
work_p4wugnti7rfqlmujcqpww4zusq	13	48	iconic	iconic	JJ
work_p4wugnti7rfqlmujcqpww4zusq	13	49	television	television	NN
work_p4wugnti7rfqlmujcqpww4zusq	13	50	series	series	NN
work_p4wugnti7rfqlmujcqpww4zusq	13	51	Ways	Ways	NNPS
work_p4wugnti7rfqlmujcqpww4zusq	13	52	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	13	53	Seeing	Seeing	NNP
work_p4wugnti7rfqlmujcqpww4zusq	13	54	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	13	55	BBC	BBC	NNP
work_p4wugnti7rfqlmujcqpww4zusq	13	56	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	13	57	1972	1972	CD
work_p4wugnti7rfqlmujcqpww4zusq	13	58	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	13	59	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	14	1	As	as	IN
work_p4wugnti7rfqlmujcqpww4zusq	14	2	Mittell	Mittell	NNP
work_p4wugnti7rfqlmujcqpww4zusq	14	3	rightly	rightly	RB
work_p4wugnti7rfqlmujcqpww4zusq	14	4	wonders	wonder	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	14	5	:	:	:
work_p4wugnti7rfqlmujcqpww4zusq	14	6	‘	'	``
work_p4wugnti7rfqlmujcqpww4zusq	14	7	[	[	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	14	8	g]iven	g]iven	VBN
work_p4wugnti7rfqlmujcqpww4zusq	14	9	that	that	DT
work_p4wugnti7rfqlmujcqpww4zusq	14	10	contem-	contem-	NN
work_p4wugnti7rfqlmujcqpww4zusq	14	11	porary	porary	JJ
work_p4wugnti7rfqlmujcqpww4zusq	14	12	television	television	NN
work_p4wugnti7rfqlmujcqpww4zusq	14	13	is	be	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	14	14	often	often	RB
work_p4wugnti7rfqlmujcqpww4zusq	14	15	described	describe	VBN
work_p4wugnti7rfqlmujcqpww4zusq	14	16	as	as	IN
work_p4wugnti7rfqlmujcqpww4zusq	14	17	more	more	RBR
work_p4wugnti7rfqlmujcqpww4zusq	14	18	robust	robust	JJ
work_p4wugnti7rfqlmujcqpww4zusq	14	19	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	14	20	innovative	innovative	JJ
work_p4wugnti7rfqlmujcqpww4zusq	14	21	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	14	22	acclaimed	acclaim	VBN
work_p4wugnti7rfqlmujcqpww4zusq	14	23	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	14	24	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	14	25	culturally	culturally	RB
work_p4wugnti7rfqlmujcqpww4zusq	14	26	important	important	JJ
work_p4wugnti7rfqlmujcqpww4zusq	14	27	than	than	IN
work_p4wugnti7rfqlmujcqpww4zusq	14	28	contemporary	contemporary	JJ
work_p4wugnti7rfqlmujcqpww4zusq	14	29	cinema	cinema	NN
work_p4wugnti7rfqlmujcqpww4zusq	14	30	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	14	31	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	14	32	television	television	NN
work_p4wugnti7rfqlmujcqpww4zusq	14	33	studies	study	NNS
work_p4wugnti7rfqlmujcqpww4zusq	14	34	is	be	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	14	35	more	more	RBR
work_p4wugnti7rfqlmujcqpww4zusq	14	36	widespread	widespread	JJ
work_p4wugnti7rfqlmujcqpww4zusq	14	37	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	14	38	accepted	accept	VBN
work_p4wugnti7rfqlmujcqpww4zusq	14	39	than	than	IN
work_p4wugnti7rfqlmujcqpww4zusq	14	40	ever	ever	RB
work_p4wugnti7rfqlmujcqpww4zusq	14	41	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	14	42	why	why	WRB
work_p4wugnti7rfqlmujcqpww4zusq	14	43	have	have	VBP
work_p4wugnti7rfqlmujcqpww4zusq	14	44	we	-PRON-	PRP
work_p4wugnti7rfqlmujcqpww4zusq	14	45	not	not	RB
work_p4wugnti7rfqlmujcqpww4zusq	14	46	seen	see	VBN
work_p4wugnti7rfqlmujcqpww4zusq	14	47	examples	example	NNS
work_p4wugnti7rfqlmujcqpww4zusq	14	48	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	14	49	a	a	DT
work_p4wugnti7rfqlmujcqpww4zusq	14	50	distinctly	distinctly	RB
work_p4wugnti7rfqlmujcqpww4zusq	14	51	televisual	televisual	JJ
work_p4wugnti7rfqlmujcqpww4zusq	14	52	model	model	NN
work_p4wugnti7rfqlmujcqpww4zusq	14	53	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	14	54	videographic	videographic	JJ
work_p4wugnti7rfqlmujcqpww4zusq	14	55	criticism?’[1	criticism?’[1	NN
work_p4wugnti7rfqlmujcqpww4zusq	14	56	]	]	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	14	57	Perhaps	perhaps	RB
work_p4wugnti7rfqlmujcqpww4zusq	14	58	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	14	59	historical	historical	JJ
work_p4wugnti7rfqlmujcqpww4zusq	14	60	status	status	NN
work_p4wugnti7rfqlmujcqpww4zusq	14	61	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	14	62	much	much	JJ
work_p4wugnti7rfqlmujcqpww4zusq	14	63	broadcast	broadcast	NN
work_p4wugnti7rfqlmujcqpww4zusq	14	64	television	television	NN
work_p4wugnti7rfqlmujcqpww4zusq	14	65	as	as	IN
work_p4wugnti7rfqlmujcqpww4zusq	14	66	a	a	DT
work_p4wugnti7rfqlmujcqpww4zusq	14	67	far	far	RB
work_p4wugnti7rfqlmujcqpww4zusq	14	68	more	more	RBR
work_p4wugnti7rfqlmujcqpww4zusq	14	69	everyday	everyday	NN
work_p4wugnti7rfqlmujcqpww4zusq	14	70	–	–	:
work_p4wugnti7rfqlmujcqpww4zusq	14	71	or	or	CC
work_p4wugnti7rfqlmujcqpww4zusq	14	72	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	14	73	to	to	TO
work_p4wugnti7rfqlmujcqpww4zusq	14	74	nod	nod	VB
work_p4wugnti7rfqlmujcqpww4zusq	14	75	to	to	IN
work_p4wugnti7rfqlmujcqpww4zusq	14	76	Raymond	Raymond	NNP
work_p4wugnti7rfqlmujcqpww4zusq	14	77	Williams	Williams	NNP
work_p4wugnti7rfqlmujcqpww4zusq	14	78	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	14	79	ordinary	ordinary	JJ
work_p4wugnti7rfqlmujcqpww4zusq	14	80	–	–	:
work_p4wugnti7rfqlmujcqpww4zusq	14	81	object	object	NN
work_p4wugnti7rfqlmujcqpww4zusq	14	82	has	have	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	14	83	meant	mean	VBN
work_p4wugnti7rfqlmujcqpww4zusq	14	84	that	that	IN
work_p4wugnti7rfqlmujcqpww4zusq	14	85	it	-PRON-	PRP
work_p4wugnti7rfqlmujcqpww4zusq	14	86	has	have	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	14	87	not	not	RB
work_p4wugnti7rfqlmujcqpww4zusq	14	88	attracted	attract	VBN
work_p4wugnti7rfqlmujcqpww4zusq	14	89	as	as	RB
work_p4wugnti7rfqlmujcqpww4zusq	14	90	much	much	JJ
work_p4wugnti7rfqlmujcqpww4zusq	14	91	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	14	92	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	14	93	attention	attention	NN
work_p4wugnti7rfqlmujcqpww4zusq	14	94	as	as	IN
work_p4wugnti7rfqlmujcqpww4zusq	14	95	cinematic	cinematic	JJ
work_p4wugnti7rfqlmujcqpww4zusq	14	96	objects	object	NNS
work_p4wugnti7rfqlmujcqpww4zusq	14	97	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	14	98	those	those	DT
work_p4wugnti7rfqlmujcqpww4zusq	14	99	https://necsus-ejms.org/new-ways-of-seeing-and-hearing-the-audiovisual-essay-and-television/	https://necsus-ejms.org/new-ways-of-seeing-and-hearing-the-audiovisual-essay-and-television/	UH
work_p4wugnti7rfqlmujcqpww4zusq	14	100	https://necsus-ejms.org/new-ways-of-seeing-and-hearing-the-audiovisual-essay-and-television/	https://necsus-ejms.org/new-ways-of-seeing-and-hearing-the-audiovisual-essay-and-television/	UH
work_p4wugnti7rfqlmujcqpww4zusq	14	101	https://necsus-ejms.org/tag/audiovisual-essay/	https://necsus-ejms.org/tag/audiovisual-essay/	NNS
work_p4wugnti7rfqlmujcqpww4zusq	14	102	https://necsus-ejms.org/tag/television/	https://necsus-ejms.org/tag/television/	ADD
work_p4wugnti7rfqlmujcqpww4zusq	14	103	http://mediacommons.org/intransition/	http://mediacommons.org/intransition/	POS
work_p4wugnti7rfqlmujcqpww4zusq	14	104	http://www.thecine-files.com/	http://www.thecine-files.com/	NNP
work_p4wugnti7rfqlmujcqpww4zusq	14	105	http://www.16-9.dk/	http://www.16-9.dk/	DT
work_p4wugnti7rfqlmujcqpww4zusq	14	106	https://www.reading.ac.uk/ftt/research/ftt-Movie-Journal-Film-Criticism.aspx	https://www.reading.ac.uk/ftt/research/ftt-Movie-Journal-Film-Criticism.aspx	NNP
work_p4wugnti7rfqlmujcqpww4zusq	14	107	https://tecmerin.uc3m.es/en/journal/	https://tecmerin.uc3m.es/en/journal/	NNPS
work_p4wugnti7rfqlmujcqpww4zusq	14	108	http://mediacommons.org/intransition/theme-week/2017/issue-4-1	http://mediacommons.org/intransition/theme-week/2017/issue-4-1	NNP
work_p4wugnti7rfqlmujcqpww4zusq	14	109	http://mediacommons.org/intransition/honolulu-mon-amour	http://mediacommons.org/intransition/honolulu-mon-amour	NNP
work_p4wugnti7rfqlmujcqpww4zusq	14	110	http://mediacommons.org/intransition/2016/10/06/hannibal-fanvid	http://mediacommons.org/intransition/2016/10/06/hannibal-fanvid	NNP
work_p4wugnti7rfqlmujcqpww4zusq	14	111	https://necsus-ejms.org/re_making/	https://necsus-ejms.org/re_making/	NN
work_p4wugnti7rfqlmujcqpww4zusq	14	112	NECSUS	NECSUS	NNP
work_p4wugnti7rfqlmujcqpww4zusq	14	113	–	–	:
work_p4wugnti7rfqlmujcqpww4zusq	14	114	EUROPEAN	EUROPEAN	NNP
work_p4wugnti7rfqlmujcqpww4zusq	14	115	JOURNAL	JOURNAL	NNP
work_p4wugnti7rfqlmujcqpww4zusq	14	116	OF	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	14	117	MEDIA	MEDIA	NNP
work_p4wugnti7rfqlmujcqpww4zusq	14	118	STUDIES	STUDIES	NNP
work_p4wugnti7rfqlmujcqpww4zusq	14	119	294	294	CD
work_p4wugnti7rfqlmujcqpww4zusq	14	120	VOL	VOL	NNP
work_p4wugnti7rfqlmujcqpww4zusq	14	121	8	8	CD
work_p4wugnti7rfqlmujcqpww4zusq	14	122	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	14	123	1	1	CD
work_p4wugnti7rfqlmujcqpww4zusq	14	124	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	14	125	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	14	126	2019	2019	CD
work_p4wugnti7rfqlmujcqpww4zusq	14	127	drawn	draw	VBN
work_p4wugnti7rfqlmujcqpww4zusq	14	128	to	to	IN
work_p4wugnti7rfqlmujcqpww4zusq	14	129	videographic	videographic	JJ
work_p4wugnti7rfqlmujcqpww4zusq	14	130	approaches	approach	NNS
work_p4wugnti7rfqlmujcqpww4zusq	14	131	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	14	132	which	which	WDT
work_p4wugnti7rfqlmujcqpww4zusq	14	133	involve	involve	VBP
work_p4wugnti7rfqlmujcqpww4zusq	14	134	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	14	135	often	often	RB
work_p4wugnti7rfqlmujcqpww4zusq	14	136	deeply	deeply	RB
work_p4wugnti7rfqlmujcqpww4zusq	14	137	contem-	contem-	RB
work_p4wugnti7rfqlmujcqpww4zusq	14	138	plative	plative	JJ
work_p4wugnti7rfqlmujcqpww4zusq	14	139	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	14	140	at	at	IN
work_p4wugnti7rfqlmujcqpww4zusq	14	141	times	time	NNS
work_p4wugnti7rfqlmujcqpww4zusq	14	142	blatantly	blatantly	RB
work_p4wugnti7rfqlmujcqpww4zusq	14	143	fetishistic	fetishistic	JJ
work_p4wugnti7rfqlmujcqpww4zusq	14	144	re	re	NN
work_p4wugnti7rfqlmujcqpww4zusq	14	145	-	-	NN
work_p4wugnti7rfqlmujcqpww4zusq	14	146	use	use	NN
work_p4wugnti7rfqlmujcqpww4zusq	14	147	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	14	148	audiovisual	audiovisual	JJ
work_p4wugnti7rfqlmujcqpww4zusq	14	149	material	material	NN
work_p4wugnti7rfqlmujcqpww4zusq	14	150	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	15	1	In	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	15	2	that	that	DT
work_p4wugnti7rfqlmujcqpww4zusq	15	3	case	case	NN
work_p4wugnti7rfqlmujcqpww4zusq	15	4	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	15	5	Mittell	Mittell	NNP
work_p4wugnti7rfqlmujcqpww4zusq	15	6	’s	’s	POS
work_p4wugnti7rfqlmujcqpww4zusq	15	7	call	call	NN
work_p4wugnti7rfqlmujcqpww4zusq	15	8	for	for	IN
work_p4wugnti7rfqlmujcqpww4zusq	15	9	‘	'	``
work_p4wugnti7rfqlmujcqpww4zusq	15	10	videographic	videographic	JJ
work_p4wugnti7rfqlmujcqpww4zusq	15	11	telephilia	telephilia	NN
work_p4wugnti7rfqlmujcqpww4zusq	15	12	’	'	''
work_p4wugnti7rfqlmujcqpww4zusq	15	13	is	be	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	15	14	apposite	apposite	JJ
work_p4wugnti7rfqlmujcqpww4zusq	15	15	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	15	16	timely	timely	JJ
work_p4wugnti7rfqlmujcqpww4zusq	15	17	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	16	1	How-	How-	NNP
work_p4wugnti7rfqlmujcqpww4zusq	16	2	ever	ever	RB
work_p4wugnti7rfqlmujcqpww4zusq	16	3	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	16	4	there	there	EX
work_p4wugnti7rfqlmujcqpww4zusq	16	5	are	be	VBP
work_p4wugnti7rfqlmujcqpww4zusq	16	6	additional	additional	JJ
work_p4wugnti7rfqlmujcqpww4zusq	16	7	reasons	reason	NNS
work_p4wugnti7rfqlmujcqpww4zusq	16	8	why	why	WRB
work_p4wugnti7rfqlmujcqpww4zusq	16	9	television	television	NN
work_p4wugnti7rfqlmujcqpww4zusq	16	10	may	may	MD
work_p4wugnti7rfqlmujcqpww4zusq	16	11	be	be	VB
work_p4wugnti7rfqlmujcqpww4zusq	16	12	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	16	13	as	as	RB
work_p4wugnti7rfqlmujcqpww4zusq	16	14	yet	yet	RB
work_p4wugnti7rfqlmujcqpww4zusq	16	15	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	16	16	a	a	DT
work_p4wugnti7rfqlmujcqpww4zusq	16	17	less	less	RBR
work_p4wugnti7rfqlmujcqpww4zusq	16	18	fre-	fre-	FW
work_p4wugnti7rfqlmujcqpww4zusq	16	19	quent	quent	JJ
work_p4wugnti7rfqlmujcqpww4zusq	16	20	focus	focus	NN
work_p4wugnti7rfqlmujcqpww4zusq	16	21	for	for	IN
work_p4wugnti7rfqlmujcqpww4zusq	16	22	videographic	videographic	JJ
work_p4wugnti7rfqlmujcqpww4zusq	16	23	study	study	NN
work_p4wugnti7rfqlmujcqpww4zusq	16	24	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	17	1	As	as	IN
work_p4wugnti7rfqlmujcqpww4zusq	17	2	Volker	Volker	NNP
work_p4wugnti7rfqlmujcqpww4zusq	17	3	Pantenburg	Pantenburg	NNP
work_p4wugnti7rfqlmujcqpww4zusq	17	4	points	point	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	17	5	out	out	RP
work_p4wugnti7rfqlmujcqpww4zusq	17	6	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	17	7	his	-PRON-	PRP$
work_p4wugnti7rfqlmujcqpww4zusq	17	8	curated	curate	VBN
work_p4wugnti7rfqlmujcqpww4zusq	17	9	audiovisual	audiovisual	JJ
work_p4wugnti7rfqlmujcqpww4zusq	17	10	essay	essay	NN
work_p4wugnti7rfqlmujcqpww4zusq	17	11	section	section	NN
work_p4wugnti7rfqlmujcqpww4zusq	17	12	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	17	13	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	17	14	Autumn	Autumn	NNP
work_p4wugnti7rfqlmujcqpww4zusq	17	15	2017	2017	CD
work_p4wugnti7rfqlmujcqpww4zusq	17	16	issue	issue	NN
work_p4wugnti7rfqlmujcqpww4zusq	17	17	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	17	18	NECSUS	necsu	NNS
work_p4wugnti7rfqlmujcqpww4zusq	17	19	:	:	:
work_p4wugnti7rfqlmujcqpww4zusq	17	20	[	[	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	17	21	t]he	t]he	:
work_p4wugnti7rfqlmujcqpww4zusq	17	22	absence	absence	NN
work_p4wugnti7rfqlmujcqpww4zusq	17	23	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	17	24	television	television	NN
work_p4wugnti7rfqlmujcqpww4zusq	17	25	history	history	NN
work_p4wugnti7rfqlmujcqpww4zusq	17	26	from	from	IN
work_p4wugnti7rfqlmujcqpww4zusq	17	27	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	17	28	debates	debate	NNS
work_p4wugnti7rfqlmujcqpww4zusq	17	29	around	around	IN
work_p4wugnti7rfqlmujcqpww4zusq	17	30	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	17	31	video	video	NN
work_p4wugnti7rfqlmujcqpww4zusq	17	32	essay	essay	NN
work_p4wugnti7rfqlmujcqpww4zusq	17	33	does	do	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	17	34	not	not	RB
work_p4wugnti7rfqlmujcqpww4zusq	17	35	necessarily	necessarily	RB
work_p4wugnti7rfqlmujcqpww4zusq	17	36	indicate	indicate	VB
work_p4wugnti7rfqlmujcqpww4zusq	17	37	a	a	DT
work_p4wugnti7rfqlmujcqpww4zusq	17	38	lack	lack	NN
work_p4wugnti7rfqlmujcqpww4zusq	17	39	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	17	40	interest	interest	NN
work_p4wugnti7rfqlmujcqpww4zusq	17	41	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	18	1	It	-PRON-	PRP
work_p4wugnti7rfqlmujcqpww4zusq	18	2	rather	rather	RB
work_p4wugnti7rfqlmujcqpww4zusq	18	3	results	result	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	18	4	from	from	IN
work_p4wugnti7rfqlmujcqpww4zusq	18	5	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	18	6	invisibility	invisibility	NN
work_p4wugnti7rfqlmujcqpww4zusq	18	7	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	18	8	diffi-	diffi-	NN
work_p4wugnti7rfqlmujcqpww4zusq	18	9	culties	cultie	NNS
work_p4wugnti7rfqlmujcqpww4zusq	18	10	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	18	11	access	access	NN
work_p4wugnti7rfqlmujcqpww4zusq	18	12	to	to	IN
work_p4wugnti7rfqlmujcqpww4zusq	18	13	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	18	14	treasures	treasure	NNS
work_p4wugnti7rfqlmujcqpww4zusq	18	15	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	18	16	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	18	17	television	television	NN
work_p4wugnti7rfqlmujcqpww4zusq	18	18	archives	archive	NNS
work_p4wugnti7rfqlmujcqpww4zusq	18	19	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	19	1	[	[	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	19	2	2	2	LS
work_p4wugnti7rfqlmujcqpww4zusq	19	3	]	]	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	19	4	Access	access	NN
work_p4wugnti7rfqlmujcqpww4zusq	19	5	to	to	IN
work_p4wugnti7rfqlmujcqpww4zusq	19	6	contemporary	contemporary	JJ
work_p4wugnti7rfqlmujcqpww4zusq	19	7	television	television	NN
work_p4wugnti7rfqlmujcqpww4zusq	19	8	is	be	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	19	9	also	also	RB
work_p4wugnti7rfqlmujcqpww4zusq	19	10	often	often	RB
work_p4wugnti7rfqlmujcqpww4zusq	19	11	difficult	difficult	JJ
work_p4wugnti7rfqlmujcqpww4zusq	19	12	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	19	13	mostly	mostly	RB
