id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_qorw3ck6ynczvnknecxzwufehe	Liz Linden	Alone in the Crowd	2016	22	.pdf	application/pdf	5453	256	50	Alone in the Crowd: Appropriated Text and Subjectivity in the Work of Rirkrit Tiravanija's work, most often used to exemplify the 'convivial'1 relational aesthetics Thus Bourriaud presents relational works, literally and figuratively, as a long chain of 'Appropriation art' generally refers to practices theorised in relation to postmodernism, he uses appropriated language underscores broader political operations of his work that Thus while many, like Bishop, see Tiravanija's work as lacking political While the appropriated text in this case appears in the title of Tiravanija's work and is As in many of the appropriated elements of his works, the language Tiravanija represents to the viewer is not specifically his (or anyone's), but all of ours together, for Tiravanija's appropriations incorporate historical references beyond those texts Alone in the Crowd: Appropriated Text and Subjectivity in the Work of Rirkrit Tiravanija Alone in the Crowd: Appropriated Text and Subjectivity in the Work of Rirkrit Tiravanija	./cache/work_qorw3ck6ynczvnknecxzwufehe.pdf	./txt/work_qorw3ck6ynczvnknecxzwufehe.txt