PTS volume 24 Cover and Front matter PROSPECTS An Annual of American Cultural Studies Volume 24 Edited by Jack Salzman .Cambridge University Press] available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S0361233300000259 Downloaded from https://www.cambridge.org/core. Carnegie Mellon University, on 06 Apr 2021 at 02:04:50, subject to the Cambridge Core terms of use, https://www.cambridge.org/core/terms https://doi.org/10.1017/S0361233300000259 https://www.cambridge.org/core PROSPECTS An Annual of American Cultural Studies available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S0361233300000259 Downloaded from https://www.cambridge.org/core. Carnegie Mellon University, on 06 Apr 2021 at 02:04:50, subject to the Cambridge Core terms of use, https://www.cambridge.org/core/terms https://doi.org/10.1017/S0361233300000259 https://www.cambridge.org/core PROSPECTS An Annual of American Cultural Studies Volume 24 Edited by Jack Salzman CAMBRIDGE UNIVERSITY PRESS available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S0361233300000259 Downloaded from https://www.cambridge.org/core. Carnegie Mellon University, on 06 Apr 2021 at 02:04:50, subject to the Cambridge Core terms of use, https://www.cambridge.org/core/terms https://doi.org/10.1017/S0361233300000259 https://www.cambridge.org/core Cover Illustration "Wall Street, 1850" by A. Kollner Courtesy of the New York Library Eno Collection; Astor, Lenox and Tilden Foundations. Editorial Office: Jack Salzman, Editor, Prospects, 20 Carey Road, Great Neck, NY 11021, U.S.A. Publishing and Subscription Offices: Cambridge University Press, 40 West 20th Street, New York, NY 10011, U.S.A.; or Cambridge University Press, The Edinburgh Building, Shaftesbury Road, Cam- bridge CB2 2RU, England. Subscription Information: Prospects (ISSN 0361-2333) is published annually in softcover. Insti- tutional subscription rates for Volume 25, 2000: US $99.00 in the U.S.A., Canada, and Mexico; UK £60.00 elsewhere; for individuals: US $51.00 in the U.S.A., Canada, and Mexico; UK £33.00 else- where. Prices include postage and insurance. Back Volumes: All back volumes available. Contact the Cambridge subscription office. Copyright © 1999 Cambridge U n i v e r s i t y P r e s s . All rights reserved. No p a r t of this publication may be reproduced, in any form or by any means, electronic, photocopying or otherwise, without permission in writing from Cambridge University Press. Photocopying information for users in the U.S.A.: The Item-Fee Code for this publication (0361-2333/99 $9.50 + . 10) indicates t h a t copying for internal or personal use beyond that permitted by Sec. 107 or 108 of the U.S. Copyright Law is authorized for users duly registered with the Copyright Clearance Center (CCC) Transaction Report- ing Service, provided that the appropriate remittance of $9.50 per article is paid directly to CCC, 222 Rosewood Drive, Danvers, MA 01923. Specific written permission must be obtained for all other copying. Printed in the United States of America. available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S0361233300000259 Downloaded from https://www.cambridge.org/core. Carnegie Mellon University, on 06 Apr 2021 at 02:04:50, subject to the Cambridge Core terms of use, https://www.cambridge.org/core/terms https://doi.org/10.1017/S0361233300000259 https://www.cambridge.org/core Contents Spenser's Lexicon Blanche H. Gelfant 1 Consuming Identities: Pancapitalism and Postmodern Formations Katharine Kia Tehranian 33 Benjamin Franklin, Native Americans, and European Cultures of Civility Carla Mulford 49 Inventing Iconography on the Accessible Frontier: Harriet Martineau, Anna Jameson, and Margaret Fuller on the Great Lakes Victoria Brehm 67 The Pocahontas Story in Early America Philip Gould 99 "As the Discharge of My Conscience to God": Narrative, Personhood, and the Construction of Legal Order in 17th-Century Quaker Culture John Smolenski 117 Rewriting the Barbary Captivity Narrative: The Perdicaris Affair and the Last Barbary Pirate Paul Baepler 177 Spirituals, Freedom Songs, and Lieux de Memoire: African- American Music and the Routes of Memory Peter J. Ling 213 available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S0361233300000259 Downloaded from https://www.cambridge.org/core. Carnegie Mellon University, on 06 Apr 2021 at 02:04:50, subject to the Cambridge Core terms of use, https://www.cambridge.org/core/terms https://doi.org/10.1017/S0361233300000259 https://www.cambridge.org/core ii CONTENTS Advertising, Utopia, and Commercial Idealism: The Case of King Gillette Gib Prettyman 231 Americo Paredes's Development of a Border Outlaw John Trombold 249 The Sacred Harp Singing Tradition of Calhoun County, Mississippi Ted Olson 261 Art Theory and Psychological Thought in Mid-19th-Century America: The Case of The Crayon Dennis Raverty 285 Harriet Wilson and the White Reader: Authority and Audience in Our Nig Eileen Razzari Elrod 297 Gender Training: Male Ambitions, Domestic Duties, and Failure in the Magazine Fiction of T. S. Arthur Tim Ruppel 311 Vaudeville in American Art: Two Case Studies Laural Weintraub 339 How to Seduce a Working Girl: Vaudevillian Entertainment in American Working-Class Fiction 1890-1925 Lisa DuRose 377 Inscribing Boundaries in John Sloan's Hairdresser's Window: Privacy and the Politics of Vision Janice M. Coco 393 The Chestnuts of Edwin Austin Abbey: History Painting and the Transference of Culture in Turn-of-the-Century America Elisa Tamarkin 417 Clover Adams's Dark Room: Photography and Writing, Exposure and Erasure Laura Saltz 449 Utopia and Reality: An Image of the United States in Russian Liberal and Radical Publications (End of the 19th to the Beginning of the 20th Century) Dmitry Shlapentokh 491 available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S0361233300000259 Downloaded from https://www.cambridge.org/core. Carnegie Mellon University, on 06 Apr 2021 at 02:04:50, subject to the Cambridge Core terms of use, https://www.cambridge.org/core/terms https://doi.org/10.1017/S0361233300000259 https://www.cambridge.org/core Contents iii Jump for Joy: The Jump Trope in African America, 1937-1941 Gena Caponi-Tabery 521 Leane Zugsmith's A Time to Remember: The Recovery of a Proletarian Text Sandra Adickes and James M. Boehnlein 575 Mass Cultural Populism and the Hollywood Novel: The Case of Nathaniel West's The Day of the Locust Chip Rhodes 589 The Ex-Communist Memoirs of Howard Fast and His Contemporaries David Seed 605 Reading Saint Flannery: Modernism, Sexuality, and the Culture of Psychoanalysis James M. Mellard 625 Making Generations and Bearing Witness: Violence and Orality in Gayl Jones's Corregidora Richard Hardack 645 Notes on Contributors 663 available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S0361233300000259 Downloaded from https://www.cambridge.org/core. Carnegie Mellon University, on 06 Apr 2021 at 02:04:50, subject to the Cambridge Core terms of use, https://www.cambridge.org/core/terms https://doi.org/10.1017/S0361233300000259 https://www.cambridge.org/core