work_p4wugnti7rfqlmujcqpww4zusq	19	14	limited	limit	VBN
work_p4wugnti7rfqlmujcqpww4zusq	19	15	to	to	IN
work_p4wugnti7rfqlmujcqpww4zusq	19	16	random	random	JJ
work_p4wugnti7rfqlmujcqpww4zusq	19	17	online	online	JJ
work_p4wugnti7rfqlmujcqpww4zusq	19	18	availability	availability	NN
work_p4wugnti7rfqlmujcqpww4zusq	19	19	or	or	CC
work_p4wugnti7rfqlmujcqpww4zusq	19	20	to	to	IN
work_p4wugnti7rfqlmujcqpww4zusq	19	21	DVD	DVD	NNP
work_p4wugnti7rfqlmujcqpww4zusq	19	22	boxsets	boxset	NNS
work_p4wugnti7rfqlmujcqpww4zusq	19	23	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	20	1	Moreover	moreover	RB
work_p4wugnti7rfqlmujcqpww4zusq	20	2	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	20	3	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	20	4	shift	shift	NN
work_p4wugnti7rfqlmujcqpww4zusq	20	5	away	away	RB
work_p4wugnti7rfqlmujcqpww4zusq	20	6	from	from	IN
work_p4wugnti7rfqlmujcqpww4zusq	20	7	physical	physical	JJ
work_p4wugnti7rfqlmujcqpww4zusq	20	8	media	medium	NNS
work_p4wugnti7rfqlmujcqpww4zusq	20	9	to	to	IN
work_p4wugnti7rfqlmujcqpww4zusq	20	10	audiovisual	audiovisual	JJ
work_p4wugnti7rfqlmujcqpww4zusq	20	11	streaming	streaming	NN
work_p4wugnti7rfqlmujcqpww4zusq	20	12	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	20	13	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	20	14	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	20	15	particular	particular	JJ
work_p4wugnti7rfqlmujcqpww4zusq	20	16	to	to	IN
work_p4wugnti7rfqlmujcqpww4zusq	20	17	streaming	streaming	NN
work_p4wugnti7rfqlmujcqpww4zusq	20	18	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	20	19	only	only	JJ
work_p4wugnti7rfqlmujcqpww4zusq	20	20	releases	release	NNS
work_p4wugnti7rfqlmujcqpww4zusq	20	21	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	20	22	creates	create	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	20	23	new	new	JJ
work_p4wugnti7rfqlmujcqpww4zusq	20	24	technical	technical	JJ
work_p4wugnti7rfqlmujcqpww4zusq	20	25	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	20	26	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	20	27	sometimes	sometimes	RB
work_p4wugnti7rfqlmujcqpww4zusq	20	28	legal	legal	JJ
work_p4wugnti7rfqlmujcqpww4zusq	20	29	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	20	30	challenges	challenge	NNS
work_p4wugnti7rfqlmujcqpww4zusq	20	31	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	20	32	relation	relation	NN
work_p4wugnti7rfqlmujcqpww4zusq	20	33	to	to	IN
work_p4wugnti7rfqlmujcqpww4zusq	20	34	capturing	capture	VBG
work_p4wugnti7rfqlmujcqpww4zusq	20	35	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	20	36	televisual	televisual	JJ
work_p4wugnti7rfqlmujcqpww4zusq	20	37	material	material	NN
work_p4wugnti7rfqlmujcqpww4zusq	20	38	to	to	TO
work_p4wugnti7rfqlmujcqpww4zusq	20	39	use	use	VB
work_p4wugnti7rfqlmujcqpww4zusq	20	40	for	for	IN
work_p4wugnti7rfqlmujcqpww4zusq	20	41	audiovisual	audiovisual	JJ
work_p4wugnti7rfqlmujcqpww4zusq	20	42	studies	study	NNS
work_p4wugnti7rfqlmujcqpww4zusq	20	43	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	21	1	The	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	21	2	Digital	Digital	NNP
work_p4wugnti7rfqlmujcqpww4zusq	21	3	Rights	Rights	NNPS
work_p4wugnti7rfqlmujcqpww4zusq	21	4	Management	Management	NNP
work_p4wugnti7rfqlmujcqpww4zusq	21	5	software	software	NN
work_p4wugnti7rfqlmujcqpww4zusq	21	6	employed	employ	VBN
work_p4wugnti7rfqlmujcqpww4zusq	21	7	by	by	IN
work_p4wugnti7rfqlmujcqpww4zusq	21	8	streaming	stream	VBG
work_p4wugnti7rfqlmujcqpww4zusq	21	9	platforms	platform	NNS
work_p4wugnti7rfqlmujcqpww4zusq	21	10	makes	make	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	21	11	it	-PRON-	PRP
work_p4wugnti7rfqlmujcqpww4zusq	21	12	hard	hard	JJ
work_p4wugnti7rfqlmujcqpww4zusq	21	13	to	to	TO
work_p4wugnti7rfqlmujcqpww4zusq	21	14	obtain	obtain	VB
work_p4wugnti7rfqlmujcqpww4zusq	21	15	high	high	JJ
work_p4wugnti7rfqlmujcqpww4zusq	21	16	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	21	17	quality	quality	NN
work_p4wugnti7rfqlmujcqpww4zusq	21	18	captures	capture	NNS
work_p4wugnti7rfqlmujcqpww4zusq	21	19	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	21	20	sources	source	NNS
work_p4wugnti7rfqlmujcqpww4zusq	21	21	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	21	22	even	even	RB
work_p4wugnti7rfqlmujcqpww4zusq	21	23	as	as	IN
work_p4wugnti7rfqlmujcqpww4zusq	21	24	Fair	Fair	NNP
work_p4wugnti7rfqlmujcqpww4zusq	21	25	Use	Use	NNP
work_p4wugnti7rfqlmujcqpww4zusq	21	26	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	21	27	Fair	Fair	NNP
work_p4wugnti7rfqlmujcqpww4zusq	21	28	Dealing	Dealing	NNP
work_p4wugnti7rfqlmujcqpww4zusq	21	29	exceptions	exception	NNS
work_p4wugnti7rfqlmujcqpww4zusq	21	30	should	should	MD
work_p4wugnti7rfqlmujcqpww4zusq	21	31	continue	continue	VB
work_p4wugnti7rfqlmujcqpww4zusq	21	32	to	to	TO
work_p4wugnti7rfqlmujcqpww4zusq	21	33	allow	allow	VB
work_p4wugnti7rfqlmujcqpww4zusq	21	34	for	for	IN
work_p4wugnti7rfqlmujcqpww4zusq	21	35	critical	critical	JJ
work_p4wugnti7rfqlmujcqpww4zusq	21	36	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	21	37	research	research	NN
work_p4wugnti7rfqlmujcqpww4zusq	21	38	re	re	NNS
work_p4wugnti7rfqlmujcqpww4zusq	21	39	-	-	NNS
work_p4wugnti7rfqlmujcqpww4zusq	21	40	uses	use	NNS
work_p4wugnti7rfqlmujcqpww4zusq	21	41	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	21	42	them	-PRON-	PRP
work_p4wugnti7rfqlmujcqpww4zusq	21	43	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	22	1	Television	television	NN
work_p4wugnti7rfqlmujcqpww4zusq	22	2	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	22	3	videographic	videographic	JJ
work_p4wugnti7rfqlmujcqpww4zusq	22	4	criticism	criticism	NN
work_p4wugnti7rfqlmujcqpww4zusq	22	5	is	be	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	22	6	rendered	render	VBN
work_p4wugnti7rfqlmujcqpww4zusq	22	7	more	more	RBR
work_p4wugnti7rfqlmujcqpww4zusq	22	8	complicated	complicated	JJ
work_p4wugnti7rfqlmujcqpww4zusq	22	9	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	22	10	then	then	RB
work_p4wugnti7rfqlmujcqpww4zusq	22	11	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	22	12	not	not	RB
work_p4wugnti7rfqlmujcqpww4zusq	22	13	only	only	RB
work_p4wugnti7rfqlmujcqpww4zusq	22	14	by	by	IN
work_p4wugnti7rfqlmujcqpww4zusq	22	15	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	22	16	size	size	NN
work_p4wugnti7rfqlmujcqpww4zusq	22	17	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	22	18	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	22	19	nature	nature	NN
work_p4wugnti7rfqlmujcqpww4zusq	22	20	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	22	21	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	22	22	televisual	televisual	JJ
work_p4wugnti7rfqlmujcqpww4zusq	22	23	object	object	NN
work_p4wugnti7rfqlmujcqpww4zusq	22	24	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	22	25	but	but	CC
work_p4wugnti7rfqlmujcqpww4zusq	22	26	also	also	RB
work_p4wugnti7rfqlmujcqpww4zusq	22	27	by	by	IN
work_p4wugnti7rfqlmujcqpww4zusq	22	28	issues	issue	NNS
work_p4wugnti7rfqlmujcqpww4zusq	22	29	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	22	30	access	access	NN
work_p4wugnti7rfqlmujcqpww4zusq	22	31	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	22	32	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	22	33	ability	ability	NN
work_p4wugnti7rfqlmujcqpww4zusq	22	34	to	to	TO
work_p4wugnti7rfqlmujcqpww4zusq	22	35	capture	capture	VB
work_p4wugnti7rfqlmujcqpww4zusq	22	36	its	-PRON-	PRP$
work_p4wugnti7rfqlmujcqpww4zusq	22	37	image	image	NN
work_p4wugnti7rfqlmujcqpww4zusq	22	38	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	22	39	sound	sound	NN
work_p4wugnti7rfqlmujcqpww4zusq	22	40	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	23	1	Rather	rather	RB
work_p4wugnti7rfqlmujcqpww4zusq	23	2	than	than	IN
work_p4wugnti7rfqlmujcqpww4zusq	23	3	contemplating	contemplate	VBG
work_p4wugnti7rfqlmujcqpww4zusq	23	4	why	why	WRB
work_p4wugnti7rfqlmujcqpww4zusq	23	5	television	television	NN
work_p4wugnti7rfqlmujcqpww4zusq	23	6	seems	seem	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	23	7	absent	absent	JJ
work_p4wugnti7rfqlmujcqpww4zusq	23	8	from	from	IN
work_p4wugnti7rfqlmujcqpww4zusq	23	9	video-	video-	JJ
work_p4wugnti7rfqlmujcqpww4zusq	23	10	graphic	graphic	JJ
work_p4wugnti7rfqlmujcqpww4zusq	23	11	criticism	criticism	NN
work_p4wugnti7rfqlmujcqpww4zusq	23	12	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	23	13	we	-PRON-	PRP
work_p4wugnti7rfqlmujcqpww4zusq	23	14	might	may	MD
work_p4wugnti7rfqlmujcqpww4zusq	23	15	also	also	RB
work_p4wugnti7rfqlmujcqpww4zusq	23	16	be	be	VB
work_p4wugnti7rfqlmujcqpww4zusq	23	17	inspired	inspire	VBN
work_p4wugnti7rfqlmujcqpww4zusq	23	18	by	by	IN
work_p4wugnti7rfqlmujcqpww4zusq	23	19	both	both	CC
work_p4wugnti7rfqlmujcqpww4zusq	23	20	historical	historical	JJ
work_p4wugnti7rfqlmujcqpww4zusq	23	21	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	23	22	contem-	contem-	JJ
work_p4wugnti7rfqlmujcqpww4zusq	23	23	porary	porary	JJ
work_p4wugnti7rfqlmujcqpww4zusq	23	24	examples	example	NNS
work_p4wugnti7rfqlmujcqpww4zusq	23	25	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	23	26	art	art	NN
work_p4wugnti7rfqlmujcqpww4zusq	23	27	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	23	28	remix	remix	VBP
work_p4wugnti7rfqlmujcqpww4zusq	23	29	culture	culture	NN
work_p4wugnti7rfqlmujcqpww4zusq	23	30	that	that	WDT
work_p4wugnti7rfqlmujcqpww4zusq	23	31	have	have	VBP
work_p4wugnti7rfqlmujcqpww4zusq	23	32	used	use	VBN
work_p4wugnti7rfqlmujcqpww4zusq	23	33	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	23	34	televisual	televisual	JJ
work_p4wugnti7rfqlmujcqpww4zusq	23	35	image	image	NN
work_p4wugnti7rfqlmujcqpww4zusq	23	36	–	–	:
work_p4wugnti7rfqlmujcqpww4zusq	23	37	works	work	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	23	38	by	by	IN
work_p4wugnti7rfqlmujcqpww4zusq	23	39	artists	artist	NNS
work_p4wugnti7rfqlmujcqpww4zusq	23	40	such	such	JJ
work_p4wugnti7rfqlmujcqpww4zusq	23	41	as	as	IN
work_p4wugnti7rfqlmujcqpww4zusq	23	42	Harun	Harun	NNP
work_p4wugnti7rfqlmujcqpww4zusq	23	43	Farocki	Farocki	NNP
work_p4wugnti7rfqlmujcqpww4zusq	23	44	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	23	45	Björn	Björn	NNP
work_p4wugnti7rfqlmujcqpww4zusq	23	46	Melhus	Melhus	NNP
work_p4wugnti7rfqlmujcqpww4zusq	23	47	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	23	48	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	23	49	Candice	Candice	NNP
work_p4wugnti7rfqlmujcqpww4zusq	23	50	Breitz	Breitz	NNP
work_p4wugnti7rfqlmujcqpww4zusq	23	51	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	23	52	just	just	RB
work_p4wugnti7rfqlmujcqpww4zusq	23	53	to	to	TO
work_p4wugnti7rfqlmujcqpww4zusq	23	54	name	name	VB
work_p4wugnti7rfqlmujcqpww4zusq	23	55	a	a	DT
work_p4wugnti7rfqlmujcqpww4zusq	23	56	few	few	JJ
work_p4wugnti7rfqlmujcqpww4zusq	23	57	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	23	58	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	23	59	as	as	RB
work_p4wugnti7rfqlmujcqpww4zusq	23	60	well	well	RB
work_p4wugnti7rfqlmujcqpww4zusq	23	61	as	as	IN
work_p4wugnti7rfqlmujcqpww4zusq	23	62	videos	video	NNS
work_p4wugnti7rfqlmujcqpww4zusq	23	63	like	like	IN
work_p4wugnti7rfqlmujcqpww4zusq	23	64	‘	'	``
work_p4wugnti7rfqlmujcqpww4zusq	23	65	Homophobic	Homophobic	NNP
work_p4wugnti7rfqlmujcqpww4zusq	23	66	Friends	Friends	NNPS
work_p4wugnti7rfqlmujcqpww4zusq	23	67	’	'	''
work_p4wugnti7rfqlmujcqpww4zusq	23	68	by	by	IN
work_p4wugnti7rfqlmujcqpww4zusq	23	69	Tijana	Tijana	NNP
work_p4wugnti7rfqlmujcqpww4zusq	23	70	Mamula	Mamula	NNP
work_p4wugnti7rfqlmujcqpww4zusq	23	71	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	23	72	2011	2011	CD
work_p4wugnti7rfqlmujcqpww4zusq	23	73	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	23	74	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	23	75	‘	'	``
work_p4wugnti7rfqlmujcqpww4zusq	23	76	Mad	Mad	NNP
work_p4wugnti7rfqlmujcqpww4zusq	23	77	Men	men	NN
work_p4wugnti7rfqlmujcqpww4zusq	23	78	:	:	:
work_p4wugnti7rfqlmujcqpww4zusq	23	79	Set	set	VB
work_p4wugnti7rfqlmujcqpww4zusq	23	80	Me	-PRON-	PRP
work_p4wugnti7rfqlmujcqpww4zusq	23	81	Free	free	JJ
work_p4wugnti7rfqlmujcqpww4zusq	23	82	’	'	''
work_p4wugnti7rfqlmujcqpww4zusq	23	83	by	by	IN
work_p4wugnti7rfqlmujcqpww4zusq	23	84	Elisa	Elisa	NNP
work_p4wugnti7rfqlmujcqpww4zusq	23	85	Kreisinger	Kreisinger	NNP
work_p4wugnti7rfqlmujcqpww4zusq	23	86	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	23	87	2012	2012	CD
work_p4wugnti7rfqlmujcqpww4zusq	23	88	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	23	89	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	24	1	Inspir-	Inspir-	NNP
work_p4wugnti7rfqlmujcqpww4zusq	24	2	ing	ing	NNP
work_p4wugnti7rfqlmujcqpww4zusq	24	3	examples	example	NNS
work_p4wugnti7rfqlmujcqpww4zusq	24	4	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	24	5	audiovisual	audiovisual	JJ
work_p4wugnti7rfqlmujcqpww4zusq	24	6	essays	essay	NNS
work_p4wugnti7rfqlmujcqpww4zusq	24	7	on	on	IN
work_p4wugnti7rfqlmujcqpww4zusq	24	8	television	television	NN
work_p4wugnti7rfqlmujcqpww4zusq	24	9	include	include	VBP
work_p4wugnti7rfqlmujcqpww4zusq	24	10	Erlend	Erlend	NNP
work_p4wugnti7rfqlmujcqpww4zusq	24	11	Lavik	Lavik	NNP
work_p4wugnti7rfqlmujcqpww4zusq	24	12	’s	’s	POS
work_p4wugnti7rfqlmujcqpww4zusq	24	13	‘	'	``
work_p4wugnti7rfqlmujcqpww4zusq	24	14	Style	style	NN
work_p4wugnti7rfqlmujcqpww4zusq	24	15	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	24	16	The	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	24	17	Wire	Wire	NNP
work_p4wugnti7rfqlmujcqpww4zusq	24	18	’	'	''
work_p4wugnti7rfqlmujcqpww4zusq	24	19	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	24	20	2012	2012	CD
work_p4wugnti7rfqlmujcqpww4zusq	24	21	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	24	22	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	24	23	which	which	WDT
work_p4wugnti7rfqlmujcqpww4zusq	24	24	has	have	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	24	25	recently	recently	RB
work_p4wugnti7rfqlmujcqpww4zusq	24	26	exceeded	exceed	VBN
work_p4wugnti7rfqlmujcqpww4zusq	24	27	96,500	96,500	CD
work_p4wugnti7rfqlmujcqpww4zusq	24	28	views	view	NNS
work_p4wugnti7rfqlmujcqpww4zusq	24	29	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	24	30	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	24	31	Cristina	Cristina	NNP
work_p4wugnti7rfqlmujcqpww4zusq	24	32	Álvarez	Álvarez	NNP
work_p4wugnti7rfqlmujcqpww4zusq	24	33	López	López	NNP
work_p4wugnti7rfqlmujcqpww4zusq	24	34	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	24	35	Adrian	Adrian	NNP
work_p4wugnti7rfqlmujcqpww4zusq	24	36	Martin	Martin	NNP
work_p4wugnti7rfqlmujcqpww4zusq	24	37	’s	’s	POS
work_p4wugnti7rfqlmujcqpww4zusq	24	38	‘	'	``
work_p4wugnti7rfqlmujcqpww4zusq	24	39	Short	Short	NNP
work_p4wugnti7rfqlmujcqpww4zusq	24	40	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	24	41	Circuit	Circuit	NNP
work_p4wugnti7rfqlmujcqpww4zusq	24	42	:	:	:
work_p4wugnti7rfqlmujcqpww4zusq	24	43	A	a	DT
work_p4wugnti7rfqlmujcqpww4zusq	24	44	‘	'	``
work_p4wugnti7rfqlmujcqpww4zusq	24	45	Twin	Twin	NNP
work_p4wugnti7rfqlmujcqpww4zusq	24	46	Peaks	Peaks	NNPS
work_p4wugnti7rfqlmujcqpww4zusq	24	47	’	'	''
work_p4wugnti7rfqlmujcqpww4zusq	24	48	System	system	NN
work_p4wugnti7rfqlmujcqpww4zusq	24	49	’	'	''
work_p4wugnti7rfqlmujcqpww4zusq	24	50	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	24	51	2015	2015	CD
work_p4wugnti7rfqlmujcqpww4zusq	24	52	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	24	53	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	24	54	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	24	55	Andreas	Andreas	NNP
work_p4wugnti7rfqlmujcqpww4zusq	24	56	Halskov	Halskov	NNP
work_p4wugnti7rfqlmujcqpww4zusq	24	57	’s	’s	POS
work_p4wugnti7rfqlmujcqpww4zusq	24	58	‘	'	``
work_p4wugnti7rfqlmujcqpww4zusq	24	59	Echoes	echo	NNS
work_p4wugnti7rfqlmujcqpww4zusq	24	60	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	24	61	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	24	62	Past	past	NN
work_p4wugnti7rfqlmujcqpww4zusq	24	63	:	:	:
work_p4wugnti7rfqlmujcqpww4zusq	24	64	Popular	Popular	NNP
work_p4wugnti7rfqlmujcqpww4zusq	24	65	Music	Music	NNP
work_p4wugnti7rfqlmujcqpww4zusq	24	66	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	24	67	Nostal-	Nostal-	NNP
work_p4wugnti7rfqlmujcqpww4zusq	24	68	gia	gia	NN
work_p4wugnti7rfqlmujcqpww4zusq	24	69	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	24	70	Modern	Modern	NNP
work_p4wugnti7rfqlmujcqpww4zusq	24	71	Television	Television	NNP
work_p4wugnti7rfqlmujcqpww4zusq	24	72	Drama	Drama	NNP
work_p4wugnti7rfqlmujcqpww4zusq	24	73	’	'	''
work_p4wugnti7rfqlmujcqpww4zusq	24	74	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	24	75	2018	2018	CD
work_p4wugnti7rfqlmujcqpww4zusq	24	76	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	24	77	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	25	1	To	to	TO
work_p4wugnti7rfqlmujcqpww4zusq	25	2	add	add	VB
work_p4wugnti7rfqlmujcqpww4zusq	25	3	to	to	IN
work_p4wugnti7rfqlmujcqpww4zusq	25	4	these	these	DT
work_p4wugnti7rfqlmujcqpww4zusq	25	5	examples	example	NNS
work_p4wugnti7rfqlmujcqpww4zusq	25	6	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	25	7	to	to	TO
work_p4wugnti7rfqlmujcqpww4zusq	25	8	promote	promote	VB
work_p4wugnti7rfqlmujcqpww4zusq	25	9	videographic	videographic	JJ
work_p4wugnti7rfqlmujcqpww4zusq	25	10	criticism	criticism	NN
work_p4wugnti7rfqlmujcqpww4zusq	25	11	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	25	12	tele-	tele-	NNP
work_p4wugnti7rfqlmujcqpww4zusq	25	13	vision	vision	NN
work_p4wugnti7rfqlmujcqpww4zusq	25	14	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	25	15	we	-PRON-	PRP
work_p4wugnti7rfqlmujcqpww4zusq	25	16	have	have	VBP
work_p4wugnti7rfqlmujcqpww4zusq	25	17	selected	select	VBN
work_p4wugnti7rfqlmujcqpww4zusq	25	18	four	four	CD
work_p4wugnti7rfqlmujcqpww4zusq	25	19	recent	recent	JJ
work_p4wugnti7rfqlmujcqpww4zusq	25	20	audiovisual	audiovisual	JJ
work_p4wugnti7rfqlmujcqpww4zusq	25	21	essay	essay	NN
work_p4wugnti7rfqlmujcqpww4zusq	25	22	works	work	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	25	23	that	that	IN
work_p4wugnti7rfqlmujcqpww4zusq	25	24	each	each	DT
work_p4wugnti7rfqlmujcqpww4zusq	25	25	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	25	26	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	25	27	their	-PRON-	PRP$
work_p4wugnti7rfqlmujcqpww4zusq	25	28	own	own	JJ
work_p4wugnti7rfqlmujcqpww4zusq	25	29	way	way	NN
work_p4wugnti7rfqlmujcqpww4zusq	25	30	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	25	31	use	use	VB
work_p4wugnti7rfqlmujcqpww4zusq	25	32	televisual	televisual	JJ
work_p4wugnti7rfqlmujcqpww4zusq	25	33	images	image	NNS
work_p4wugnti7rfqlmujcqpww4zusq	25	34	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	25	35	sound	sound	VBP
work_p4wugnti7rfqlmujcqpww4zusq	25	36	to	to	TO
work_p4wugnti7rfqlmujcqpww4zusq	25	37	reflect	reflect	VB
work_p4wugnti7rfqlmujcqpww4zusq	25	38	upon	upon	IN
work_p4wugnti7rfqlmujcqpww4zusq	25	39	television	television	NN
work_p4wugnti7rfqlmujcqpww4zusq	25	40	as	as	IN
work_p4wugnti7rfqlmujcqpww4zusq	25	41	a	a	DT
work_p4wugnti7rfqlmujcqpww4zusq	25	42	medium	medium	NN
work_p4wugnti7rfqlmujcqpww4zusq	25	43	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	26	1	The	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	26	2	first	first	JJ
work_p4wugnti7rfqlmujcqpww4zusq	26	3	is	be	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	26	4	Jason	Jason	NNP
work_p4wugnti7rfqlmujcqpww4zusq	26	5	Mittell	Mittell	NNP
work_p4wugnti7rfqlmujcqpww4zusq	26	6	’s	’s	,
work_p4wugnti7rfqlmujcqpww4zusq	26	7	‘	'	``
work_p4wugnti7rfqlmujcqpww4zusq	26	8	How	how	WRB
work_p4wugnti7rfqlmujcqpww4zusq	26	9	Black	black	JJ
work_p4wugnti7rfqlmujcqpww4zusq	26	10	Lives	life	NNS
work_p4wugnti7rfqlmujcqpww4zusq	26	11	Matter	matter	RB
work_p4wugnti7rfqlmujcqpww4zusq	26	12	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	26	13	The	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	26	14	Wire	wire	NN
work_p4wugnti7rfqlmujcqpww4zusq	26	15	:	:	:
work_p4wugnti7rfqlmujcqpww4zusq	26	16	A	a	DT
work_p4wugnti7rfqlmujcqpww4zusq	26	17	Video	Video	NNP
work_p4wugnti7rfqlmujcqpww4zusq	26	18	Essay	Essay	NNP
work_p4wugnti7rfqlmujcqpww4zusq	26	19	’	'	''
work_p4wugnti7rfqlmujcqpww4zusq	26	20	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	26	21	which	which	WDT
work_p4wugnti7rfqlmujcqpww4zusq	26	22	connects	connect	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	26	23	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	26	24	‘	'	``
work_p4wugnti7rfqlmujcqpww4zusq	26	25	real	real	JJ
work_p4wugnti7rfqlmujcqpww4zusq	26	26	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	26	27	life	life	NN
work_p4wugnti7rfqlmujcqpww4zusq	26	28	’	'	''
work_p4wugnti7rfqlmujcqpww4zusq	26	29	news	news	NN
work_p4wugnti7rfqlmujcqpww4zusq	26	30	coverage	coverage	NN
work_p4wugnti7rfqlmujcqpww4zusq	26	31	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	26	32	police	police	NN
work_p4wugnti7rfqlmujcqpww4zusq	26	33	violence	violence	NN
work_p4wugnti7rfqlmujcqpww4zusq	26	34	against	against	IN
work_p4wugnti7rfqlmujcqpww4zusq	26	35	African	african	JJ
work_p4wugnti7rfqlmujcqpww4zusq	26	36	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	26	37	American	american	JJ
work_p4wugnti7rfqlmujcqpww4zusq	26	38	citizens	citizen	NNS
work_p4wugnti7rfqlmujcqpww4zusq	26	39	to	to	IN
work_p4wugnti7rfqlmujcqpww4zusq	26	40	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	26	41	absence	absence	NN
work_p4wugnti7rfqlmujcqpww4zusq	26	42	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	26	43	such	such	JJ
work_p4wugnti7rfqlmujcqpww4zusq	26	44	explicit	explicit	JJ
work_p4wugnti7rfqlmujcqpww4zusq	26	45	violence	violence	NN
work_p4wugnti7rfqlmujcqpww4zusq	26	46	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	26	47	https://www.youtube.com/watch?v=SsQ5za-J6I8	https://www.youtube.com/watch?v=SsQ5za-J6I8	NNP
work_p4wugnti7rfqlmujcqpww4zusq	26	48	https://vimeo.com/38741664	https://vimeo.com/38741664	ADD
work_p4wugnti7rfqlmujcqpww4zusq	26	49	https://vimeo.com/39768998	https://vimeo.com/39768998	ADD
work_p4wugnti7rfqlmujcqpww4zusq	26	50	https://vimeo.com/39768998	https://vimeo.com/39768998	FW
work_p4wugnti7rfqlmujcqpww4zusq	26	51	https://mubi.com/notebook/posts/short-circuit-a-twin-peaks-system	https://mubi.com/notebook/posts/short-circuit-a-twin-peaks-system	FW
work_p4wugnti7rfqlmujcqpww4zusq	26	52	http://www.16-9.dk/2018/05/nostalgia/	http://www.16-9.dk/2018/05/nostalgia/	ADD
work_p4wugnti7rfqlmujcqpww4zusq	26	53	http://www.16-9.dk/2018/05/nostalgia/	http://www.16-9.dk/2018/05/nostalgia/	NNP
work_p4wugnti7rfqlmujcqpww4zusq	26	54	https://necsus-ejms.org/how-black-lives-matter-in-the-wire-a-video-essay/	https://necsus-ejms.org/how-black-lives-matter-in-the-wire-a-video-essay/	VB
work_p4wugnti7rfqlmujcqpww4zusq	26	55	https://necsus-ejms.org/how-black-lives-matter-in-the-wire-a-video-essay/	https://necsus-ejms.org/how-black-lives-matter-in-the-wire-a-video-essay/	CD
work_p4wugnti7rfqlmujcqpww4zusq	26	56	NEW	new	JJ
work_p4wugnti7rfqlmujcqpww4zusq	26	57	WAYS	way	NNS
work_p4wugnti7rfqlmujcqpww4zusq	26	58	OF	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	26	59	SEEING	seeing	NN
work_p4wugnti7rfqlmujcqpww4zusq	26	60	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	26	61	AND	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	26	62	HEARING	hearing	NN
work_p4wugnti7rfqlmujcqpww4zusq	26	63	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	26	64	GRANT	GRANT	NNP
work_p4wugnti7rfqlmujcqpww4zusq	26	65	&	&	CC
work_p4wugnti7rfqlmujcqpww4zusq	26	66	KOOIJMAN	KOOIJMAN	NNP
work_p4wugnti7rfqlmujcqpww4zusq	26	67	295	295	CD
work_p4wugnti7rfqlmujcqpww4zusq	26	68	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	26	69	fictional	fictional	JJ
work_p4wugnti7rfqlmujcqpww4zusq	26	70	series	series	NN
work_p4wugnti7rfqlmujcqpww4zusq	26	71	The	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	26	72	Wire	Wire	NNP
work_p4wugnti7rfqlmujcqpww4zusq	26	73	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	26	74	HBO	HBO	NNP
work_p4wugnti7rfqlmujcqpww4zusq	26	75	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	26	76	2002	2002	CD
work_p4wugnti7rfqlmujcqpww4zusq	26	77	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	26	78	2008	2008	CD
work_p4wugnti7rfqlmujcqpww4zusq	26	79	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	26	80	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	27	1	Using	use	VBG
work_p4wugnti7rfqlmujcqpww4zusq	27	2	voiceover	voiceover	NN
work_p4wugnti7rfqlmujcqpww4zusq	27	3	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	27	4	Mittell	Mittell	NNP
work_p4wugnti7rfqlmujcqpww4zusq	27	5	ex-	ex-	VBD
work_p4wugnti7rfqlmujcqpww4zusq	27	6	plores	plore	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	27	7	what	what	WP
work_p4wugnti7rfqlmujcqpww4zusq	27	8	this	this	DT
work_p4wugnti7rfqlmujcqpww4zusq	27	9	discrepancy	discrepancy	NN
work_p4wugnti7rfqlmujcqpww4zusq	27	10	means	mean	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	27	11	not	not	RB
work_p4wugnti7rfqlmujcqpww4zusq	27	12	only	only	RB
work_p4wugnti7rfqlmujcqpww4zusq	27	13	for	for	IN
work_p4wugnti7rfqlmujcqpww4zusq	27	14	his	-PRON-	PRP$
work_p4wugnti7rfqlmujcqpww4zusq	27	15	own	own	JJ
work_p4wugnti7rfqlmujcqpww4zusq	27	16	investment	investment	NN
work_p4wugnti7rfqlmujcqpww4zusq	27	17	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	27	18	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	27	19	series	series	NN
work_p4wugnti7rfqlmujcqpww4zusq	27	20	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	27	21	but	but	CC
work_p4wugnti7rfqlmujcqpww4zusq	27	22	also	also	RB
work_p4wugnti7rfqlmujcqpww4zusq	27	23	for	for	IN
work_p4wugnti7rfqlmujcqpww4zusq	27	24	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	27	25	role	role	NN
work_p4wugnti7rfqlmujcqpww4zusq	27	26	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	27	27	fictional	fictional	JJ
work_p4wugnti7rfqlmujcqpww4zusq	27	28	television	television	NN
work_p4wugnti7rfqlmujcqpww4zusq	27	29	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	27	30	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	27	31	politics	politic	NNS
work_p4wugnti7rfqlmujcqpww4zusq	27	32	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	27	33	represen-	represen-	JJ
work_p4wugnti7rfqlmujcqpww4zusq	27	34	tation	tation	NN
work_p4wugnti7rfqlmujcqpww4zusq	27	35	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	28	1	The	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	28	2	video	video	NN
work_p4wugnti7rfqlmujcqpww4zusq	28	3	cleverly	cleverly	RB
work_p4wugnti7rfqlmujcqpww4zusq	28	4	mimics	mimic	NNS
work_p4wugnti7rfqlmujcqpww4zusq	28	5	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	28	6	aesthetics	aesthetic	NNS
work_p4wugnti7rfqlmujcqpww4zusq	28	7	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	28	8	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	28	9	series	series	NN
work_p4wugnti7rfqlmujcqpww4zusq	28	10	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	28	11	particularly	particularly	RB
work_p4wugnti7rfqlmujcqpww4zusq	28	12	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	28	13	its	-PRON-	PRP$
work_p4wugnti7rfqlmujcqpww4zusq	28	14	one	one	CD
work_p4wugnti7rfqlmujcqpww4zusq	28	15	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	28	16	minute	minute	NN
work_p4wugnti7rfqlmujcqpww4zusq	28	17	‘	'	``
work_p4wugnti7rfqlmujcqpww4zusq	28	18	opening	opening	NN
work_p4wugnti7rfqlmujcqpww4zusq	28	19	sequence	sequence	NN
work_p4wugnti7rfqlmujcqpww4zusq	28	20	’	'	''
work_p4wugnti7rfqlmujcqpww4zusq	28	21	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	28	22	which	which	WDT
work_p4wugnti7rfqlmujcqpww4zusq	28	23	makes	make	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	28	24	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	28	25	contrast	contrast	NN
work_p4wugnti7rfqlmujcqpww4zusq	28	26	between	between	IN
work_p4wugnti7rfqlmujcqpww4zusq	28	27	fic-	fic-	XX
work_p4wugnti7rfqlmujcqpww4zusq	28	28	tional	tional	JJ
work_p4wugnti7rfqlmujcqpww4zusq	28	29	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	28	30	real	real	JJ
work_p4wugnti7rfqlmujcqpww4zusq	28	31	life	life	NN
work_p4wugnti7rfqlmujcqpww4zusq	28	32	even	even	RB
work_p4wugnti7rfqlmujcqpww4zusq	28	33	more	more	RBR
work_p4wugnti7rfqlmujcqpww4zusq	28	34	striking	striking	JJ
work_p4wugnti7rfqlmujcqpww4zusq	28	35	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	29	1	Originally	originally	RB
work_p4wugnti7rfqlmujcqpww4zusq	29	2	uploaded	uploaded	JJ
work_p4wugnti7rfqlmujcqpww4zusq	29	3	to	to	IN
work_p4wugnti7rfqlmujcqpww4zusq	29	4	Vimeo	Vimeo	NNP
work_p4wugnti7rfqlmujcqpww4zusq	29	5	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	29	6	2018	2018	CD
work_p4wugnti7rfqlmujcqpww4zusq	29	7	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	29	8	‘	'	``
work_p4wugnti7rfqlmujcqpww4zusq	29	9	How	how	WRB
work_p4wugnti7rfqlmujcqpww4zusq	29	10	Black	black	JJ
work_p4wugnti7rfqlmujcqpww4zusq	29	11	Lives	life	NNS
work_p4wugnti7rfqlmujcqpww4zusq	29	12	Matter	matter	RB
work_p4wugnti7rfqlmujcqpww4zusq	29	13	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	29	14	The	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	29	15	Wire	Wire	NNP
work_p4wugnti7rfqlmujcqpww4zusq	29	16	’	'	''
work_p4wugnti7rfqlmujcqpww4zusq	29	17	was	be	VBD
work_p4wugnti7rfqlmujcqpww4zusq	29	18	critically	critically	RB
work_p4wugnti7rfqlmujcqpww4zusq	29	19	recognised	recognise	VBN
work_p4wugnti7rfqlmujcqpww4zusq	29	20	by	by	IN
work_p4wugnti7rfqlmujcqpww4zusq	29	21	being	be	VBG
work_p4wugnti7rfqlmujcqpww4zusq	29	22	listed	list	VBN
work_p4wugnti7rfqlmujcqpww4zusq	29	23	three	three	CD
work_p4wugnti7rfqlmujcqpww4zusq	29	24	times	time	NNS
work_p4wugnti7rfqlmujcqpww4zusq	29	25	on	on	IN
work_p4wugnti7rfqlmujcqpww4zusq	29	26	‘	'	``
work_p4wugnti7rfqlmujcqpww4zusq	29	27	The	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	29	28	best	good	JJS
work_p4wugnti7rfqlmujcqpww4zusq	29	29	video	video	NN
work_p4wugnti7rfqlmujcqpww4zusq	29	30	essays	essay	NNS
work_p4wugnti7rfqlmujcqpww4zusq	29	31	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	29	32	2018	2018	CD
work_p4wugnti7rfqlmujcqpww4zusq	29	33	’	'	''
work_p4wugnti7rfqlmujcqpww4zusq	29	34	list	list	NN
work_p4wugnti7rfqlmujcqpww4zusq	29	35	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	29	36	Sight	Sight	NNP
work_p4wugnti7rfqlmujcqpww4zusq	29	37	&	&	CC
work_p4wugnti7rfqlmujcqpww4zusq	29	38	Sound	Sound	NNP
work_p4wugnti7rfqlmujcqpww4zusq	29	39	magazine	magazine	NN
work_p4wugnti7rfqlmujcqpww4zusq	29	40	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	30	1	We	-PRON-	PRP
work_p4wugnti7rfqlmujcqpww4zusq	30	2	are	be	VBP
work_p4wugnti7rfqlmujcqpww4zusq	30	3	delighted	delighted	JJ
work_p4wugnti7rfqlmujcqpww4zusq	30	4	now	now	RB
work_p4wugnti7rfqlmujcqpww4zusq	30	5	to	to	TO
work_p4wugnti7rfqlmujcqpww4zusq	30	6	publish	publish	VB
work_p4wugnti7rfqlmujcqpww4zusq	30	7	Mittell	Mittell	NNP
work_p4wugnti7rfqlmujcqpww4zusq	30	8	’s	’s	POS
work_p4wugnti7rfqlmujcqpww4zusq	30	9	audiovisual	audiovisual	JJ
work_p4wugnti7rfqlmujcqpww4zusq	30	10	essay	essay	NN
work_p4wugnti7rfqlmujcqpww4zusq	30	11	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	30	12	a	a	DT
work_p4wugnti7rfqlmujcqpww4zusq	30	13	scholarly	scholarly	JJ
work_p4wugnti7rfqlmujcqpww4zusq	30	14	context	context	NN
work_p4wugnti7rfqlmujcqpww4zusq	30	15	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	30	16	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	30	17	NECSUS	NECSUS	NNP
work_p4wugnti7rfqlmujcqpww4zusq	30	18	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	30	19	with	with	IN
work_p4wugnti7rfqlmujcqpww4zusq	30	20	an	an	DT
work_p4wugnti7rfqlmujcqpww4zusq	30	21	accompanying	accompany	VBG
work_p4wugnti7rfqlmujcqpww4zusq	30	22	author	author	NN
work_p4wugnti7rfqlmujcqpww4zusq	30	23	’s	’s	POS
work_p4wugnti7rfqlmujcqpww4zusq	30	24	statement	statement	NN
work_p4wugnti7rfqlmujcqpww4zusq	30	25	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	31	1	Next	next	RB
work_p4wugnti7rfqlmujcqpww4zusq	31	2	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	31	3	we	-PRON-	PRP
work_p4wugnti7rfqlmujcqpww4zusq	31	4	present	present	VBP
work_p4wugnti7rfqlmujcqpww4zusq	31	5	a	a	DT
work_p4wugnti7rfqlmujcqpww4zusq	31	6	triptych	triptych	NN
work_p4wugnti7rfqlmujcqpww4zusq	31	7	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	31	8	videos	video	NNS
work_p4wugnti7rfqlmujcqpww4zusq	31	9	made	make	VBN
work_p4wugnti7rfqlmujcqpww4zusq	31	10	by	by	IN
work_p4wugnti7rfqlmujcqpww4zusq	31	11	Catherine	Catherine	NNP
work_p4wugnti7rfqlmujcqpww4zusq	31	12	Grant	Grant	NNP
work_p4wugnti7rfqlmujcqpww4zusq	31	13	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	31	14	Janet	Janet	NNP
work_p4wugnti7rfqlmujcqpww4zusq	31	15	McCabe	McCabe	NNP
work_p4wugnti7rfqlmujcqpww4zusq	31	16	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	31	17	‘	'	``
work_p4wugnti7rfqlmujcqpww4zusq	31	18	Flow	Flow	NNP
work_p4wugnti7rfqlmujcqpww4zusq	31	19	/	/	SYM
work_p4wugnti7rfqlmujcqpww4zusq	31	20	Cut	Cut	NNP
work_p4wugnti7rfqlmujcqpww4zusq	31	21	’	'	''
work_p4wugnti7rfqlmujcqpww4zusq	31	22	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	31	23	‘	'	``
work_p4wugnti7rfqlmujcqpww4zusq	31	24	Body	body	NN
work_p4wugnti7rfqlmujcqpww4zusq	31	25	/	/	SYM
work_p4wugnti7rfqlmujcqpww4zusq	31	26	Matters	Matters	NNPS
work_p4wugnti7rfqlmujcqpww4zusq	31	27	’	'	''
work_p4wugnti7rfqlmujcqpww4zusq	31	28	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	31	29	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	31	30	‘	'	``
work_p4wugnti7rfqlmujcqpww4zusq	31	31	Law	Law	NNP
work_p4wugnti7rfqlmujcqpww4zusq	31	32	/	/	SYM
work_p4wugnti7rfqlmujcqpww4zusq	31	33	Fear	Fear	NNP
work_p4wugnti7rfqlmujcqpww4zusq	31	34	’	'	''
work_p4wugnti7rfqlmujcqpww4zusq	31	35	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	31	36	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	31	37	comparative	comparative	JJ
work_p4wugnti7rfqlmujcqpww4zusq	31	38	works	work	NNS
work_p4wugnti7rfqlmujcqpww4zusq	31	39	that	that	WDT
work_p4wugnti7rfqlmujcqpww4zusq	31	40	study	study	VBP
work_p4wugnti7rfqlmujcqpww4zusq	31	41	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	31	42	graphic	graphic	JJ
work_p4wugnti7rfqlmujcqpww4zusq	31	43	figuration	figuration	NN
work_p4wugnti7rfqlmujcqpww4zusq	31	44	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	31	45	three	three	CD
work_p4wugnti7rfqlmujcqpww4zusq	31	46	moments	moment	NNS
work_p4wugnti7rfqlmujcqpww4zusq	31	47	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	31	48	heightened	heightened	JJ
work_p4wugnti7rfqlmujcqpww4zusq	31	49	tension	tension	NN
work_p4wugnti7rfqlmujcqpww4zusq	31	50	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	31	51	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	31	52	first	first	JJ
work_p4wugnti7rfqlmujcqpww4zusq	31	53	or	or	CC
work_p4wugnti7rfqlmujcqpww4zusq	31	54	pilot	pilot	NN
work_p4wugnti7rfqlmujcqpww4zusq	31	55	episodes	episode	NNS
work_p4wugnti7rfqlmujcqpww4zusq	31	56	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	31	57	season	season	NN
work_p4wugnti7rfqlmujcqpww4zusq	31	58	one	one	CD
work_p4wugnti7rfqlmujcqpww4zusq	31	59	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	31	60	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	31	61	Scandinavian	scandinavian	JJ
work_p4wugnti7rfqlmujcqpww4zusq	31	62	noir	noir	NN
work_p4wugnti7rfqlmujcqpww4zusq	31	63	crime	crime	NN
work_p4wugnti7rfqlmujcqpww4zusq	31	64	television	television	NN
work_p4wugnti7rfqlmujcqpww4zusq	31	65	series	series	NN
work_p4wugnti7rfqlmujcqpww4zusq	31	66	Bron	Bron	NNP
work_p4wugnti7rfqlmujcqpww4zusq	31	67	/	/	SYM
work_p4wugnti7rfqlmujcqpww4zusq	31	68	Broen	Broen	NNP
work_p4wugnti7rfqlmujcqpww4zusq	31	69	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	31	70	SVT1	SVT1	NNP
work_p4wugnti7rfqlmujcqpww4zusq	31	71	/	/	SYM
work_p4wugnti7rfqlmujcqpww4zusq	31	72	DR1	DR1	NNP
work_p4wugnti7rfqlmujcqpww4zusq	31	73	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	31	74	2012	2012	CD
work_p4wugnti7rfqlmujcqpww4zusq	31	75	-	-	SYM
work_p4wugnti7rfqlmujcqpww4zusq	31	76	2015	2015	CD
work_p4wugnti7rfqlmujcqpww4zusq	31	77	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	31	78	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	31	79	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	31	80	two	two	CD
work_p4wugnti7rfqlmujcqpww4zusq	31	81	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	31	82	its	-PRON-	PRP$
work_p4wugnti7rfqlmujcqpww4zusq	31	83	most	most	RBS
work_p4wugnti7rfqlmujcqpww4zusq	31	84	successful	successful	JJ
work_p4wugnti7rfqlmujcqpww4zusq	31	85	transnational	transnational	JJ
work_p4wugnti7rfqlmujcqpww4zusq	31	86	remakes	remake	NNS
work_p4wugnti7rfqlmujcqpww4zusq	31	87	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	31	88	The	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	31	89	Tunnel	Tunnel	NNP
work_p4wugnti7rfqlmujcqpww4zusq	31	90	/	/	SYM
work_p4wugnti7rfqlmujcqpww4zusq	31	91	Tunnel	Tunnel	NNP
work_p4wugnti7rfqlmujcqpww4zusq	31	92	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	31	93	Sky	Sky	NNP
work_p4wugnti7rfqlmujcqpww4zusq	31	94	Atlantic	Atlantic	NNP
work_p4wugnti7rfqlmujcqpww4zusq	31	95	/	/	SYM
work_p4wugnti7rfqlmujcqpww4zusq	31	96	Canal+	Canal+	NNP
work_p4wugnti7rfqlmujcqpww4zusq	31	97	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	31	98	2013	2013	CD
work_p4wugnti7rfqlmujcqpww4zusq	31	99	-	-	SYM
work_p4wugnti7rfqlmujcqpww4zusq	31	100	2018	2018	CD
work_p4wugnti7rfqlmujcqpww4zusq	31	101	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	31	102	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	31	103	The	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	31	104	Bridge	Bridge	NNP
work_p4wugnti7rfqlmujcqpww4zusq	31	105	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	31	106	FX	FX	NNP
work_p4wugnti7rfqlmujcqpww4zusq	31	107	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	31	108	2013	2013	CD
work_p4wugnti7rfqlmujcqpww4zusq	31	109	-	-	SYM
work_p4wugnti7rfqlmujcqpww4zusq	31	110	2014	2014	CD
work_p4wugnti7rfqlmujcqpww4zusq	31	111	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	31	112	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	32	1	Grant	Grant	NNP
work_p4wugnti7rfqlmujcqpww4zusq	32	2	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	32	3	McCabe	McCabe	NNP
work_p4wugnti7rfqlmujcqpww4zusq	32	4	’s	’s	POS
work_p4wugnti7rfqlmujcqpww4zusq	32	5	work	work	NN
work_p4wugnti7rfqlmujcqpww4zusq	32	6	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	32	7	feminist	feminist	JJ
work_p4wugnti7rfqlmujcqpww4zusq	32	8	refram-	refram-	NNP
work_p4wugnti7rfqlmujcqpww4zusq	32	9	ing	ing	NN
work_p4wugnti7rfqlmujcqpww4zusq	32	10	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	32	11	defamiliarisation	defamiliarisation	NN
work_p4wugnti7rfqlmujcqpww4zusq	32	12	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	32	13	Ostranenie	Ostranenie	NNP
work_p4wugnti7rfqlmujcqpww4zusq	32	14	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	32	15	offers	offer	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	32	16	a	a	DT
work_p4wugnti7rfqlmujcqpww4zusq	32	17	decentring	decentring	NN
work_p4wugnti7rfqlmujcqpww4zusq	32	18	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	32	19	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	32	20	television	television	NN
work_p4wugnti7rfqlmujcqpww4zusq	32	21	se-	se-	NN
work_p4wugnti7rfqlmujcqpww4zusq	32	22	ries	rie	NNS
work_p4wugnti7rfqlmujcqpww4zusq	32	23	’	’	POS
work_p4wugnti7rfqlmujcqpww4zusq	32	24	originary	originary	JJ
work_p4wugnti7rfqlmujcqpww4zusq	32	25	thematics	thematic	NNS
work_p4wugnti7rfqlmujcqpww4zusq	32	26	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	32	27	by	by	IN
work_p4wugnti7rfqlmujcqpww4zusq	32	28	tripling	triple	VBG
work_p4wugnti7rfqlmujcqpww4zusq	32	29	them	-PRON-	PRP
work_p4wugnti7rfqlmujcqpww4zusq	32	30	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	32	31	‘	'	``
work_p4wugnti7rfqlmujcqpww4zusq	32	32	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	32	33	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	32	34	triplicating	triplicating	NN
work_p4wugnti7rfqlmujcqpww4zusq	32	35	’	'	''
work_p4wugnti7rfqlmujcqpww4zusq	32	36	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	32	37	intensifying	intensify	VBG
work_p4wugnti7rfqlmujcqpww4zusq	32	38	them	-PRON-	PRP
work_p4wugnti7rfqlmujcqpww4zusq	32	39	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	32	40	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	33	1	[	[	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	33	2	3	3	LS
work_p4wugnti7rfqlmujcqpww4zusq	33	3	]	]	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	33	4	The	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	33	5	videos	video	NNS
work_p4wugnti7rfqlmujcqpww4zusq	33	6	also	also	RB
work_p4wugnti7rfqlmujcqpww4zusq	33	7	performatively	performatively	RB
work_p4wugnti7rfqlmujcqpww4zusq	33	8	–	–	:
work_p4wugnti7rfqlmujcqpww4zusq	33	9	multi	multi	JJ
work_p4wugnti7rfqlmujcqpww4zusq	33	10	-	-	JJ
work_p4wugnti7rfqlmujcqpww4zusq	33	11	vocally	vocally	RB
work_p4wugnti7rfqlmujcqpww4zusq	33	12	–	–	:
work_p4wugnti7rfqlmujcqpww4zusq	33	13	explore	explore	VB
work_p4wugnti7rfqlmujcqpww4zusq	33	14	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	33	15	across	across	IN
work_p4wugnti7rfqlmujcqpww4zusq	33	16	each	each	DT
work_p4wugnti7rfqlmujcqpww4zusq	33	17	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	33	18	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	33	19	televisual	televisual	JJ
work_p4wugnti7rfqlmujcqpww4zusq	33	20	sources	source	NNS
work_p4wugnti7rfqlmujcqpww4zusq	33	21	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	33	22	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	33	23	political	political	JJ
work_p4wugnti7rfqlmujcqpww4zusq	33	24	matters	matter	NNS
work_p4wugnti7rfqlmujcqpww4zusq	33	25	raised	raise	VBN
work_p4wugnti7rfqlmujcqpww4zusq	33	26	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	33	27	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	33	28	quotations	quotation	NNS
work_p4wugnti7rfqlmujcqpww4zusq	33	29	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	33	30	or	or	CC
work_p4wugnti7rfqlmujcqpww4zusq	33	31	epigraphs	epigraph	NNS
work_p4wugnti7rfqlmujcqpww4zusq	33	32	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	33	33	figured	figure	VBD
work_p4wugnti7rfqlmujcqpww4zusq	33	34	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	33	35	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	33	36	works	work	NNS
work_p4wugnti7rfqlmujcqpww4zusq	33	37	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	33	38	as	as	RB
work_p4wugnti7rfqlmujcqpww4zusq	33	39	well	well	RB
work_p4wugnti7rfqlmujcqpww4zusq	33	40	as	as	IN
work_p4wugnti7rfqlmujcqpww4zusq	33	41	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	33	42	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	33	43	strikingly	strikingly	RB
work_p4wugnti7rfqlmujcqpww4zusq	33	44	allegorical	allegorical	JJ
work_p4wugnti7rfqlmujcqpww4zusq	33	45	lyr-	lyr-	NN
work_p4wugnti7rfqlmujcqpww4zusq	33	46	ics	ics	NN
work_p4wugnti7rfqlmujcqpww4zusq	33	47	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	33	48	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	33	49	theme	theme	NN
work_p4wugnti7rfqlmujcqpww4zusq	33	50	songs	song	NNS
work_p4wugnti7rfqlmujcqpww4zusq	33	51	from	from	IN
work_p4wugnti7rfqlmujcqpww4zusq	33	52	these	these	DT
work_p4wugnti7rfqlmujcqpww4zusq	33	53	series	series	NN
work_p4wugnti7rfqlmujcqpww4zusq	33	54	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	33	55	deployed	deploy	VBN
work_p4wugnti7rfqlmujcqpww4zusq	33	56	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	33	57	slow	slow	JJ
work_p4wugnti7rfqlmujcqpww4zusq	33	58	motion	motion	NN
work_p4wugnti7rfqlmujcqpww4zusq	33	59	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	33	60	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	33	61	sec-	sec-	NNP
work_p4wugnti7rfqlmujcqpww4zusq	33	62	ond	ond	NN
work_p4wugnti7rfqlmujcqpww4zusq	33	63	part	part	NN
work_p4wugnti7rfqlmujcqpww4zusq	33	64	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	33	65	each	each	DT
work_p4wugnti7rfqlmujcqpww4zusq	33	66	video	video	NN
work_p4wugnti7rfqlmujcqpww4zusq	33	67	to	to	TO
work_p4wugnti7rfqlmujcqpww4zusq	33	68	open	open	VB
work_p4wugnti7rfqlmujcqpww4zusq	33	69	a	a	DT
work_p4wugnti7rfqlmujcqpww4zusq	33	70	space	space	NN
work_p4wugnti7rfqlmujcqpww4zusq	33	71	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	33	72	uneasy	uneasy	JJ
work_p4wugnti7rfqlmujcqpww4zusq	33	73	contemplation	contemplation	NN
work_p4wugnti7rfqlmujcqpww4zusq	33	74	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	33	75	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	33	76	repe-	repe-	NN
work_p4wugnti7rfqlmujcqpww4zusq	33	77	titions	tition	NNS
work_p4wugnti7rfqlmujcqpww4zusq	33	78	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	33	79	variations	variation	NNS
work_p4wugnti7rfqlmujcqpww4zusq	33	80	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	33	81	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	33	82	forensic	forensic	JJ
work_p4wugnti7rfqlmujcqpww4zusq	33	83	femininities	femininity	NNS
work_p4wugnti7rfqlmujcqpww4zusq	33	84	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	33	85	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	33	86	masculinities	masculinity	NNS
work_p4wugnti7rfqlmujcqpww4zusq	33	87	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	33	88	played	play	VBD
work_p4wugnti7rfqlmujcqpww4zusq	33	89	out	out	RP
work_p4wugnti7rfqlmujcqpww4zusq	33	90	across	across	IN
work_p4wugnti7rfqlmujcqpww4zusq	33	91	these	these	DT
work_p4wugnti7rfqlmujcqpww4zusq	33	92	different	different	JJ
work_p4wugnti7rfqlmujcqpww4zusq	33	93	but	but	CC
work_p4wugnti7rfqlmujcqpww4zusq	33	94	distinctly	distinctly	RB
work_p4wugnti7rfqlmujcqpww4zusq	33	95	connected	connect	VBN
work_p4wugnti7rfqlmujcqpww4zusq	33	96	national	national	JJ
work_p4wugnti7rfqlmujcqpww4zusq	33	97	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	33	98	regional	regional	JJ
work_p4wugnti7rfqlmujcqpww4zusq	33	99	spaces	space	NNS
work_p4wugnti7rfqlmujcqpww4zusq	33	100	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	34	1	The	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	34	2	videos	video	NNS
work_p4wugnti7rfqlmujcqpww4zusq	34	3	are	be	VBP
work_p4wugnti7rfqlmujcqpww4zusq	34	4	accompanied	accompany	VBN
work_p4wugnti7rfqlmujcqpww4zusq	34	5	by	by	IN
work_p4wugnti7rfqlmujcqpww4zusq	34	6	McCabe	McCabe	NNP
work_p4wugnti7rfqlmujcqpww4zusq	34	7	’s	’s	POS
work_p4wugnti7rfqlmujcqpww4zusq	34	8	thoughtful	thoughtful	JJ
work_p4wugnti7rfqlmujcqpww4zusq	34	9	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	34	10	detailed	detailed	JJ
work_p4wugnti7rfqlmujcqpww4zusq	34	11	commentary	commentary	NN
work_p4wugnti7rfqlmujcqpww4zusq	34	12	on	on	IN
work_p4wugnti7rfqlmujcqpww4zusq	34	13	this	this	DT
work_p4wugnti7rfqlmujcqpww4zusq	34	14	research	research	NN
work_p4wugnti7rfqlmujcqpww4zusq	34	15	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	35	1	The	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	35	2	third	third	JJ
work_p4wugnti7rfqlmujcqpww4zusq	35	3	audiovisual	audiovisual	JJ
work_p4wugnti7rfqlmujcqpww4zusq	35	4	essay	essay	NN
work_p4wugnti7rfqlmujcqpww4zusq	35	5	is	be	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	35	6	Juan	Juan	NNP
work_p4wugnti7rfqlmujcqpww4zusq	35	7	Llamas	Llamas	NNP
work_p4wugnti7rfqlmujcqpww4zusq	35	8	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	35	9	Rodriguez	Rodriguez	NNP
work_p4wugnti7rfqlmujcqpww4zusq	35	10	’	'	''
work_p4wugnti7rfqlmujcqpww4zusq	35	11	‘	'	``
work_p4wugnti7rfqlmujcqpww4zusq	35	12	The	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	35	13	Female	Female	NNP
work_p4wugnti7rfqlmujcqpww4zusq	35	14	Narco	Narco	NNP
work_p4wugnti7rfqlmujcqpww4zusq	35	15	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	35	16	Trafficker	Trafficker	NNP
work_p4wugnti7rfqlmujcqpww4zusq	35	17	’s	’s	NNP
work_p4wugnti7rfqlmujcqpww4zusq	35	18	Tongue	Tongue	NNP
work_p4wugnti7rfqlmujcqpww4zusq	35	19	/	/	SYM
work_p4wugnti7rfqlmujcqpww4zusq	35	20	La	La	NNP
work_p4wugnti7rfqlmujcqpww4zusq	35	21	Lengua	Lengua	NNP
work_p4wugnti7rfqlmujcqpww4zusq	35	22	de	de	NNP
work_p4wugnti7rfqlmujcqpww4zusq	35	23	la	la	NNP
work_p4wugnti7rfqlmujcqpww4zusq	35	24	Narco	Narco	NNP
work_p4wugnti7rfqlmujcqpww4zusq	35	25	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	35	26	Traficante	Traficante	NNP
work_p4wugnti7rfqlmujcqpww4zusq	35	27	’	'	''
work_p4wugnti7rfqlmujcqpww4zusq	35	28	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	35	29	which	which	WDT
work_p4wugnti7rfqlmujcqpww4zusq	35	30	fo-	fo-	XX
work_p4wugnti7rfqlmujcqpww4zusq	35	31	cuses	cuse	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	35	32	on	on	IN
work_p4wugnti7rfqlmujcqpww4zusq	35	33	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	35	34	figure	figure	NN
work_p4wugnti7rfqlmujcqpww4zusq	35	35	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	35	36	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	35	37	female	female	JJ
work_p4wugnti7rfqlmujcqpww4zusq	35	38	narcotrafficker	narcotrafficker	NN
work_p4wugnti7rfqlmujcqpww4zusq	35	39	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	35	40	US	US	NNP
work_p4wugnti7rfqlmujcqpww4zusq	35	41	American	American	NNP
work_p4wugnti7rfqlmujcqpww4zusq	35	42	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	35	43	Mexi-	Mexi-	NNP
work_p4wugnti7rfqlmujcqpww4zusq	35	44	can	can	MD
work_p4wugnti7rfqlmujcqpww4zusq	35	45	television	television	NN
work_p4wugnti7rfqlmujcqpww4zusq	35	46	series	series	NN
work_p4wugnti7rfqlmujcqpww4zusq	35	47	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	35	48	most	most	RBS
work_p4wugnti7rfqlmujcqpww4zusq	35	49	notably	notably	RB
work_p4wugnti7rfqlmujcqpww4zusq	35	50	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	35	51	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	35	52	Spanish	spanish	JJ
work_p4wugnti7rfqlmujcqpww4zusq	35	53	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	35	54	language	language	NN
work_p4wugnti7rfqlmujcqpww4zusq	35	55	telenovela	telenovela	NNS
work_p4wugnti7rfqlmujcqpww4zusq	35	56	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	35	57	English	English	NNP
work_p4wugnti7rfqlmujcqpww4zusq	35	58	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	35	59	language	language	NN
work_p4wugnti7rfqlmujcqpww4zusq	35	60	drama	drama	NN
work_p4wugnti7rfqlmujcqpww4zusq	35	61	series	series	NNP
work_p4wugnti7rfqlmujcqpww4zusq	35	62	adaptations	adaptation	NNS
work_p4wugnti7rfqlmujcqpww4zusq	35	63	ofLa	ofLa	NNP
work_p4wugnti7rfqlmujcqpww4zusq	35	64	Reina	Reina	NNP
work_p4wugnti7rfqlmujcqpww4zusq	35	65	del	del	FW
work_p4wugnti7rfqlmujcqpww4zusq	35	66	Sur	Sur	NNP
work_p4wugnti7rfqlmujcqpww4zusq	35	67	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	35	68	Spanish	spanish	JJ
work_p4wugnti7rfqlmujcqpww4zusq	35	69	novel-	novel-	NN
work_p4wugnti7rfqlmujcqpww4zusq	35	70	ist	ist	NN
work_p4wugnti7rfqlmujcqpww4zusq	35	71	Arturo	Arturo	NNP
work_p4wugnti7rfqlmujcqpww4zusq	35	72	Pérez	Pérez	NNP
work_p4wugnti7rfqlmujcqpww4zusq	35	73	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	35	74	Reverte	Reverte	NNP
work_p4wugnti7rfqlmujcqpww4zusq	35	75	’s	’s	POS
work_p4wugnti7rfqlmujcqpww4zusq	35	76	international	international	JJ
work_p4wugnti7rfqlmujcqpww4zusq	35	77	bestseller	bestseller	NN
work_p4wugnti7rfqlmujcqpww4zusq	35	78	about	about	IN
work_p4wugnti7rfqlmujcqpww4zusq	35	79	globe	globe	NNP
work_p4wugnti7rfqlmujcqpww4zusq	35	80	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	35	81	trotting	trotting	NN
work_p4wugnti7rfqlmujcqpww4zusq	35	82	nar-	nar-	RB
work_p4wugnti7rfqlmujcqpww4zusq	35	83	cotrafficker	cotrafficker	NN
work_p4wugnti7rfqlmujcqpww4zusq	35	84	Teresa	Teresa	NNP
work_p4wugnti7rfqlmujcqpww4zusq	35	85	Mendoza	Mendoza	NNP
work_p4wugnti7rfqlmujcqpww4zusq	35	86	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	35	87	aka	aka	RB
work_p4wugnti7rfqlmujcqpww4zusq	35	88	La	La	NNP
work_p4wugnti7rfqlmujcqpww4zusq	35	89	Mexicana	Mexicana	NNP
work_p4wugnti7rfqlmujcqpww4zusq	35	90	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	36	1	The	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	36	2	use	use	NN
work_p4wugnti7rfqlmujcqpww4zusq	36	3	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	36	4	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	36	5	epigraphic	epigraphic	JJ
work_p4wugnti7rfqlmujcqpww4zusq	36	6	form	form	NN
work_p4wugnti7rfqlmujcqpww4zusq	36	7	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	36	8	presented	present	VBD
work_p4wugnti7rfqlmujcqpww4zusq	36	9	bilingually	bilingually	RB
work_p4wugnti7rfqlmujcqpww4zusq	36	10	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	36	11	results	result	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	36	12	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	36	13	a	a	DT
work_p4wugnti7rfqlmujcqpww4zusq	36	14	propulsively	propulsively	RB
work_p4wugnti7rfqlmujcqpww4zusq	36	15	captivating	captivating	NN
work_p4wugnti7rfqlmujcqpww4zusq	36	16	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	36	17	at	at	IN
work_p4wugnti7rfqlmujcqpww4zusq	36	18	times	time	NNS
work_p4wugnti7rfqlmujcqpww4zusq	36	19	deliberately	deliberately	RB
work_p4wugnti7rfqlmujcqpww4zusq	36	20	confusing	confusing	JJ
work_p4wugnti7rfqlmujcqpww4zusq	36	21	mixture	mixture	NN
work_p4wugnti7rfqlmujcqpww4zusq	36	22	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	36	23	images	image	NNS
work_p4wugnti7rfqlmujcqpww4zusq	36	24	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	36	25	sounds	sound	NNS
work_p4wugnti7rfqlmujcqpww4zusq	36	26	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	36	27	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	36	28	written	write	VBN
work_p4wugnti7rfqlmujcqpww4zusq	36	29	texts	text	NNS
work_p4wugnti7rfqlmujcqpww4zusq	36	30	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	36	31	inviting	invite	VBG
work_p4wugnti7rfqlmujcqpww4zusq	36	32	https://www.bfi.org.uk/news-opinion/sight-sound-magazine/polls-surveys/best-video-essays-2018	https://www.bfi.org.uk/news-opinion/sight-sound-magazine/polls-surveys/best-video-essays-2018	NNP
work_p4wugnti7rfqlmujcqpww4zusq	36	33	https://necsus-ejms.org/bodies-at-the-border-transnational-co-produced-tv-drama-and-its-gender-politics-in-the-pilots-of-bron-broen-and-adaptations-the-bridge-and-the-tunnel/	https://necsus-ejms.org/bodies-at-the-border-transnational-co-produced-tv-drama-and-its-gender-politics-in-the-pilots-of-bron-broen-and-adaptations-the-bridge-and-the-tunnel/	NNP
work_p4wugnti7rfqlmujcqpww4zusq	36	34	https://necsus-ejms.org/the-female-narcotraffickers-tongue-la-lengua-de-la-narcotraficante/	https://necsus-ejms.org/the-female-narcotraffickers-tongue-la-lengua-de-la-narcotraficante/	NNS
work_p4wugnti7rfqlmujcqpww4zusq	36	35	https://necsus-ejms.org/the-female-narcotraffickers-tongue-la-lengua-de-la-narcotraficante/	https://necsus-ejms.org/the-female-narcotraffickers-tongue-la-lengua-de-la-narcotraficante/	NFP
work_p4wugnti7rfqlmujcqpww4zusq	36	36	NECSUS	necsu	NNS
work_p4wugnti7rfqlmujcqpww4zusq	36	37	–	–	:
work_p4wugnti7rfqlmujcqpww4zusq	36	38	EUROPEAN	EUROPEAN	NNP
work_p4wugnti7rfqlmujcqpww4zusq	36	39	JOURNAL	JOURNAL	NNP
work_p4wugnti7rfqlmujcqpww4zusq	36	40	OF	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	36	41	MEDIA	MEDIA	NNP
work_p4wugnti7rfqlmujcqpww4zusq	36	42	STUDIES	STUDIES	NNP
work_p4wugnti7rfqlmujcqpww4zusq	36	43	296	296	CD
work_p4wugnti7rfqlmujcqpww4zusq	36	44	VOL	VOL	NNP
work_p4wugnti7rfqlmujcqpww4zusq	36	45	8	8	CD
work_p4wugnti7rfqlmujcqpww4zusq	36	46	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	36	47	1	1	CD
work_p4wugnti7rfqlmujcqpww4zusq	36	48	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	36	49	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	36	50	2019	2019	CD
work_p4wugnti7rfqlmujcqpww4zusq	36	51	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	36	52	viewer	viewer	NN
work_p4wugnti7rfqlmujcqpww4zusq	36	53	rapidly	rapidly	RB
work_p4wugnti7rfqlmujcqpww4zusq	36	54	to	to	TO
work_p4wugnti7rfqlmujcqpww4zusq	36	55	make	make	VB
work_p4wugnti7rfqlmujcqpww4zusq	36	56	comparative	comparative	JJ
work_p4wugnti7rfqlmujcqpww4zusq	36	57	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	36	58	contrastive	contrastive	JJ
work_p4wugnti7rfqlmujcqpww4zusq	36	59	connections	connection	NNS
work_p4wugnti7rfqlmujcqpww4zusq	36	60	be-	be-	XX
work_p4wugnti7rfqlmujcqpww4zusq	36	61	tween	tween	NN
work_p4wugnti7rfqlmujcqpww4zusq	36	62	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	36	63	various	various	JJ
work_p4wugnti7rfqlmujcqpww4zusq	36	64	depictions	depiction	NNS
work_p4wugnti7rfqlmujcqpww4zusq	36	65	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	36	66	these	these	DT
work_p4wugnti7rfqlmujcqpww4zusq	36	67	female	female	JJ
work_p4wugnti7rfqlmujcqpww4zusq	36	68	characters	character	NNS
work_p4wugnti7rfqlmujcqpww4zusq	36	69	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	36	70	their	-PRON-	PRP$
work_p4wugnti7rfqlmujcqpww4zusq	36	71	story	story	NN
work_p4wugnti7rfqlmujcqpww4zusq	36	72	worlds	world	NNS
work_p4wugnti7rfqlmujcqpww4zusq	36	73	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	37	1	Like	like	IN
work_p4wugnti7rfqlmujcqpww4zusq	37	2	McCabe	McCabe	NNP
work_p4wugnti7rfqlmujcqpww4zusq	37	3	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	37	4	Grant	Grant	NNP
work_p4wugnti7rfqlmujcqpww4zusq	37	5	’s	’s	POS
work_p4wugnti7rfqlmujcqpww4zusq	37	6	work	work	NN
work_p4wugnti7rfqlmujcqpww4zusq	37	7	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	37	8	Llamas	Llamas	NNP
work_p4wugnti7rfqlmujcqpww4zusq	37	9	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	37	10	Rodriguez	Rodriguez	NNP
work_p4wugnti7rfqlmujcqpww4zusq	37	11	’	’	POS
work_p4wugnti7rfqlmujcqpww4zusq	37	12	video	video	NN
work_p4wugnti7rfqlmujcqpww4zusq	37	13	lays	lay	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	37	14	bare	bare	VBP
work_p4wugnti7rfqlmujcqpww4zusq	37	15	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	37	16	devices	device	NNS
work_p4wugnti7rfqlmujcqpww4zusq	37	17	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	37	18	transnational	transnational	JJ
work_p4wugnti7rfqlmujcqpww4zusq	37	19	television	television	NN
work_p4wugnti7rfqlmujcqpww4zusq	37	20	adaptation	adaptation	NN
work_p4wugnti7rfqlmujcqpww4zusq	37	21	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	37	22	remaking	remake	VBG
work_p4wugnti7rfqlmujcqpww4zusq	37	23	by	by	IN
work_p4wugnti7rfqlmujcqpww4zusq	37	24	reframing	reframe	VBG
work_p4wugnti7rfqlmujcqpww4zusq	37	25	them	-PRON-	PRP
work_p4wugnti7rfqlmujcqpww4zusq	37	26	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	37	27	a	a	DT
work_p4wugnti7rfqlmujcqpww4zusq	37	28	work	work	NN
work_p4wugnti7rfqlmujcqpww4zusq	37	29	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	37	30	simultaneous	simultaneous	JJ
work_p4wugnti7rfqlmujcqpww4zusq	37	31	performance	performance	NN
work_p4wugnti7rfqlmujcqpww4zusq	37	32	that	that	WDT
work_p4wugnti7rfqlmujcqpww4zusq	37	33	asks	ask	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	37	34	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	37	35	viewer	viewer	NN
work_p4wugnti7rfqlmujcqpww4zusq	37	36	at	at	IN
work_p4wugnti7rfqlmujcqpww4zusq	37	37	once	once	RB
work_p4wugnti7rfqlmujcqpww4zusq	37	38	to	to	TO
work_p4wugnti7rfqlmujcqpww4zusq	37	39	take	take	VB
work_p4wugnti7rfqlmujcqpww4zusq	37	40	sides	side	NNS
work_p4wugnti7rfqlmujcqpww4zusq	37	41	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	37	42	to	to	TO
work_p4wugnti7rfqlmujcqpww4zusq	37	43	see	see	VB
work_p4wugnti7rfqlmujcqpww4zusq	37	44	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	37	45	other	other	JJ
work_p4wugnti7rfqlmujcqpww4zusq	37	46	side	side	NN
work_p4wugnti7rfqlmujcqpww4zusq	37	47	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	38	1	This	this	DT
work_p4wugnti7rfqlmujcqpww4zusq	38	2	is	be	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	38	3	an	an	DT
work_p4wugnti7rfqlmujcqpww4zusq	38	4	approach	approach	NN
work_p4wugnti7rfqlmujcqpww4zusq	38	5	to	to	IN
work_p4wugnti7rfqlmujcqpww4zusq	38	6	television	television	NN
work_p4wugnti7rfqlmujcqpww4zusq	38	7	studies	study	NNS
work_p4wugnti7rfqlmujcqpww4zusq	38	8	that	that	WDT
work_p4wugnti7rfqlmujcqpww4zusq	38	9	is	be	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	38	10	intensively	intensively	RB
work_p4wugnti7rfqlmujcqpww4zusq	38	11	interstitialandrelational	interstitialandrelational	JJ
work_p4wugnti7rfqlmujcqpww4zusq	38	12	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	38	13	evoking	evoke	VBG
work_p4wugnti7rfqlmujcqpww4zusq	38	14	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	38	15	spirit	spirit	NN
work_p4wugnti7rfqlmujcqpww4zusq	38	16	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	38	17	Laura	Laura	NNP
work_p4wugnti7rfqlmujcqpww4zusq	38	18	Rascar-	Rascar-	NNP
work_p4wugnti7rfqlmujcqpww4zusq	38	19	oli	oli	NN
work_p4wugnti7rfqlmujcqpww4zusq	38	20	’s	’s	POS
work_p4wugnti7rfqlmujcqpww4zusq	38	21	notion	notion	NN
work_p4wugnti7rfqlmujcqpww4zusq	38	22	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	38	23	essay	essay	NNP
work_p4wugnti7rfqlmujcqpww4zusq	38	24	filmmaking	filmmaking	NN
work_p4wugnti7rfqlmujcqpww4zusq	38	25	as	as	IN
work_p4wugnti7rfqlmujcqpww4zusq	38	26	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	38	27	art	art	NN
work_p4wugnti7rfqlmujcqpww4zusq	38	28	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	38	29	gaps	gap	NNS
work_p4wugnti7rfqlmujcqpww4zusq	38	30	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	39	1	[	[	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	39	2	4	4	LS
work_p4wugnti7rfqlmujcqpww4zusq	39	3	]	]	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	39	4	The	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	39	5	section	section	NN
work_p4wugnti7rfqlmujcqpww4zusq	39	6	ends	end	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	39	7	with	with	IN
work_p4wugnti7rfqlmujcqpww4zusq	39	8	Angelo	Angelo	NNP
work_p4wugnti7rfqlmujcqpww4zusq	39	9	Restivo	Restivo	NNP
work_p4wugnti7rfqlmujcqpww4zusq	39	10	’s	’s	,
work_p4wugnti7rfqlmujcqpww4zusq	39	11	‘	'	``
work_p4wugnti7rfqlmujcqpww4zusq	39	12	Breaking	break	VBG
work_p4wugnti7rfqlmujcqpww4zusq	39	13	Bad	Bad	NNP
work_p4wugnti7rfqlmujcqpww4zusq	39	14	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	39	15	Surrealism	Surrealism	NNP
work_p4wugnti7rfqlmujcqpww4zusq	39	16	’	'	''
work_p4wugnti7rfqlmujcqpww4zusq	39	17	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	39	18	a	a	DT
work_p4wugnti7rfqlmujcqpww4zusq	39	19	video	video	NN
work_p4wugnti7rfqlmujcqpww4zusq	39	20	made	make	VBN
work_p4wugnti7rfqlmujcqpww4zusq	39	21	to	to	TO
work_p4wugnti7rfqlmujcqpww4zusq	39	22	accompany	accompany	VB
work_p4wugnti7rfqlmujcqpww4zusq	39	23	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	39	24	third	third	JJ
work_p4wugnti7rfqlmujcqpww4zusq	39	25	chapter	chapter	NN
work_p4wugnti7rfqlmujcqpww4zusq	39	26	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	39	27	his	-PRON-	PRP$
work_p4wugnti7rfqlmujcqpww4zusq	39	28	book	book	NN
work_p4wugnti7rfqlmujcqpww4zusq	39	29	Breaking	break	VBG
work_p4wugnti7rfqlmujcqpww4zusq	39	30	Bad	Bad	NNP
work_p4wugnti7rfqlmujcqpww4zusq	39	31	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	39	32	Cinematic	Cinematic	NNP
work_p4wugnti7rfqlmujcqpww4zusq	39	33	Television	Television	NNP
work_p4wugnti7rfqlmujcqpww4zusq	39	34	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	39	35	Duke	Duke	NNP
work_p4wugnti7rfqlmujcqpww4zusq	39	36	University	University	NNP
work_p4wugnti7rfqlmujcqpww4zusq	39	37	Press	Press	NNP
work_p4wugnti7rfqlmujcqpww4zusq	39	38	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	39	39	2019	2019	CD
work_p4wugnti7rfqlmujcqpww4zusq	39	40	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	39	41	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	40	1	Poetically	poetically	RB
work_p4wugnti7rfqlmujcqpww4zusq	40	2	edited	edited	JJ
work_p4wugnti7rfqlmujcqpww4zusq	40	3	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	40	4	set	set	VBN
work_p4wugnti7rfqlmujcqpww4zusq	40	5	to	to	IN
work_p4wugnti7rfqlmujcqpww4zusq	40	6	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	40	7	soundtrack	soundtrack	NN
work_p4wugnti7rfqlmujcqpww4zusq	40	8	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	40	9	El	El	NNP
work_p4wugnti7rfqlmujcqpww4zusq	40	10	Alacran	Alacran	NNP
work_p4wugnti7rfqlmujcqpww4zusq	40	11	’s	’s	,
work_p4wugnti7rfqlmujcqpww4zusq	40	12	‘	'	``
work_p4wugnti7rfqlmujcqpww4zusq	40	13	Reflejo	Reflejo	NNP
work_p4wugnti7rfqlmujcqpww4zusq	40	14	De	De	NNP
work_p4wugnti7rfqlmujcqpww4zusq	40	15	Luna	Luna	NNP
work_p4wugnti7rfqlmujcqpww4zusq	40	16	’	'	''
work_p4wugnti7rfqlmujcqpww4zusq	40	17	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	40	18	Restivo	Restivo	NNP
work_p4wugnti7rfqlmujcqpww4zusq	40	19	’s	’s	POS
work_p4wugnti7rfqlmujcqpww4zusq	40	20	video	video	NN
work_p4wugnti7rfqlmujcqpww4zusq	40	21	connects	connect	NNS
work_p4wugnti7rfqlmujcqpww4zusq	40	22	im-	im-	VBP
work_p4wugnti7rfqlmujcqpww4zusq	40	23	ages	age	NNS
work_p4wugnti7rfqlmujcqpww4zusq	40	24	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	40	25	Breaking	break	VBG
work_p4wugnti7rfqlmujcqpww4zusq	40	26	Bad	Bad	NNP
work_p4wugnti7rfqlmujcqpww4zusq	40	27	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	40	28	AMC	AMC	NNP
work_p4wugnti7rfqlmujcqpww4zusq	40	29	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	40	30	2008	2008	CD
work_p4wugnti7rfqlmujcqpww4zusq	40	31	-	-	SYM
work_p4wugnti7rfqlmujcqpww4zusq	40	32	2013	2013	CD
work_p4wugnti7rfqlmujcqpww4zusq	40	33	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	40	34	to	to	TO
work_p4wugnti7rfqlmujcqpww4zusq	40	35	avant	avant	VB
work_p4wugnti7rfqlmujcqpww4zusq	40	36	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	40	37	garde	garde	FW
work_p4wugnti7rfqlmujcqpww4zusq	40	38	cinema	cinema	NN
work_p4wugnti7rfqlmujcqpww4zusq	40	39	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	40	40	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	40	41	1930s	1930	NNS
work_p4wugnti7rfqlmujcqpww4zusq	40	42	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	40	43	1960s	1960	NNS
work_p4wugnti7rfqlmujcqpww4zusq	40	44	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	40	45	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	40	46	1970s	1970	NNS
work_p4wugnti7rfqlmujcqpww4zusq	40	47	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	41	1	Regardless	regardless	RB
work_p4wugnti7rfqlmujcqpww4zusq	41	2	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	41	3	whether	whether	IN
work_p4wugnti7rfqlmujcqpww4zusq	41	4	or	or	CC
work_p4wugnti7rfqlmujcqpww4zusq	41	5	not	not	RB
work_p4wugnti7rfqlmujcqpww4zusq	41	6	these	these	DT
work_p4wugnti7rfqlmujcqpww4zusq	41	7	‘	'	``
work_p4wugnti7rfqlmujcqpww4zusq	41	8	citations	citation	NNS
work_p4wugnti7rfqlmujcqpww4zusq	41	9	’	'	''
work_p4wugnti7rfqlmujcqpww4zusq	41	10	were	be	VBD
work_p4wugnti7rfqlmujcqpww4zusq	41	11	intended	intend	VBN
work_p4wugnti7rfqlmujcqpww4zusq	41	12	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	41	13	are	be	VBP
work_p4wugnti7rfqlmujcqpww4zusq	41	14	they	-PRON-	PRP
work_p4wugnti7rfqlmujcqpww4zusq	41	15	conscious	conscious	JJ
work_p4wugnti7rfqlmujcqpww4zusq	41	16	influences	influence	NNS
work_p4wugnti7rfqlmujcqpww4zusq	41	17	or	or	CC
work_p4wugnti7rfqlmujcqpww4zusq	41	18	remarkable	remarkable	JJ
work_p4wugnti7rfqlmujcqpww4zusq	41	19	coincidences	coincidence	NNS
work_p4wugnti7rfqlmujcqpww4zusq	41	20	?	?	.
work_p4wugnti7rfqlmujcqpww4zusq	42	1	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	42	2	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	42	3	this	this	DT
work_p4wugnti7rfqlmujcqpww4zusq	42	4	work	work	NN
work_p4wugnti7rfqlmujcqpww4zusq	42	5	invites	invite	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	42	6	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	42	7	viewer	viewer	NN
work_p4wugnti7rfqlmujcqpww4zusq	42	8	to	to	TO
work_p4wugnti7rfqlmujcqpww4zusq	42	9	perceive	perceive	VB
work_p4wugnti7rfqlmujcqpww4zusq	42	10	–	–	:
work_p4wugnti7rfqlmujcqpww4zusq	42	11	or	or	CC
work_p4wugnti7rfqlmujcqpww4zusq	42	12	better	well	JJR
work_p4wugnti7rfqlmujcqpww4zusq	42	13	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	42	14	to	to	TO
work_p4wugnti7rfqlmujcqpww4zusq	42	15	watch	watch	VB
work_p4wugnti7rfqlmujcqpww4zusq	42	16	–	–	:
work_p4wugnti7rfqlmujcqpww4zusq	42	17	Breaking	break	VBG
work_p4wugnti7rfqlmujcqpww4zusq	42	18	Bad	Bad	NNP
work_p4wugnti7rfqlmujcqpww4zusq	42	19	beyond	beyond	IN
work_p4wugnti7rfqlmujcqpww4zusq	42	20	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	42	21	plot-	plot-	NN
work_p4wugnti7rfqlmujcqpww4zusq	42	22	driven	drive	VBN
work_p4wugnti7rfqlmujcqpww4zusq	42	23	logic	logic	NN
work_p4wugnti7rfqlmujcqpww4zusq	42	24	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	42	25	fictional	fictional	JJ
work_p4wugnti7rfqlmujcqpww4zusq	42	26	television	television	NN
work_p4wugnti7rfqlmujcqpww4zusq	42	27	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	42	28	paying	pay	VBG
work_p4wugnti7rfqlmujcqpww4zusq	42	29	attention	attention	NN
work_p4wugnti7rfqlmujcqpww4zusq	42	30	instead	instead	RB
work_p4wugnti7rfqlmujcqpww4zusq	42	31	to	to	IN
work_p4wugnti7rfqlmujcqpww4zusq	42	32	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	42	33	series	series	NN
work_p4wugnti7rfqlmujcqpww4zusq	42	34	’	'	''
work_p4wugnti7rfqlmujcqpww4zusq	42	35	aes-	aes-	NN
work_p4wugnti7rfqlmujcqpww4zusq	42	36	thetics	thetic	NNS
work_p4wugnti7rfqlmujcqpww4zusq	42	37	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	43	1	Here	here	RB
work_p4wugnti7rfqlmujcqpww4zusq	43	2	cinephilia	cinephilia	NNP
work_p4wugnti7rfqlmujcqpww4zusq	43	3	meets	meet	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	43	4	telephilia	telephilia	NN
work_p4wugnti7rfqlmujcqpww4zusq	43	5	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	43	6	a	a	DT
work_p4wugnti7rfqlmujcqpww4zusq	43	7	productive	productive	JJ
work_p4wugnti7rfqlmujcqpww4zusq	43	8	way	way	NN
work_p4wugnti7rfqlmujcqpww4zusq	43	9	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	43	10	showing	show	VBG
work_p4wugnti7rfqlmujcqpww4zusq	43	11	how	how	WRB
work_p4wugnti7rfqlmujcqpww4zusq	43	12	images	image	NNS
work_p4wugnti7rfqlmujcqpww4zusq	43	13	have	have	VBP
work_p4wugnti7rfqlmujcqpww4zusq	43	14	histories	history	NNS
work_p4wugnti7rfqlmujcqpww4zusq	43	15	that	that	WDT
work_p4wugnti7rfqlmujcqpww4zusq	43	16	can	can	MD
work_p4wugnti7rfqlmujcqpww4zusq	43	17	be	be	VB
work_p4wugnti7rfqlmujcqpww4zusq	43	18	rendered	render	VBN
work_p4wugnti7rfqlmujcqpww4zusq	43	19	visible	visible	JJ
work_p4wugnti7rfqlmujcqpww4zusq	43	20	through	through	IN
work_p4wugnti7rfqlmujcqpww4zusq	43	21	intermedial	intermedial	JJ
work_p4wugnti7rfqlmujcqpww4zusq	43	22	inter-	inter-	NNP
work_p4wugnti7rfqlmujcqpww4zusq	43	23	textual	textual	NNP
work_p4wugnti7rfqlmujcqpww4zusq	43	24	connections	connection	NNS
work_p4wugnti7rfqlmujcqpww4zusq	43	25	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	44	1	In	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	44	2	Ways	way	NNS
work_p4wugnti7rfqlmujcqpww4zusq	44	3	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	44	4	Seeing	Seeing	NNP
work_p4wugnti7rfqlmujcqpww4zusq	44	5	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	44	6	John	John	NNP
work_p4wugnti7rfqlmujcqpww4zusq	44	7	Berger	Berger	NNP
work_p4wugnti7rfqlmujcqpww4zusq	44	8	showed	show	VBD
work_p4wugnti7rfqlmujcqpww4zusq	44	9	how	how	WRB
work_p4wugnti7rfqlmujcqpww4zusq	44	10	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	44	11	medium	medium	NN
work_p4wugnti7rfqlmujcqpww4zusq	44	12	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	44	13	television	television	NN
work_p4wugnti7rfqlmujcqpww4zusq	44	14	al-	al-	NN
work_p4wugnti7rfqlmujcqpww4zusq	44	15	lowed	low	VBD
work_p4wugnti7rfqlmujcqpww4zusq	44	16	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	44	17	or	or	CC
work_p4wugnti7rfqlmujcqpww4zusq	44	18	even	even	RB
work_p4wugnti7rfqlmujcqpww4zusq	44	19	forced	force	VBN
work_p4wugnti7rfqlmujcqpww4zusq	44	20	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	44	21	a	a	DT
work_p4wugnti7rfqlmujcqpww4zusq	44	22	new	new	JJ
work_p4wugnti7rfqlmujcqpww4zusq	44	23	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	44	24	demystifying	demystifying	JJ
work_p4wugnti7rfqlmujcqpww4zusq	44	25	perspective	perspective	NN
work_p4wugnti7rfqlmujcqpww4zusq	44	26	on	on	IN
work_p4wugnti7rfqlmujcqpww4zusq	44	27	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	44	28	visual	visual	JJ
work_p4wugnti7rfqlmujcqpww4zusq	44	29	arts	art	NNS
work_p4wugnti7rfqlmujcqpww4zusq	44	30	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	45	1	We	-PRON-	PRP
work_p4wugnti7rfqlmujcqpww4zusq	45	2	borrowed	borrow	VBD
work_p4wugnti7rfqlmujcqpww4zusq	45	3	his	-PRON-	PRP$
work_p4wugnti7rfqlmujcqpww4zusq	45	4	title	title	NN
work_p4wugnti7rfqlmujcqpww4zusq	45	5	to	to	TO
work_p4wugnti7rfqlmujcqpww4zusq	45	6	emphasise	emphasise	VB
work_p4wugnti7rfqlmujcqpww4zusq	45	7	that	that	DT
work_p4wugnti7rfqlmujcqpww4zusq	45	8	videographic	videographic	JJ
work_p4wugnti7rfqlmujcqpww4zusq	45	9	criticism	criticism	NN
work_p4wugnti7rfqlmujcqpww4zusq	45	10	can	can	MD
work_p4wugnti7rfqlmujcqpww4zusq	45	11	help	help	VB
work_p4wugnti7rfqlmujcqpww4zusq	45	12	us	-PRON-	PRP
work_p4wugnti7rfqlmujcqpww4zusq	45	13	to	to	TO
work_p4wugnti7rfqlmujcqpww4zusq	45	14	watch	watch	VB
work_p4wugnti7rfqlmujcqpww4zusq	45	15	television	television	NN
work_p4wugnti7rfqlmujcqpww4zusq	45	16	differently	differently	RB
work_p4wugnti7rfqlmujcqpww4zusq	45	17	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	45	18	adding	add	VBG
work_p4wugnti7rfqlmujcqpww4zusq	45	19	‘	'	``
work_p4wugnti7rfqlmujcqpww4zusq	45	20	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	45	21	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	45	22	Hearing	hearing	NN
work_p4wugnti7rfqlmujcqpww4zusq	45	23	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	45	24	’	'	''
work_p4wugnti7rfqlmujcqpww4zusq	45	25	to	to	TO
work_p4wugnti7rfqlmujcqpww4zusq	45	26	acknowledge	acknowledge	VB
work_p4wugnti7rfqlmujcqpww4zusq	45	27	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	45	28	im-	im-	JJ
work_p4wugnti7rfqlmujcqpww4zusq	45	29	portance	portance	NN
work_p4wugnti7rfqlmujcqpww4zusq	45	30	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	45	31	sound	sound	NN
work_p4wugnti7rfqlmujcqpww4zusq	45	32	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	45	33	which	which	WDT
work_p4wugnti7rfqlmujcqpww4zusq	45	34	often	often	RB
work_p4wugnti7rfqlmujcqpww4zusq	45	35	is	be	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	45	36	neglected	neglect	VBN
work_p4wugnti7rfqlmujcqpww4zusq	45	37	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	45	38	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	45	39	study	study	NN
work_p4wugnti7rfqlmujcqpww4zusq	45	40	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	45	41	television	television	NN
work_p4wugnti7rfqlmujcqpww4zusq	45	42	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	46	1	Obvi-	Obvi-	NNS
work_p4wugnti7rfqlmujcqpww4zusq	46	2	ously	ously	RB
work_p4wugnti7rfqlmujcqpww4zusq	46	3	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	46	4	there	there	EX
work_p4wugnti7rfqlmujcqpww4zusq	46	5	is	be	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	46	6	far	far	RB
work_p4wugnti7rfqlmujcqpww4zusq	46	7	more	more	JJR
work_p4wugnti7rfqlmujcqpww4zusq	46	8	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	46	9	televisual	televisual	JJ
work_p4wugnti7rfqlmujcqpww4zusq	46	10	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	46	11	ground	ground	NN
work_p4wugnti7rfqlmujcqpww4zusq	46	12	to	to	TO
work_p4wugnti7rfqlmujcqpww4zusq	46	13	cover	cover	VB
work_p4wugnti7rfqlmujcqpww4zusq	46	14	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	47	1	We	-PRON-	PRP
work_p4wugnti7rfqlmujcqpww4zusq	47	2	have	have	VBP
work_p4wugnti7rfqlmujcqpww4zusq	47	3	not	not	RB
work_p4wugnti7rfqlmujcqpww4zusq	47	4	been	be	VBN
work_p4wugnti7rfqlmujcqpww4zusq	47	5	able	able	JJ
work_p4wugnti7rfqlmujcqpww4zusq	47	6	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	47	7	yet	yet	RB
work_p4wugnti7rfqlmujcqpww4zusq	47	8	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	47	9	to	to	TO
work_p4wugnti7rfqlmujcqpww4zusq	47	10	include	include	VB
work_p4wugnti7rfqlmujcqpww4zusq	47	11	audiovisual	audiovisual	JJ
work_p4wugnti7rfqlmujcqpww4zusq	47	12	essays	essay	NNS
work_p4wugnti7rfqlmujcqpww4zusq	47	13	that	that	WDT
work_p4wugnti7rfqlmujcqpww4zusq	47	14	focus	focus	VBP
work_p4wugnti7rfqlmujcqpww4zusq	47	15	on	on	IN
work_p4wugnti7rfqlmujcqpww4zusq	47	16	typical	typical	JJ
work_p4wugnti7rfqlmujcqpww4zusq	47	17	television	television	NN
work_p4wugnti7rfqlmujcqpww4zusq	47	18	genres	genre	NNS
work_p4wugnti7rfqlmujcqpww4zusq	47	19	such	such	JJ
work_p4wugnti7rfqlmujcqpww4zusq	47	20	as	as	IN
work_p4wugnti7rfqlmujcqpww4zusq	47	21	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	47	22	sitcom	sitcom	NN
work_p4wugnti7rfqlmujcqpww4zusq	47	23	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	47	24	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	47	25	talk	talk	NN
work_p4wugnti7rfqlmujcqpww4zusq	47	26	show	show	NN
work_p4wugnti7rfqlmujcqpww4zusq	47	27	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	47	28	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	47	29	music	music	NN
work_p4wugnti7rfqlmujcqpww4zusq	47	30	video	video	NN
work_p4wugnti7rfqlmujcqpww4zusq	47	31	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	47	32	or	or	CC
work_p4wugnti7rfqlmujcqpww4zusq	47	33	reality	reality	NN
work_p4wugnti7rfqlmujcqpww4zusq	47	34	programming	programming	NN
work_p4wugnti7rfqlmujcqpww4zusq	47	35	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	48	1	That	that	DT
work_p4wugnti7rfqlmujcqpww4zusq	48	2	said	say	VBD
work_p4wugnti7rfqlmujcqpww4zusq	48	3	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	48	4	we	-PRON-	PRP
work_p4wugnti7rfqlmujcqpww4zusq	48	5	hope	hope	VBP
work_p4wugnti7rfqlmujcqpww4zusq	48	6	that	that	IN
work_p4wugnti7rfqlmujcqpww4zusq	48	7	our	-PRON-	PRP$
work_p4wugnti7rfqlmujcqpww4zusq	48	8	selection	selection	NN
work_p4wugnti7rfqlmujcqpww4zusq	48	9	will	will	MD
work_p4wugnti7rfqlmujcqpww4zusq	48	10	at	at	IN
work_p4wugnti7rfqlmujcqpww4zusq	48	11	least	least	JJS
work_p4wugnti7rfqlmujcqpww4zusq	48	12	function	function	NN
work_p4wugnti7rfqlmujcqpww4zusq	48	13	as	as	IN
work_p4wugnti7rfqlmujcqpww4zusq	48	14	an	an	DT
work_p4wugnti7rfqlmujcqpww4zusq	48	15	invitation	invitation	NN
work_p4wugnti7rfqlmujcqpww4zusq	48	16	for	for	IN
work_p4wugnti7rfqlmujcqpww4zusq	48	17	yet	yet	RB
work_p4wugnti7rfqlmujcqpww4zusq	48	18	more	more	JJR
work_p4wugnti7rfqlmujcqpww4zusq	48	19	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	48	20	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	48	21	more	more	RBR
work_p4wugnti7rfqlmujcqpww4zusq	48	22	varied	varied	JJ
work_p4wugnti7rfqlmujcqpww4zusq	48	23	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	48	24	videographic	videographic	JJ
work_p4wugnti7rfqlmujcqpww4zusq	48	25	telephilia	telephilia	NN
work_p4wugnti7rfqlmujcqpww4zusq	48	26	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	48	27	not	not	RB
work_p4wugnti7rfqlmujcqpww4zusq	48	28	limited	limited	JJ
work_p4wugnti7rfqlmujcqpww4zusq	48	29	to	to	IN
work_p4wugnti7rfqlmujcqpww4zusq	48	30	so	so	RB
work_p4wugnti7rfqlmujcqpww4zusq	48	31	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	48	32	called	call	VBN
work_p4wugnti7rfqlmujcqpww4zusq	48	33	‘	'	``
work_p4wugnti7rfqlmujcqpww4zusq	48	34	quality	quality	NN
work_p4wugnti7rfqlmujcqpww4zusq	48	35	television	television	NN
work_p4wugnti7rfqlmujcqpww4zusq	48	36	’	'	''
work_p4wugnti7rfqlmujcqpww4zusq	48	37	that	that	WDT
work_p4wugnti7rfqlmujcqpww4zusq	48	38	stays	stay	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	48	39	close	close	RB
work_p4wugnti7rfqlmujcqpww4zusq	48	40	to	to	IN
work_p4wugnti7rfqlmujcqpww4zusq	48	41	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	48	42	cinematic	cinematic	JJ
work_p4wugnti7rfqlmujcqpww4zusq	48	43	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	48	44	but	but	CC
work_p4wugnti7rfqlmujcqpww4zusq	48	45	that	that	DT
work_p4wugnti7rfqlmujcqpww4zusq	48	46	also	also	RB
work_p4wugnti7rfqlmujcqpww4zusq	48	47	recognises	recognise	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	48	48	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	48	49	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	48	50	explores	explore	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	48	51	audiovisually	audiovisually	RB
work_p4wugnti7rfqlmujcqpww4zusq	48	52	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	48	53	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	48	54	qualities	quality	NNS
work_p4wugnti7rfqlmujcqpww4zusq	48	55	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	48	56	television	television	NN
work_p4wugnti7rfqlmujcqpww4zusq	48	57	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	48	58	all	all	DT
work_p4wugnti7rfqlmujcqpww4zusq	48	59	its	-PRON-	PRP$
work_p4wugnti7rfqlmujcqpww4zusq	48	60	aesthetic	aesthetic	JJ
work_p4wugnti7rfqlmujcqpww4zusq	48	61	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	48	62	po-	po-	XX
work_p4wugnti7rfqlmujcqpww4zusq	48	63	litical	litical	JJ
work_p4wugnti7rfqlmujcqpww4zusq	48	64	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	48	65	national	national	JJ
work_p4wugnti7rfqlmujcqpww4zusq	48	66	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	48	67	transnational	transnational	JJ
work_p4wugnti7rfqlmujcqpww4zusq	48	68	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	48	69	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	48	70	technical	technical	JJ
work_p4wugnti7rfqlmujcqpww4zusq	48	71	forms	form	NNS
work_p4wugnti7rfqlmujcqpww4zusq	48	72	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	49	1	https://necsus-ejms.org/breaking-bad-and-surrealism/	https://necsus-ejms.org/breaking-bad-and-surrealism/	JJ
work_p4wugnti7rfqlmujcqpww4zusq	49	2	NEW	new	JJ
work_p4wugnti7rfqlmujcqpww4zusq	49	3	WAYS	way	NNS
work_p4wugnti7rfqlmujcqpww4zusq	49	4	OF	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	49	5	SEEING	seeing	NN
work_p4wugnti7rfqlmujcqpww4zusq	49	6	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	49	7	AND	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	49	8	HEARING	hearing	NN
work_p4wugnti7rfqlmujcqpww4zusq	49	9	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	49	10	GRANT	GRANT	NNP
work_p4wugnti7rfqlmujcqpww4zusq	49	11	&	&	CC
work_p4wugnti7rfqlmujcqpww4zusq	49	12	KOOIJMAN	KOOIJMAN	NNP
work_p4wugnti7rfqlmujcqpww4zusq	49	13	297	297	CD
work_p4wugnti7rfqlmujcqpww4zusq	49	14	Authors	Authors	NNPS
work_p4wugnti7rfqlmujcqpww4zusq	49	15	Catherine	Catherine	NNP
work_p4wugnti7rfqlmujcqpww4zusq	49	16	Grantis	Grantis	NNP
work_p4wugnti7rfqlmujcqpww4zusq	49	17	Professor	Professor	NNP
work_p4wugnti7rfqlmujcqpww4zusq	49	18	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	49	19	Digital	Digital	NNP
work_p4wugnti7rfqlmujcqpww4zusq	49	20	Media	Media	NNP
work_p4wugnti7rfqlmujcqpww4zusq	49	21	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	49	22	Screen	Screen	NNP
work_p4wugnti7rfqlmujcqpww4zusq	49	23	Studies	Studies	NNPS
work_p4wugnti7rfqlmujcqpww4zusq	49	24	at	at	IN
work_p4wugnti7rfqlmujcqpww4zusq	49	25	Birkbeck	Birkbeck	NNP
work_p4wugnti7rfqlmujcqpww4zusq	49	26	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	49	27	University	University	NNP
work_p4wugnti7rfqlmujcqpww4zusq	49	28	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	49	29	London	London	NNP
work_p4wugnti7rfqlmujcqpww4zusq	49	30	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	50	1	A	a	DT
work_p4wugnti7rfqlmujcqpww4zusq	50	2	prolific	prolific	JJ
work_p4wugnti7rfqlmujcqpww4zusq	50	3	experimental	experimental	JJ
work_p4wugnti7rfqlmujcqpww4zusq	50	4	video	video	NN
work_p4wugnti7rfqlmujcqpww4zusq	50	5	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	50	6	essayist	essayist	NN
work_p4wugnti7rfqlmujcqpww4zusq	50	7	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	50	8	she	-PRON-	PRP
work_p4wugnti7rfqlmujcqpww4zusq	50	9	has	have	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	50	10	au-	au-	VBN
work_p4wugnti7rfqlmujcqpww4zusq	50	11	thored	thore	VBN
work_p4wugnti7rfqlmujcqpww4zusq	50	12	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	50	13	edited	edit	VBN
work_p4wugnti7rfqlmujcqpww4zusq	50	14	numerous	numerous	JJ
work_p4wugnti7rfqlmujcqpww4zusq	50	15	studies	study	NNS
work_p4wugnti7rfqlmujcqpww4zusq	50	16	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	50	17	audio	audio	JJ
work_p4wugnti7rfqlmujcqpww4zusq	50	18	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	50	19	visual	visual	JJ
work_p4wugnti7rfqlmujcqpww4zusq	50	20	film	film	NN
work_p4wugnti7rfqlmujcqpww4zusq	50	21	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	50	22	moving	move	VBG
work_p4wugnti7rfqlmujcqpww4zusq	50	23	image	image	NN
work_p4wugnti7rfqlmujcqpww4zusq	50	24	research	research	NN
work_p4wugnti7rfqlmujcqpww4zusq	50	25	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	50	26	scholarship	scholarship	NN
work_p4wugnti7rfqlmujcqpww4zusq	50	27	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	50	28	including	include	VBG
work_p4wugnti7rfqlmujcqpww4zusq	50	29	:	:	:
work_p4wugnti7rfqlmujcqpww4zusq	50	30	The	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	50	31	Videographic	Videographic	NNP
work_p4wugnti7rfqlmujcqpww4zusq	50	32	Essay	Essay	NNP
work_p4wugnti7rfqlmujcqpww4zusq	50	33	:	:	:
work_p4wugnti7rfqlmujcqpww4zusq	50	34	Criticism	criticism	NN
work_p4wugnti7rfqlmujcqpww4zusq	50	35	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	50	36	Sound	Sound	NNP
work_p4wugnti7rfqlmujcqpww4zusq	50	37	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	50	38	Image	Image	NNP
work_p4wugnti7rfqlmujcqpww4zusq	50	39	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	50	40	co	co	JJ
work_p4wugnti7rfqlmujcqpww4zusq	50	41	-	-	VBN
work_p4wugnti7rfqlmujcqpww4zusq	50	42	authored	author	VBN
work_p4wugnti7rfqlmujcqpww4zusq	50	43	with	with	IN
work_p4wugnti7rfqlmujcqpww4zusq	50	44	Christian	Christian	NNP
work_p4wugnti7rfqlmujcqpww4zusq	50	45	Keathley	Keathley	NNP
work_p4wugnti7rfqlmujcqpww4zusq	50	46	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	50	47	Jason	Jason	NNP
work_p4wugnti7rfqlmujcqpww4zusq	50	48	Mittell	Mittell	NNP
work_p4wugnti7rfqlmujcqpww4zusq	50	49	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	50	50	2nded	2nded	NNP
work_p4wugnti7rfqlmujcqpww4zusq	50	51	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	50	52	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	50	53	2019	2019	CD
work_p4wugnti7rfqlmujcqpww4zusq	50	54	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	50	55	;	;	:
work_p4wugnti7rfqlmujcqpww4zusq	50	56	screenstudies.video	screenstudies.video	NNP
work_p4wugnti7rfqlmujcqpww4zusq	50	57	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	50	58	2019	2019	CD
work_p4wugnti7rfqlmujcqpww4zusq	50	59	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	50	60	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	50	61	a	a	DT
work_p4wugnti7rfqlmujcqpww4zusq	50	62	monographic	monographic	JJ
work_p4wugnti7rfqlmujcqpww4zusq	50	63	website	website	NN
work_p4wugnti7rfqlmujcqpww4zusq	50	64	collecting	collecting	NN
work_p4wugnti7rfqlmujcqpww4zusq	50	65	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	50	66	re-	re-	RB
work_p4wugnti7rfqlmujcqpww4zusq	50	67	flecting	flecte	VBG
work_p4wugnti7rfqlmujcqpww4zusq	50	68	on	on	IN
work_p4wugnti7rfqlmujcqpww4zusq	50	69	her	-PRON-	PRP$
work_p4wugnti7rfqlmujcqpww4zusq	50	70	own	own	JJ
work_p4wugnti7rfqlmujcqpww4zusq	50	71	practice	practice	NN
work_p4wugnti7rfqlmujcqpww4zusq	50	72	;	;	:
work_p4wugnti7rfqlmujcqpww4zusq	50	73	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	50	74	another	another	DT
work_p4wugnti7rfqlmujcqpww4zusq	50	75	website	website	NN
work_p4wugnti7rfqlmujcqpww4zusq	50	76	collection	collection	NN
work_p4wugnti7rfqlmujcqpww4zusq	50	77	The	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	50	78	Audiovisual	Audiovisual	NNP
work_p4wugnti7rfqlmujcqpww4zusq	50	79	Essay	Essay	NNP
work_p4wugnti7rfqlmujcqpww4zusq	50	80	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	50	81	2014-present	2014-present	CD
work_p4wugnti7rfqlmujcqpww4zusq	50	82	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	50	83	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	51	1	She	-PRON-	PRP
work_p4wugnti7rfqlmujcqpww4zusq	51	2	is	be	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	51	3	also	also	RB
work_p4wugnti7rfqlmujcqpww4zusq	51	4	creator	creator	NN
work_p4wugnti7rfqlmujcqpww4zusq	51	5	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	51	6	Film	Film	NNP
work_p4wugnti7rfqlmujcqpww4zusq	51	7	Studies	Studies	NNPS
work_p4wugnti7rfqlmujcqpww4zusq	51	8	for	for	IN
work_p4wugnti7rfqlmujcqpww4zusq	51	9	Free	Free	NNP
work_p4wugnti7rfqlmujcqpww4zusq	51	10	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	51	11	a	a	DT
work_p4wugnti7rfqlmujcqpww4zusq	51	12	co	co	JJ
work_p4wugnti7rfqlmujcqpww4zusq	51	13	-	-	JJ
work_p4wugnti7rfqlmujcqpww4zusq	51	14	found-	found-	JJ
work_p4wugnti7rfqlmujcqpww4zusq	51	15	ing	ing	NN
work_p4wugnti7rfqlmujcqpww4zusq	51	16	editor	editor	NN
work_p4wugnti7rfqlmujcqpww4zusq	51	17	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	51	18	[	[	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	51	19	in]Transition	in]Transition	NNP
work_p4wugnti7rfqlmujcqpww4zusq	51	20	:	:	:
work_p4wugnti7rfqlmujcqpww4zusq	51	21	Journal	Journal	NNP
work_p4wugnti7rfqlmujcqpww4zusq	51	22	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	51	23	Videographic	Videographic	NNP
work_p4wugnti7rfqlmujcqpww4zusq	51	24	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	51	25	Moving	Moving	NNP
work_p4wugnti7rfqlmujcqpww4zusq	51	26	Image	Image	NNP
work_p4wugnti7rfqlmujcqpww4zusq	51	27	Studies	Studies	NNPS
work_p4wugnti7rfqlmujcqpww4zusq	51	28	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	52	1	Jaap	Jaap	NNP
work_p4wugnti7rfqlmujcqpww4zusq	52	2	Kooijman	Kooijman	NNP
work_p4wugnti7rfqlmujcqpww4zusq	52	3	is	be	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	52	4	Associate	Associate	NNP
work_p4wugnti7rfqlmujcqpww4zusq	52	5	Professor	Professor	NNP
work_p4wugnti7rfqlmujcqpww4zusq	52	6	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	52	7	Media	Media	NNP
work_p4wugnti7rfqlmujcqpww4zusq	52	8	Studies	Studies	NNP
work_p4wugnti7rfqlmujcqpww4zusq	52	9	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	52	10	American	American	NNP
work_p4wugnti7rfqlmujcqpww4zusq	52	11	Studies	Studies	NNPS
work_p4wugnti7rfqlmujcqpww4zusq	52	12	at	at	IN
work_p4wugnti7rfqlmujcqpww4zusq	52	13	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	52	14	University	University	NNP
work_p4wugnti7rfqlmujcqpww4zusq	52	15	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	52	16	Amsterdam	Amsterdam	NNP
work_p4wugnti7rfqlmujcqpww4zusq	52	17	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	52	18	Vice	Vice	NNP
work_p4wugnti7rfqlmujcqpww4zusq	52	19	Director	Director	NNP
work_p4wugnti7rfqlmujcqpww4zusq	52	20	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	52	21	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	52	22	Amsterdam	Amsterdam	NNP
work_p4wugnti7rfqlmujcqpww4zusq	52	23	School	School	NNP
work_p4wugnti7rfqlmujcqpww4zusq	52	24	for	for	IN
work_p4wugnti7rfqlmujcqpww4zusq	52	25	Cultural	Cultural	NNP
work_p4wugnti7rfqlmujcqpww4zusq	52	26	Analysis	Analysis	NNP
work_p4wugnti7rfqlmujcqpww4zusq	52	27	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	52	28	ASCA	ASCA	NNP
work_p4wugnti7rfqlmujcqpww4zusq	52	29	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	52	30	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	53	1	He	-PRON-	PRP
work_p4wugnti7rfqlmujcqpww4zusq	53	2	is	be	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	53	3	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	53	4	author	author	NN
work_p4wugnti7rfqlmujcqpww4zusq	53	5	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	53	6	Fabricating	fabricate	VBG
work_p4wugnti7rfqlmujcqpww4zusq	53	7	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	53	8	Absolute	Absolute	NNP
work_p4wugnti7rfqlmujcqpww4zusq	53	9	Fake	Fake	NNP
work_p4wugnti7rfqlmujcqpww4zusq	53	10	:	:	:
work_p4wugnti7rfqlmujcqpww4zusq	53	11	America	America	NNP
work_p4wugnti7rfqlmujcqpww4zusq	53	12	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	53	13	Contemporary	Contemporary	NNP
work_p4wugnti7rfqlmujcqpww4zusq	53	14	Pop	Pop	NNP
work_p4wugnti7rfqlmujcqpww4zusq	53	15	Culture	Culture	NNP
work_p4wugnti7rfqlmujcqpww4zusq	53	16	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	53	17	Amsterdam	Amsterdam	NNP
work_p4wugnti7rfqlmujcqpww4zusq	53	18	University	University	NNP
work_p4wugnti7rfqlmujcqpww4zusq	53	19	Press	Press	NNP
work_p4wugnti7rfqlmujcqpww4zusq	53	20	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	53	21	2013	2013	CD
work_p4wugnti7rfqlmujcqpww4zusq	53	22	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	53	23	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	53	24	which	which	WDT
work_p4wugnti7rfqlmujcqpww4zusq	53	25	is	be	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	53	26	available	available	JJ
work_p4wugnti7rfqlmujcqpww4zusq	53	27	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	53	28	open	open	JJ
work_p4wugnti7rfqlmujcqpww4zusq	53	29	access	access	NN
work_p4wugnti7rfqlmujcqpww4zusq	53	30	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	54	1	His	-PRON-	PRP$
work_p4wugnti7rfqlmujcqpww4zusq	54	2	audiovisual	audiovisual	JJ
work_p4wugnti7rfqlmujcqpww4zusq	54	3	essay	essay	NN
work_p4wugnti7rfqlmujcqpww4zusq	54	4	‘	'	``
work_p4wugnti7rfqlmujcqpww4zusq	54	5	Success	Success	NNP
work_p4wugnti7rfqlmujcqpww4zusq	54	6	’	'	''
work_p4wugnti7rfqlmujcqpww4zusq	54	7	was	be	VBD
work_p4wugnti7rfqlmujcqpww4zusq	54	8	pub-	pub-	RB
work_p4wugnti7rfqlmujcqpww4zusq	54	9	lished	lished	JJ
work_p4wugnti7rfqlmujcqpww4zusq	54	10	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	54	11	[	[	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	54	12	in]Transition	in]Transition	NNP
work_p4wugnti7rfqlmujcqpww4zusq	54	13	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	55	1	Notes	note	NNS
work_p4wugnti7rfqlmujcqpww4zusq	55	2	[	[	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	55	3	1	1	CD
work_p4wugnti7rfqlmujcqpww4zusq	55	4	]	]	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	55	5	Jason	Jason	NNP
work_p4wugnti7rfqlmujcqpww4zusq	55	6	Mittell	Mittell	NNP
work_p4wugnti7rfqlmujcqpww4zusq	55	7	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	55	8	‘	'	``
work_p4wugnti7rfqlmujcqpww4zusq	55	9	Videographic	Videographic	NNP
work_p4wugnti7rfqlmujcqpww4zusq	55	10	Telephilia	Telephilia	NNP
work_p4wugnti7rfqlmujcqpww4zusq	55	11	’	'	''
work_p4wugnti7rfqlmujcqpww4zusq	55	12	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	55	13	[	[	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	55	14	in]Transition	in]Transition	NNP
work_p4wugnti7rfqlmujcqpww4zusq	55	15	4.1	4.1	CD
work_p4wugnti7rfqlmujcqpww4zusq	55	16	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	55	17	2017	2017	CD
work_p4wugnti7rfqlmujcqpww4zusq	55	18	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	55	19	:	:	:
work_p4wugnti7rfqlmujcqpww4zusq	55	20	http://mediacommons.org/in-	http://mediacommons.org/in-	NNP
work_p4wugnti7rfqlmujcqpww4zusq	55	21	transition/2017	transition/2017	NNP
work_p4wugnti7rfqlmujcqpww4zusq	55	22	/	/	SYM
work_p4wugnti7rfqlmujcqpww4zusq	55	23	videographic	videographic	JJ
work_p4wugnti7rfqlmujcqpww4zusq	55	24	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	55	25	telephilia	telephilia	NN
work_p4wugnti7rfqlmujcqpww4zusq	55	26	[	[	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	55	27	2	2	CD
work_p4wugnti7rfqlmujcqpww4zusq	55	28	]	]	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	55	29	Volker	Volker	NNP
work_p4wugnti7rfqlmujcqpww4zusq	55	30	Pantenburg	Pantenburg	NNP
work_p4wugnti7rfqlmujcqpww4zusq	55	31	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	55	32	‘	'	``
work_p4wugnti7rfqlmujcqpww4zusq	55	33	Towards	towards	IN
work_p4wugnti7rfqlmujcqpww4zusq	55	34	an	an	DT
work_p4wugnti7rfqlmujcqpww4zusq	55	35	alternative	alternative	JJ
work_p4wugnti7rfqlmujcqpww4zusq	55	36	history	history	NN
work_p4wugnti7rfqlmujcqpww4zusq	55	37	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	55	38	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	55	39	video	video	NN
work_p4wugnti7rfqlmujcqpww4zusq	55	40	essay	essay	NN
work_p4wugnti7rfqlmujcqpww4zusq	55	41	:	:	:
work_p4wugnti7rfqlmujcqpww4zusq	55	42	Westdeutscher	Westdeutscher	NNP
work_p4wugnti7rfqlmujcqpww4zusq	55	43	Rundfunk	Rundfunk	NNP
work_p4wugnti7rfqlmujcqpww4zusq	55	44	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	55	45	Cologne	Cologne	NNP
work_p4wugnti7rfqlmujcqpww4zusq	55	46	’	'	''
work_p4wugnti7rfqlmujcqpww4zusq	55	47	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	55	48	NECSUS	NECSUS	NNP
work_p4wugnti7rfqlmujcqpww4zusq	55	49	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	55	50	6:2	6:2	CD
work_p4wugnti7rfqlmujcqpww4zusq	55	51	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	55	52	Autumn	Autumn	NNP
work_p4wugnti7rfqlmujcqpww4zusq	55	53	2017	2017	CD
work_p4wugnti7rfqlmujcqpww4zusq	55	54	:	:	:
work_p4wugnti7rfqlmujcqpww4zusq	55	55	https://necsus-ejms.org/towards-an-alternative-history-	https://necsus-ejms.org/towards-an-alternative-history-	NNP
work_p4wugnti7rfqlmujcqpww4zusq	55	56	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	55	57	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	55	58	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	55	59	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	55	60	video	video	NN
work_p4wugnti7rfqlmujcqpww4zusq	55	61	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	55	62	essay	essay	NN
work_p4wugnti7rfqlmujcqpww4zusq	55	63	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	55	64	westdeutscher	westdeutscher	NN
work_p4wugnti7rfqlmujcqpww4zusq	55	65	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	55	66	rundfunk	rundfunk	NN
work_p4wugnti7rfqlmujcqpww4zusq	55	67	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	55	68	cologne/	cologne/	NNP
work_p4wugnti7rfqlmujcqpww4zusq	55	69	[	[	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	55	70	3	3	CD
work_p4wugnti7rfqlmujcqpww4zusq	55	71	]	]	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	55	72	For	for	IN
work_p4wugnti7rfqlmujcqpww4zusq	55	73	further	further	JJ
work_p4wugnti7rfqlmujcqpww4zusq	55	74	discussion	discussion	NN
work_p4wugnti7rfqlmujcqpww4zusq	55	75	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	55	76	Grant	Grant	NNP
work_p4wugnti7rfqlmujcqpww4zusq	55	77	’s	’s	POS
work_p4wugnti7rfqlmujcqpww4zusq	55	78	split	split	NN
work_p4wugnti7rfqlmujcqpww4zusq	55	79	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	55	80	screen	screen	NN
work_p4wugnti7rfqlmujcqpww4zusq	55	81	audiovisual	audiovisual	JJ
work_p4wugnti7rfqlmujcqpww4zusq	55	82	essay	essay	NNP
work_p4wugnti7rfqlmujcqpww4zusq	55	83	methodologies	methodology	NNS
work_p4wugnti7rfqlmujcqpww4zusq	55	84	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	55	85	see	see	VBP
work_p4wugnti7rfqlmujcqpww4zusq	55	86	Catherine	Catherine	NNP
work_p4wugnti7rfqlmujcqpww4zusq	55	87	Grant	Grant	NNP
work_p4wugnti7rfqlmujcqpww4zusq	55	88	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	55	89	‘	'	``
work_p4wugnti7rfqlmujcqpww4zusq	55	90	Déjà	déjà	NN
work_p4wugnti7rfqlmujcqpww4zusq	55	91	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	55	92	viewing	view	VBG
work_p4wugnti7rfqlmujcqpww4zusq	55	93	?	?	.
work_p4wugnti7rfqlmujcqpww4zusq	56	1	:	:	:
work_p4wugnti7rfqlmujcqpww4zusq	56	2	videographic	videographic	JJ
work_p4wugnti7rfqlmujcqpww4zusq	56	3	experiments	experiment	NNS
work_p4wugnti7rfqlmujcqpww4zusq	56	4	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	56	5	intertextual	intertextual	JJ
work_p4wugnti7rfqlmujcqpww4zusq	56	6	film	film	NN
work_p4wugnti7rfqlmujcqpww4zusq	56	7	studies’,Mediascape	studies’,mediascape	NN
work_p4wugnti7rfqlmujcqpww4zusq	56	8	:	:	:
work_p4wugnti7rfqlmujcqpww4zusq	56	9	UCLA	UCLA	NNP
work_p4wugnti7rfqlmujcqpww4zusq	56	10	’s	’s	POS
work_p4wugnti7rfqlmujcqpww4zusq	56	11	Journal	Journal	NNP
work_p4wugnti7rfqlmujcqpww4zusq	56	12	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	56	13	Cinema	Cinema	NNP
work_p4wugnti7rfqlmujcqpww4zusq	56	14	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	56	15	Media	Media	NNP
work_p4wugnti7rfqlmujcqpww4zusq	56	16	Studies	Studies	NNP
work_p4wugnti7rfqlmujcqpww4zusq	56	17	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	56	18	Winter	Winter	NNP
work_p4wugnti7rfqlmujcqpww4zusq	56	19	2013	2013	CD
work_p4wugnti7rfqlmujcqpww4zusq	56	20	:	:	:
work_p4wugnti7rfqlmujcqpww4zusq	56	21	http://www.tft.ucla.edu	http://www.tft.ucla.edu	NN
work_p4wugnti7rfqlmujcqpww4zusq	56	22	/	/	SYM
work_p4wugnti7rfqlmujcqpww4zusq	56	23	mediascape	mediascape	NN
work_p4wugnti7rfqlmujcqpww4zusq	56	24	/	/	SYM
work_p4wugnti7rfqlmujcqpww4zusq	56	25	Win-	Win-	NNP
work_p4wugnti7rfqlmujcqpww4zusq	56	26	ter2013_DejaViewing.html	ter2013_dejaviewing.html	NN
work_p4wugnti7rfqlmujcqpww4zusq	56	27	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	57	1	;	;	:
work_p4wugnti7rfqlmujcqpww4zusq	57	2	also	also	RB
work_p4wugnti7rfqlmujcqpww4zusq	57	3	Catherine	Catherine	NNP
work_p4wugnti7rfqlmujcqpww4zusq	57	4	Grant	Grant	NNP
work_p4wugnti7rfqlmujcqpww4zusq	57	5	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	57	6	‘	'	''
work_p4wugnti7rfqlmujcqpww4zusq	57	7	”	"	''
work_p4wugnti7rfqlmujcqpww4zusq	57	8	Screen	Screen	NNP
work_p4wugnti7rfqlmujcqpww4zusq	57	9	Memories	Memories	NNP
work_p4wugnti7rfqlmujcqpww4zusq	57	10	”	"	''
work_p4wugnti7rfqlmujcqpww4zusq	57	11	:	:	:
work_p4wugnti7rfqlmujcqpww4zusq	57	12	A	a	DT
work_p4wugnti7rfqlmujcqpww4zusq	57	13	Video	Video	NNP
work_p4wugnti7rfqlmujcqpww4zusq	57	14	Essay	Essay	NNP
work_p4wugnti7rfqlmujcqpww4zusq	57	15	onSmul-	onSmul-	NNP
work_p4wugnti7rfqlmujcqpww4zusq	57	16	tronstället	tronstället	NN
work_p4wugnti7rfqlmujcqpww4zusq	57	17	/	/	SYM
work_p4wugnti7rfqlmujcqpww4zusq	57	18	Wild	Wild	NNP
work_p4wugnti7rfqlmujcqpww4zusq	57	19	Strawberries’,CINERGIE	Strawberries’,CINERGIE	''
work_p4wugnti7rfqlmujcqpww4zusq	57	20	:	:	:
work_p4wugnti7rfqlmujcqpww4zusq	57	21	Il	Il	NNP
work_p4wugnti7rfqlmujcqpww4zusq	57	22	Cinema	Cinema	NNP
work_p4wugnti7rfqlmujcqpww4zusq	57	23	e	e	NNP
work_p4wugnti7rfqlmujcqpww4zusq	57	24	le	le	NNP
work_p4wugnti7rfqlmujcqpww4zusq	57	25	altre	altre	NNP
work_p4wugnti7rfqlmujcqpww4zusq	57	26	Arti	Arti	NNP
work_p4wugnti7rfqlmujcqpww4zusq	57	27	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	57	28	13	13	CD
work_p4wugnti7rfqlmujcqpww4zusq	57	29	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	57	30	2018	2018	CD
work_p4wugnti7rfqlmujcqpww4zusq	57	31	:	:	:
work_p4wugnti7rfqlmujcqpww4zusq	57	32	https://cinergie.un-	https://cinergie.un-	NNP
work_p4wugnti7rfqlmujcqpww4zusq	57	33	ibo.it/article/view/7914/8116	ibo.it/article/view/7914/8116	NNP
work_p4wugnti7rfqlmujcqpww4zusq	57	34	;	;	:
work_p4wugnti7rfqlmujcqpww4zusq	57	35	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	57	36	Catherine	Catherine	NNP
work_p4wugnti7rfqlmujcqpww4zusq	57	37	Grant	Grant	NNP
work_p4wugnti7rfqlmujcqpww4zusq	57	38	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	57	39	Amber	Amber	NNP
work_p4wugnti7rfqlmujcqpww4zusq	57	40	Jacobs	Jacobs	NNP
work_p4wugnti7rfqlmujcqpww4zusq	57	41	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	57	42	‘	'	``
work_p4wugnti7rfqlmujcqpww4zusq	57	43	Persona	Persona	NNP
work_p4wugnti7rfqlmujcqpww4zusq	57	44	Non	Non	NNP
work_p4wugnti7rfqlmujcqpww4zusq	57	45	Grata	Grata	NNP
work_p4wugnti7rfqlmujcqpww4zusq	57	46	So-	So-	NNP
work_p4wugnti7rfqlmujcqpww4zusq	57	47	nata’,MAI	nata’,MAI	NNP
work_p4wugnti7rfqlmujcqpww4zusq	57	48	:	:	:
work_p4wugnti7rfqlmujcqpww4zusq	57	49	Feminism	Feminism	NNP
work_p4wugnti7rfqlmujcqpww4zusq	57	50	&	&	CC
work_p4wugnti7rfqlmujcqpww4zusq	57	51	Visual	Visual	NNP
work_p4wugnti7rfqlmujcqpww4zusq	57	52	Culture	Culture	NNP
work_p4wugnti7rfqlmujcqpww4zusq	57	53	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	57	54	Issue	Issue	NNP
work_p4wugnti7rfqlmujcqpww4zusq	57	55	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	57	56	1	1	CD
work_p4wugnti7rfqlmujcqpww4zusq	57	57	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	57	58	Spring	Spring	NNP
work_p4wugnti7rfqlmujcqpww4zusq	57	59	2018	2018	CD
work_p4wugnti7rfqlmujcqpww4zusq	57	60	:	:	:
work_p4wugnti7rfqlmujcqpww4zusq	57	61	http://maifeminism.com	http://maifeminism.com	ADD
work_p4wugnti7rfqlmujcqpww4zusq	57	62	/	/	SYM
work_p4wugnti7rfqlmujcqpww4zusq	57	63	persona	persona	NN
work_p4wugnti7rfqlmujcqpww4zusq	57	64	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	57	65	non-	non-	NN
work_p4wugnti7rfqlmujcqpww4zusq	57	66	grata	grata	NN
work_p4wugnti7rfqlmujcqpww4zusq	57	67	-	-	HYPH
work_p4wugnti7rfqlmujcqpww4zusq	57	68	sonata/.	sonata/.	NNP
work_p4wugnti7rfqlmujcqpww4zusq	58	1	[	[	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	58	2	4	4	LS
work_p4wugnti7rfqlmujcqpww4zusq	58	3	]	]	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	58	4	See	see	VB
work_p4wugnti7rfqlmujcqpww4zusq	58	5	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	58	6	numerous	numerous	JJ
work_p4wugnti7rfqlmujcqpww4zusq	58	7	mentions	mention	NNS
work_p4wugnti7rfqlmujcqpww4zusq	58	8	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	58	9	gaps	gap	NNS
work_p4wugnti7rfqlmujcqpww4zusq	58	10	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	58	11	dialectics	dialectic	NNS
work_p4wugnti7rfqlmujcqpww4zusq	58	12	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	58	13	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	58	14	interval	interval	NN
work_p4wugnti7rfqlmujcqpww4zusq	58	15	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	58	16	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	58	17	interstitial	interstitial	NN
work_p4wugnti7rfqlmujcqpww4zusq	58	18	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	58	19	Laura	Laura	NNP
work_p4wugnti7rfqlmujcqpww4zusq	58	20	Rascar-	Rascar-	NNP
work_p4wugnti7rfqlmujcqpww4zusq	58	21	oli	oli	NN
work_p4wugnti7rfqlmujcqpww4zusq	58	22	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	58	23	How	how	WRB
work_p4wugnti7rfqlmujcqpww4zusq	58	24	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	58	25	Essay	Essay	NNP
work_p4wugnti7rfqlmujcqpww4zusq	58	26	Film	Film	NNP
work_p4wugnti7rfqlmujcqpww4zusq	58	27	Thinks(Oxford	Thinks(Oxford	NNP
work_p4wugnti7rfqlmujcqpww4zusq	58	28	:	:	:
work_p4wugnti7rfqlmujcqpww4zusq	58	29	Oxford	Oxford	NNP
work_p4wugnti7rfqlmujcqpww4zusq	58	30	University	University	NNP
work_p4wugnti7rfqlmujcqpww4zusq	58	31	Press	Press	NNP
work_p4wugnti7rfqlmujcqpww4zusq	58	32	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	58	33	2017	2017	CD
work_p4wugnti7rfqlmujcqpww4zusq	58	34	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	58	35	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	59	1	See	see	VB
work_p4wugnti7rfqlmujcqpww4zusq	59	2	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	59	3	for	for	IN
work_p4wugnti7rfqlmujcqpww4zusq	59	4	example	example	NN
work_p4wugnti7rfqlmujcqpww4zusq	59	5	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	59	6	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	59	7	dis-	dis-	NN
work_p4wugnti7rfqlmujcqpww4zusq	59	8	cussion	cussion	NN
work_p4wugnti7rfqlmujcqpww4zusq	59	9	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	59	10	these	these	DT
work_p4wugnti7rfqlmujcqpww4zusq	59	11	concepts	concept	NNS
work_p4wugnti7rfqlmujcqpww4zusq	59	12	in	in	IN
work_p4wugnti7rfqlmujcqpww4zusq	59	13	the	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	59	14	first	first	JJ
work_p4wugnti7rfqlmujcqpww4zusq	59	15	chapter	chapter	NN
work_p4wugnti7rfqlmujcqpww4zusq	59	16	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	59	17	this	this	DT
work_p4wugnti7rfqlmujcqpww4zusq	59	18	book	book	NN
work_p4wugnti7rfqlmujcqpww4zusq	59	19	,	,	,
work_p4wugnti7rfqlmujcqpww4zusq	59	20	pp	pp	NNP
work_p4wugnti7rfqlmujcqpww4zusq	59	21	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	60	1	7	7	CD
work_p4wugnti7rfqlmujcqpww4zusq	60	2	-	-	SYM
work_p4wugnti7rfqlmujcqpww4zusq	60	3	13	13	CD
work_p4wugnti7rfqlmujcqpww4zusq	60	4	.	.	.
work_p4wugnti7rfqlmujcqpww4zusq	60	5	https://screenstudies.video/	https://screenstudies.video/	NN
work_p4wugnti7rfqlmujcqpww4zusq	60	6	http://reframe.sussex.ac.uk/audiovisualessay/	http://reframe.sussex.ac.uk/audiovisualessay/	CD
work_p4wugnti7rfqlmujcqpww4zusq	60	7	http://reframe.sussex.ac.uk/audiovisualessay/	http://reframe.sussex.ac.uk/audiovisualessay/	CD
work_p4wugnti7rfqlmujcqpww4zusq	60	8	https://filmstudiesforfree.blogspot.com/	https://filmstudiesforfree.blogspot.com/	NNP
work_p4wugnti7rfqlmujcqpww4zusq	60	9	http://mediacommons.org/intransition	http://mediacommons.org/intransition	NN
work_p4wugnti7rfqlmujcqpww4zusq	60	10	https://oapen.org/search?identifier=610630	https://oapen.org/search?identifier=610630	ADD
work_p4wugnti7rfqlmujcqpww4zusq	60	11	https://oapen.org/search?identifier=610630	https://oapen.org/search?identifier=610630	ADD
work_p4wugnti7rfqlmujcqpww4zusq	60	12	http://mediacommons.org/intransition/success	http://mediacommons.org/intransition/success	NNP
work_p4wugnti7rfqlmujcqpww4zusq	60	13	http://mediacommons.org/intransition/2017/videographic-telephilia	http://mediacommons.org/intransition/2017/videographic-telephilia	NNP
work_p4wugnti7rfqlmujcqpww4zusq	60	14	http://mediacommons.org/intransition/2017/videographic-telephilia	http://mediacommons.org/intransition/2017/videographic-telephilia	NNP
work_p4wugnti7rfqlmujcqpww4zusq	60	15	https://necsus-ejms.org/towards-an-alternative-history-of-the-video-essay-westdeutscher-rundfunk-cologne/	https://necsus-ejms.org/towards-an-alternative-history-of-the-video-essay-westdeutscher-rundfunk-cologne/	NNP
work_p4wugnti7rfqlmujcqpww4zusq	60	16	https://necsus-ejms.org/towards-an-alternative-history-of-the-video-essay-westdeutscher-rundfunk-cologne/	https://necsus-ejms.org/towards-an-alternative-history-of-the-video-essay-westdeutscher-rundfunk-cologne/	NNP
work_p4wugnti7rfqlmujcqpww4zusq	60	17	http://www.tft.ucla.edu/mediascape/Winter2013_DejaViewing.html	http://www.tft.ucla.edu/mediascape/Winter2013_DejaViewing.html	VBZ
work_p4wugnti7rfqlmujcqpww4zusq	60	18	http://www.tft.ucla.edu/mediascape/Winter2013_DejaViewing.html	http://www.tft.ucla.edu/mediascape/Winter2013_DejaViewing.html	NNP
work_p4wugnti7rfqlmujcqpww4zusq	60	19	https://cinergie.unibo.it/article/view/7914/8116	https://cinergie.unibo.it/article/view/7914/8116	JJ
work_p4wugnti7rfqlmujcqpww4zusq	60	20	https://cinergie.unibo.it/article/view/7914/8116	https://cinergie.unibo.it/article/view/7914/8116	JJ
work_p4wugnti7rfqlmujcqpww4zusq	60	21	http://maifeminism.com/persona-non-grata-sonata/	http://maifeminism.com/persona-non-grata-sonata/	NNP
work_p4wugnti7rfqlmujcqpww4zusq	60	22	http://maifeminism.com/persona-non-grata-sonata/	http://maifeminism.com/persona-non-grata-sonata/	NNP
work_p4wugnti7rfqlmujcqpww4zusq	60	23	New	New	NNP
work_p4wugnti7rfqlmujcqpww4zusq	60	24	ways	way	NNS
work_p4wugnti7rfqlmujcqpww4zusq	60	25	of	of	IN
work_p4wugnti7rfqlmujcqpww4zusq	60	26	seeing	seeing	NN
work_p4wugnti7rfqlmujcqpww4zusq	60	27	(	(	-LRB-
work_p4wugnti7rfqlmujcqpww4zusq	60	28	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	60	29	hearing	hearing	NN
work_p4wugnti7rfqlmujcqpww4zusq	60	30	)	)	-RRB-
work_p4wugnti7rfqlmujcqpww4zusq	60	31	:	:	:
work_p4wugnti7rfqlmujcqpww4zusq	60	32	The	the	DT
work_p4wugnti7rfqlmujcqpww4zusq	60	33	audiovisual	audiovisual	JJ
work_p4wugnti7rfqlmujcqpww4zusq	60	34	essay	essay	NN
work_p4wugnti7rfqlmujcqpww4zusq	60	35	and	and	CC
work_p4wugnti7rfqlmujcqpww4zusq	60	36	television	television	NN